Adicionar um enredo no seu idiomaHigh-schooler Molly secretly earns her living as Angel, a street prostitute whose only family and friends are the ones she works with on the streets. She must survive against a serial killer... Ler tudoHigh-schooler Molly secretly earns her living as Angel, a street prostitute whose only family and friends are the ones she works with on the streets. She must survive against a serial killer who is targeting people of her profession.High-schooler Molly secretly earns her living as Angel, a street prostitute whose only family and friends are the ones she works with on the streets. She must survive against a serial killer who is targeting people of her profession.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória no total
- Spike
- (as Josh Cadman)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This isn't Shakespeare, it is what it is. The use of La is fantastic, the soundtrack is great. Director Andrew Davis ( the Fugitive) worked on the photography. Donna Wilkes (where have you gone Donna?), is simply so precious, so innocently sexy, she takes your'e breath away. Rory Calhoun, matinée idol in the '50s, is totally whacked out here, he's surreal as Kit Carson(!) Cliff Gorman does a great job as the cop whose seen too many young kids sucked into the sewer of LA, he should have gotten better parts after this. Dick Shawn, who I never really liked, is just great here, a totally sympathetic drag-queen! WOW! Susan Tyrell is awesome as always,s he repulses and fascinates in the same frame.
Angel is the type of late-night viewing that really sticks with you. The plot is complicated by a serial killer, well-played by John Diehl, and you really feel the tension build. Note the small performances in Angel, the guy who plays the street performer was in love with one of the murdered prostitutes, notice his face when he learns of her brutal death. Terrific.
Angel is well worth your trouble, sure it reaches out to the slimy pervert in all of us, but it makes you think at the same time. Is it ever worth it? To damage one person so severely just to get off?
Terrific movie.
On the surface, it's a fairly conformable psycho-slasher crime picture with a heapin' helping of tittie and some very dodgy scenarios. But there's a distinct tongue-in-cheek subtly underlying the obvious pastiche of ANGEL, implying a wry sendup of the base material. Too, it joyously celebrates its own trashy nature with a good sense of humor about itself, yet still maintains a steady momentum of raw tension, violent action, and crisp direction.
With the surprising box office this film generated, a string of inferior but inevitable sequels followed(without the lovely Ms. Wilkes). Next up was AVENGING ANGEL.
7.5/10
The other route the movie could have gone down is presenting the situation in a serious manner. Unfortunately, not much is done this way as well. We have crazy characters, but they really don't do much, nor do we learn much about them. Street life is also presented to be overall not a bad way to live. There are some believable complications that come up in the heroine's life, but once they come up they are barely dealt with. Possibly the reason for this is that the movie seems cut down seemingly from a longer cut. It would also explain why the movie at times jumps unbelievably quick from scene to scene before anything of real importance has the chance to come up.
The movie still remains strangely watchable all the same. Still, one cannot help but see so much wasted potential.
As most people who watch movies can relate, the enjoyment of a movie is not as a critic would describe. If you can feel the emotions of the characters, you can love them. If you can relate to the characters, you can befriend them. If you can care about the characters, the writers did their job, and you are now hooked. While Angel will not likely be a model in film school as one of the great classics, nor as an example of how to make a great movie, it is a highly entertaining film. You can feel the characters, even though they are not deeply constructed. The exception being Angel herself, whom you can see the wear and tear she goes through as an honor student and a prostitute.
I firmly believe that there is a message to be heard here, a storyline full of life, fun and adventure. Granted, it is not the best kept together, it does do the trick of conveying the message of the story across. The film allows you to care for the star, feel for the star, and cry with the star. A compassionate film that has supporting cast as abstract as could be, a little far fetched, maybe... but who really knows what kind of characters are really out there on the streets. But their conveyances of who they are allows you to realize their sense of why they are there. They are scared, they need the money, or they love it. Each supporting role as different as the others, but allows you to see the richness of the film in its entirety.
I thoroughly enjoyed this film numerous times, and am sure that you will too. Regardless of critical un-acclaim, most filmgoers can still see the enjoyment in a movie. Give every movie a chance. Especially Angel, as it is one of the finer forms of the un-acclaimed heroes in rental today
Você sabia?
- CuriosidadesDonna Wilkes was 23 years old when she played the 15-year-old high-school student/prostitute.
- Erros de gravaçãoDuring the final chase scene, Molly/Angel is using a large-caliber, long-barreled revolver which should chamber a maximum of six shots. She fires six times during the chase. Then the gun is taken away from her and fired a seventh time. There is no indication that she was carrying extra rounds, or stopped to reload if she had.
- Citações
Patricia Allen: Listen, fuck-face! I used to work for the city health department and you got so many violations in this flea trap that one phone call downtown would put your ass in court so fast you wouldn't have time to wipe it, let alone pull your pants up. Do you get my drift?
- Versões alternativasThe version sometimes shown on commercial televison contains footage omitted from the theatrical release, most notably the epilogue sequence. In this scene, Lt. Andrews is driving Molly to his parents' house, where she'll now be living. Another scene that takes in the police station has Molly returning to Lt. Andrews' office to apologize for a rude remark ("You're just a damn cop!") she made earlier.
- Trilhas sonorasSomething Sweet
Written by Pamela Neal, Bernard Dunaux, Matt Preble and Bebe Cross
Performed by The Allies
Principais escolhas
- How long is Angel?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Angel
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.300.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 17.488.564
- Fim de semana de estreia nos EUA e Canadá
- US$ 2.214.824
- 15 de jan. de 1984
- Faturamento bruto mundial
- US$ 17.488.564
- Tempo de duração1 hora 34 minutos
- Mixagem de som
- Proporção
- 1.85 : 1