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IMDbPro

Ziggy Stardust and the Spiders from Mars

  • 1979
  • PG
  • 1 h 30 min
AVALIAÇÃO DA IMDb
7,5/10
3,1 mil
SUA AVALIAÇÃO
Ziggy Stardust and the Spiders from Mars (1979)
ConcertDocumentaryMusic

David Bowie se apresenta como seu alter ego Ziggy Stardust pela última vez no Hammersmith Odeon, em Londres, em 3 de julho de 1973.David Bowie se apresenta como seu alter ego Ziggy Stardust pela última vez no Hammersmith Odeon, em Londres, em 3 de julho de 1973.David Bowie se apresenta como seu alter ego Ziggy Stardust pela última vez no Hammersmith Odeon, em Londres, em 3 de julho de 1973.

  • Direção
    • D.A. Pennebaker
  • Artistas
    • David Bowie
    • Mick Ronson
    • Trevor Bolder
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,5/10
    3,1 mil
    SUA AVALIAÇÃO
    • Direção
      • D.A. Pennebaker
    • Artistas
      • David Bowie
      • Mick Ronson
      • Trevor Bolder
    • 27Avaliações de usuários
    • 30Avaliações da crítica
    • 58Metascore
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos16

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    Elenco principal13

    Editar
    David Bowie
    David Bowie
    • Self…
    Mick Ronson
    Mick Ronson
    • Self - Guitar and Vocals
    Trevor Bolder
    • Self - Bass
    Mick Woodmansey
    • Self - Drums
    • (as Mick Woodmansy, Woody Woodmansey)
    Ken Fordham
    • Self - Sax, Flute
    Brian Wilshaw
    • Self - Sax, Flute
    Geoffrey MacCormack
    • Self - Backing Vocals, Percussions
    John 'Hutch' Hutchinson
    • Self - Guitar
    Mike Garson
    Mike Garson
    • Self - Piano, Mellotron, Organ
    Jeff Beck
    Jeff Beck
    • Self
    • (não creditado)
    Angie Bowie
    • Self
    • (não creditado)
    Maureen Starkey
    Maureen Starkey
    • Self
    • (não creditado)
    Ringo Starr
    Ringo Starr
    • Self
    • (não creditado)
    • Direção
      • D.A. Pennebaker
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários27

    7,53.1K
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    10

    Avaliações em destaque

    8davidpena-24584

    Like Bowie? Go see this!

    I just got back from seeing the restored version of Ziggy Stardust and the Spiders from Mars and I have to say I was pleasantly surprised. Though the concert film does have some shortcomings as mentioned in other reviews what it does have going for it is the music. The clarity of the music being played is extraordinarily clear and powerful. The band is tight and Mick Ronson plays his ass off. I never new he played so well. In addition, Jeff Beck makes a cameo appearance and plays two songs with the band. Jeff Beck plays a couple of cool solos as well. Though most of the focus is on David and Mick we get the full concert from beginning to end with a couple of backstage shots. If you are even a bit interested go see it. You won't be disappointed.
    10GeorgyGirl

    A Slice of Rock History

    I have absolutely no idea what movie the vast majority of commenters were watching... For a start, Pennebaker's style of documentary is grainy and gritty through *choice* not "amateurism". It's called REALISM. I first saw "Ziggy" in a movie theatre in Germany and was completely blown away by its energy and freshness. I think it's a sad state of affairs that modern audiences are so dulled by CGI and DVD extras, that they can't appreciate a mind-blowing piece of cinema verite like this. This movie captures all of the sweat, hysteria and sheer balls of Bowie's final performance as Ziggy Stardust, and it's incredible.
    lefty-11

    More than an antique curio item, "Ziggy" is both entertaining and strangely revealing

    Bowie is clearly enjoying himself here, although today he claims to find this record of the Spiders final show unwatchable. The costuming IS spectacularly dated and Ziggy's antics do more to camp up a storm than forewarn of an imminent apocalypse. Aside from the music though, there is more going on here than silly, decadent posturing. Backstage musings by Bowie are suggestive of why he is not merely a relic from a past era: there is inherent tension between the public persona and the demand to discover the "real" Bowie. Rock music has since split into 2 positions along these lines: for the most part, the English traditions of camp and irony have served as a distancing device from the demands of an "authentic" self which can impose on others in an intrusive way- Jewel's folk music/"Knight Without Armor" is merely the latest manifestation of the latter tendency (also, despite the hatred of hippies, Nirvana ironically shared their "no hang ups" philosophy in their "Come As You Are" period). Ziggy was, at the time, the most extreme movement away from the "authenticity" of Woodstock Nation in which there was nothing separating the performer and the audience...been an "alien being" also guaranteed a spectacular show for record buyers who may otherwise have had little interest in live music given the high fidelity improvements in recording technology and home sound systems which were starting to become available. It is the irresolvable tension between these two tendencies toward camp/authentic which helps generate the excitement of the audience captured in this film, and which can still inspire interest and enjoyment today.
    6life_on_screen

    It's really all about the hair

    Don't come expecting plot: Ziggy Stardust and the Spiders from Mars is just a concert film, recorded at the last show of David Bowie's "Ziggy Stardust" tour at the Hammersmith Odeon in London, July 3rd, 1973. However, to say it's _just_ a concert film doesn't quite cover the bases... Let's be blunt: if you like the idea of the 26-year-old Bowie in a skimpy satin tunic and boots, growling into a microphone and spreading his thighs for the fans, then you're going to love this film. If that idea does nothing for you -- and, frankly, if it doesn't then I think you're missing one of life's great kicks -- then you're not the target audience.

