Banho de Sangue na Casa do Terror

Bloodbath at the House of Death did have a lot of potential, a talented cast and writer and a great title being the starting points. But the execution undermines this, so in the end Bloodbath at the House of Death is a failure. It is not without redeeming merits though, the film is not badly made, Vincent Price while underused looks and sounds as though he is thoroughly enjoying himself and the Can Opener and toilet scenes are very effective. However, I just didn't find Bloodbath at the House of Death all that funny or horrifying. I do love comedy and I don't mind it when it is stupid and rude, but I've never liked it all that much when it's distasteful. And Bloodbath at the House of Death showed great distaste, the toilet humour is utterly infantile and the innuendos are incredibly smutty making the worst Carry On movie(the later entries had a lot of smut) seem tame. The dialogue is similarly unfunny, crude and somewhat stilted too, I even questioned whether Bary Cryer actually had anything to do with the writing at all. The story is very thin structurally and doesn't make any sense at all. I got the parodies but with two exceptions they seemed randomly strung together(and that is pretty much what the story was) and were too predictable and badly written to have any kind of impact. The ET parody was also rendered cheaply. The direction was leaden, and the entire cast were wasted. Only Price was good and even he deserved much better. Kenny Everett was very talented and evidently does try very hard but the quality of the humour here disallowed him to do anything interesting or fun with what he has. The rest of the cast don't make any kind of impression. All in all, a embarrassing failure for all involved. 3/10 Bethany Cox

This movie is a classic - it must be, I have been living in Russia and seen 2 copies for sale (legal of course) on DVD (converted from VHS). I still laugh just thinking about it!!! It is so corny but clever. I VAS ZE VORLDS GREATEST!!!! The music to jaws on the bass and the toilet / Hall scene. Making love with a ghost .. . then "I guess I will never see you again" The scene in the pub. The two gay men in the car.. . The song. . . . . Its just great. the thing I notice the most is there is no swearing!!! its just clever This movie is one you can watch many times and as you see it more often, you start to pick up more and more subtle things.

Bloodbath at the House of Death is a strange beast, it has the feel of a Dario Argento Film in places with the P.O.V kills and the tripped out camera work! Others it's a bawdy seaside postcode with the kind of sight gag that made Kenny Everett a household name.

As such it sits between two stools occupying a strange place in terms of Genre cinema, is it a comedy, a horror or a thriller. To be honest I doubt the cast crew or writers new at the time either!

Vincent Price for the love of all that is holy what are you doing in this??? It's a far cry from Dr Phibes and theatre of Blood! Did it amuse me, yeah! Did it scare me, only the special effects. The kills are good the ending feels akin to trapping your head in a door repeatedly but overall an interesting diversion. Not without merit but it is hugely silly!

Not from Hellraiser, but from many other movies from the 80s or before (this movie was made). ET and the Alien scene being the most prominent one I'd reckon. But there are other references and jokes/spoofs/stabs this takes on things you know. I mean it even uses a lightsaber at one point ... I wonder how much that would cost to have in your movie nowadays ... but back to this.

And just to be clear if you haven't figured it out yet: it mixes comedy and horror. I have friends who think that is a combination that is an absolute no go. They don't like it, if you feel the same way - well better not watch this. It's quite the curiosity though. Having Vincent Price in it, who I can only imagine had quite the fun time with this. Many jokes are silly, but if you roll with them, you can still enjoy them.

There is still enough blood and violence ... not enough to warrant the title mind you, but I would assume they used that in a funny self deprecating way! A weird little movie with surely a weird (in a good way) fan base for it.

Edit: I re-watched this the other day ... and have to admit, I really more than enjoyed the re-watch ... I had forgotten many things ... and this was really funny ... especially the first half ... there is the cringe Poltergeist/invisible man scene I reckon ... might not play in the best way ... but enjoy this for what it is if possible ... silliness galore! With a Price - no pun intended ... he always lends gravitas.

Kenny Everett was a zany comic who started out as a DJ in the 1960s before fronting a prime time TV comedy show in the 1980s. This 1984 film is his only attempt at a big screen offering. Kenny died of AIDS-related illness in 1995, aged 50.

The film is a Hammer horror spoof, though many other films and genres are spoofed along the way. It is written by Barry Cryer, who appears in the title sequence. Eight scientists (including Kenny and, more plausibly, Dr Pamela Stephenson) investigate an old house where, 18 years earlier, 18 people were killed there in one night. The others are played by John Fortune, Sheila Steafel, Don (Rising Damp) Warrington, Gareth (coffee ads) Hunt, Cleo Rocos and John Stephen Hill. All were well known 80s British personalities but not entirely convincing as scientists!

The best known actor here is Vincent Price, though he only appears in a few scenes, as the 'sinister man'. Pat Ashton's appearance as the murdered barmaid marked her last appearance in a run of 20 years of British comedy shows before she disappeared, which is a shame as she was always good fun. It pretty much also marked the end of John Stephen Hill's acting career though he is better mapped as he went on to immerse himself in his Jesuit faith.

The film is a bit hit and miss, like Everett's TV shows - lots of scenes that don't really work, interspersed with occasional moments of genius. It is the only opportunity to see Everett on the big screen, and it represents a peak of sorts in early 80s British comedy. I don't want to judge it too harshly.