Breakin'

Breakin may have been made for one sole purpose to cash in on the break dancing phase but it's still a great film. Yeah the plot 's a bit contrived but who cares the soundtrack and dancing are great and that's all that matters.

I just viewed an old tape of "Breakin'" last night. It's been 17 years since I first viewed it at the movies. However, I can't believe the powerful effect it still has on me. Yes, admittedly, the plot is not original, the screenplay is truly by-the-numbers, and the acting is generally amateurish. Yet, in spite of these shortcomings, the movie is still catchy, sincere, and engrossing. That's because of the talented stars who really love what they do, namely, breakdancing and "poppin' and lockin'," along with the stimulating, get-on-your-feet dance music.

This movie is like a time capsule of the 80s, with hints of the future. Moreover, I still find it to be inspirational, motivational, and hypnotic. Looking at these streetdancers and the jazz dancer go after their dreams with sheer determination, talent, and grit makes me want to jump up and do the same thing! Yes, I'm nearly fifty, but looking at this movie gave me another shot of adrenalin to do what I need to do in my daily life. "Ain't no stoppin' us" is the endless musical mantra in "Breakin'"...nothing stopped the dancers, and nothing's going to stop me, either. Watch "Breakin'" for yourself, and you'll see what I mean. 9/10 Rating.

I grew up in a town of 500 people. That is important to keep in mind while I tell this story. A town of 500 people in rural Illinois. No black people. When I was in junior high, my next door neighbors went through a serious breakdancing phase, and they recruited me to be on their gang? Team? Troupe? (what do you call a group of breakdancers? Let's go with "gang" because that sounds coolest) even though I couldn't break dance. I could do exactly one move -- that worm thing where you lay on your stomach and kind of flop your body forwards from feet to head like a centipede having a full body convulsion. Except I couldn't go forwards, only backwards. We called ourselves the Pop Lockers, without a hint of irony. We made matching t-shirts by painting on white undershirts, and even tried to recreate the look of urban graffiti as only a bunch of white rural kids who've never even seen a black person can.

Even in a town of only 500 people, we managed to find a rival break dance gang (maybe the Sharks? Though I might just be confusing my memories of childhood with "West Side Story"). We were always threatening to have a break dance rumble, but it never materialized.

I didn't see "Breakin'" when I was a kid. I only just now saw it for the first time on TCM. But in retrospect I'm guessing my neighbors did, and another piece of that whole puzzle has now fallen into place.

This is not the kind of movie you review. This is the kind of movie you watch if you want to enjoy a corny, pretty bad movie, or you don't watch if you don't. My rating of it is based on how entertained I was during it, not how good a movie I thought it was.

This is also the kind of movie you watch if you want to get a brief glimpse of Jean Claude Van Damme (yes, that Jean Claude Van Damme) dancing in the background of one scene while wearing a black unitard. And let's be honest, who doesn't want to see that?

Grade: B.

Back in 1984, hip hop as a social phenomenon didn't exist. Hip hop was still the "trendy" music from New York City that somehow was gaining the attention of Hollywood. For some, it was great, for others it was the beginning of something that has yet to be recaptured, the innocence of a new and fresh musical artform, and a culture.

Nonetheless, "Breakin'" is a film that takes place in California where Kelly (Lucinda Dickey) is hoping to make it with her dancing. He goes to the beach and catches a dance routine with a few breakdancers, Turbo and Ozone. She loves it, and eventually becomes their friend. One of them finds her attractive, the other chooses to pop his way through life. Kelly's family doesn't want her to be hanging around with the "hoodlums", but Turbo and Ozone simply want to hang out and have fun. Kelly finds herself learning the street-style of dance, and treats it as a serious artform rather than a bunch of guys dancing on cardboard for the hell of it. Looking back, it seems very much like a Hollywood version of what can really happen when two cultures clash (shades of "West Side Story"), but the film has good music, good dancing, a decent story, and it looks back at a time when hip hop as a whole was trying its hardest to gain respect.

Five extra points for Lucinda Dickey, who was easily one of the more beautiful actresses of the 80's.

The plot is simple, the acting is spare, but the dancing, which is the whole reason for the show, is exceptional and still fresh after 20 years. If you love dancing, give a view. If you love dancing, it won't disappoint you.