Vale da Morte

This one has some terrible dialogue and sub par special effects. It also has an alcoholic Aldo Ray as some kind of government employee. Angelique Pettyjohn shows off her "assets" in a few scenes but her wig is obvious and nearly falls off! The alien monster is the director's son. The plot revolves around Angelique's ability to channel psychic vibes and transfer creatures (and a tiny little statue!?!) from outer space to the Earth. Of course this is done with the help of a scientist and his laboratory deep in the southwest, probably where many westerns of the 50s and 60s were filmed. A lot of the scenes are shot at night. There's also a little gore and some creature makeup. Good late night viewing! Especially if you put your brain on idle for a while. 3 out of 10 .

Biohazard (1985) is a movie that I recently watched on Tubi. The storyline follows a science experiment gone wrong that creates a monster with psychic abilities that can reproduce quickly. Can the scientists survive the creature and stop it before taking over the planet?

This movie is directed by Fred Olen Ray (The Phantom Empire) and stars Aldo Ray (We're No Angels), Angelique Pettyjohn (Repo Man), Bret Miller (Some Are Born), David O'Hara (Nightingale: A Melody of Life) and Art Payton (Never too Young to Die).

The costumes, sets and props are a lot of fun and classic 80s. The alien is a man in a costume and looks like it, but it's still fun to watch. As you would expect in this picture there's lots of flashes of topless scenes and the ladies are absolutely gorgeous. The cast delivers strong performances and the dialogue is well written with some fun comedy and zings. The horror special effects are limited and the kills are fairly mediocre, though the baby creatures were entertaining. There is a nice twist at the end.

Overall, this is an above average addition to the science fiction horror genre that I would score a 5.5/10 and strongly recommend.

I couldn't believe some of the horrible dialog coming out of people's mouths, and the end reel of bloopers attached to body of the film was a real hoot. And we get titty shots of Angelique Pettyjohn (sort of) and Loren Crabtree to boot.

A teleportation device activated by psychic Angelique Pettyjohn brings an alien container to an underground lab out in the desert. According to director Fred Olen Ray, they were leftover sets from the Klaus Kinski film, ANDROID which gives the film an increased value beyond how cheap it looks.

Inside the container is a midget alien (played by Ray's son) who starts clawing people to death. It was pretty funny watching this little 'creature' in a black reptile suit with what looks like large beetle shells attached to it, running around in the dark. We even get to see the little thing stamp and tear at a poster of ET, which I thought was hilarious.

And then there's what looks like a snake that also comes out of the container that gets hammered to death by William Fair, after the mini creature chews into Frank McDonald's neck in the kitchen. A low budget take on ALIEN, I suppose...

The whole thing ends abruptly, looking like they ran out of film at the end before the blooper reel comes in with the end credits. Talk about a lack of funding...

Fred Olen Ray also mentions in the director's commentary that they also weren't sure if Aldo Ray would make through the shooting and remember his lines. He barely did.

Low budget cheese sneeze. It's fun to watch, I'll grant ya that.

4 out of 10

I was always curious about this film because it is so tough to find, so when I stumbled upon it on Ebay I forked over the $10 and bought it, now I understand why its so rare! This film is SO bad, so terribly written and hopelessly low budget that the ending credits, which show all of the cut scenes where they fumbled their lines, are literally the movie's highlight. The film is about a psychic (Pettyjohn) whom uses her powers with an experimental machine to pull objects from another dimension into this reality. When she pulls in some kind of box like object the military nonchalantly throws it into the open back of a truck with one soldier to guard it, and gee, what do you know? SURPRISE! A kid in a foam-rubber monster costume pops out, instantly kills the soldier with a scratch across his face, then escapes to a nearby city. But rather than deploy half the armed forces of the county to find it and protect the public those in charge just leave it up to Pettyjohn and Ray to find it on their own, but no matter, this movie blows all its credibility LONG before then. This barely escapes being voted a 1 by me only because of unintentional laughs, somebody needs to alert the producers of "Mystery Science Theater 3000" if they don't know about it already! 2 out 10, really, REALLY bad!

Some Typical Scientists are up to ridiculous things in "Biohazard". Working in isolation in rural America, they're experimenting in transferring matter from other dimensions. One object that they successfully transfer is a container; said container just so happens to have a creature inside it. Naturally, the creature gets loose, and slaughters various unlucky dummies. Supposedly the creature only does this out of fear, but who knows? The hero on the case is the intrepid Mitchell Carter (William Fair), who hooks up with Lisa Martyn (sexy Angelique Pettyjohn), a psychic working on the project.

This offering from the prolific B movie veteran Fred Olen Ray was two years in the making, as hard as that may be to believe. It looks like it could have been cobbled together in a matter of days. It's *that* cheap and *that* inept. Still, like so many other movies of this variety, it entertains in its own stumbling way. A lot of the elements required for such a lark are present and accounted for: laughable acting across the board (star attraction Aldo Ray, who's actually barely in the thing, is visibly drunk), a serving of bare breasts, an utterly horrid rubber creature suit (worn by the directors' son Christopher, who was just five years old at the time), wonderfully tacky gore as the monster mutilates its victims, a delicious synth score, a respectable amount of cheese, etc. That's Carroll Borland from Tod Brownings' 1935 film "Mark of the Vampire" as local woman Rula Murphy.

The ending is sudden, VERY silly, and unsatisfying, and it does lead one to believe that the production just ran out of time and money. After that, we get a very protracted end credits sequence that's padded out with plentiful outtake footage - which isn't all that funny.

If you adore bad movies, you might like this one, but fair warning: there's often more talk than action, and sometimes it's kind of dull. It does have one hilariously stupid moment involving an "E.T." poster.

Ray and assistant director Donald G. Jackson play the medics.

Five out of 10.