    I should add that there are also five or six costume changes, some amusing backstage conversation, plenty of shots of the audience (apparently mostly fourteen-year-old girls in varying states of sexual ecstasy), and some rather scorching extended solos from lead guitarist Mick Ronson. Oh, yes: and I shouldn't forget to mention that Bowie's showmanship is amazing and the musical performances range from interesting to excellent -- there's a truly fabulous version of "Cracked Actor," for instance, with Bowie maintaining a surprising level of fierceness while playing harmonica and draped in a satin kimono.

    Beyond the music -- "Ziggy" staples like "Changes," "Space Oddity," "My Death," "All The Young Dudes," etc., as well as covers of the Rolling Stones' "Let's Spend The Night Together" and Lou Reed's "White Light, White Heat" -- the visual imagery is what really makes this interesting. The come-hither hip-shaking of "Moonage Daydream," or the guitar-sex-flavored performance of "Time" (with Bowie in unitard, garter and feather boa), all make this a fantastic education in what Bowie's original aesthetic -- and sex appeal -- were all about.

    Personally, I think this is a _Gesamtkunstwerk_ -- that is, a total work of art -- and should probably be beamed into outer space for the aliens to have fun with. But you can probably figure out which segment of the audience I fall into.

    P.S.: By the by, Todd Haynes' Velvet Goldmine made a hell of a lot more sense after I'd seen this film.
    8PCC0921

    Bowie was born on January 8th

    This concert-film, mixed with concert footage, backstage looks and interview clips, highlights Bowie at his best. It is situated in a rock era that was actually coming to an end. Glam-rock was a new style that was very hot in the UK and it got its start in 1971. It would be the style that would help Bowie launch his career from performer to star. It was a style that would end its own reign by 1975. Bowie, after a slow start in the late 60s, would work in experimental music and styles. He again emerged in 1972 as the colorful and asexualized, alter ego, Ziggy Stardust. Complete with, psychedelic colors, gritty film stock and lot of awesome rock-and-roll, this film is an androgynous, flamboyant spectacle.

    Be aware that this film is listed as 1983 also, because it was released in 1973, but only in a few theaters and film-festivals. It wasn't until Bowie got really huge in the 80s that the film was re-released ten years later. The film had a number of problems with the shooting of the concert. Director D. A. Pennebaker, who was only planning on shooting 20 minutes' worth of the concert, was so taken in by Bowie's amazing aura on stage, that they changed plans and shot the whole thing. Unfortunately, that caused extra challenges due to lack of cameramen, audio issues and lighting problems between the stage and the audience.

    His simple solution for the lighting was telling everyone to take as many photos as possible so the flashes would help with the lighting issue. The initial release of the film in 1973 was deemed a sloppy mess. Even Bowie, who said in the film, that this was their last appearance as the Spiders From Mars, who would bail on the Ziggy persona a year or two later, lost interest in the film, because of the delays in getting the technical issues fixed, until they were able to clean things up for the 1983 re-release.

    If you ask me those technical issues are what make this film so great. The grittiness of the film grain, because of the low light, the streakiness of the lights and colors, because of the film stock and the edgy, vinyl recording sound, all help to create this mood that I feel Bowie was trying to convey.

    Bowie is all smiles throughout this film too. He obviously is having a lot of fun and thoroughly enjoys his craft. Even in moments when things get serious you still feel a playful positive mood coming off of him and out of the screen. His talent is beyond amazing, especially when you consider this was very early in his career. They do an amazing version of Space Oddity. All the songs are well done. This is a definitive version of what a cool concert film can be and it is even more interesting when you think about the fact that he would have an even more amazing career for the next 40 years after this.

    7.8 (B- MyGrade) = 8 IMDB.

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    Enredo

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    • Curiosidades
      Jeff Beck guested on guitar in two songs and was supposed to have been in the film, but asked not to appear in it because he felt his solos and his appearance, looking more like a '60s blues rocker than Bowie and the Spiders' theatrical outfits didn't quite fit the movie. His performances have been added to the film for its 50th anniversary re-release.
    • Citações

      David Bowie: What do you know about make-up? You're Just a Girl.

    • Versões alternativas
      The 50th anniversary re-release has been restored in 4K picture and sound, and features two previously un-released songs featuring Jeff Beck in the encore (specifically "The Jean Genie" and "Round and Round").
    • Conexões
      Edited into In Concert: Bowie '73 with the Spiders from Mars (1974)
    • Trilhas sonoras
      Ninth Symphony
      Composed by Ludwig van Beethoven

      Arranged and Performed by Wendy Carlos

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    Perguntas frequentes14

    • How long is Ziggy Stardust and the Spiders from Mars?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 23 de dezembro de 1983 (Reino Unido)
    • País de origem
      • Reino Unido
    • Idioma
      • Inglês
    • Também conhecido como
      • Bowie '73 with the Spiders from Mars
    • Locações de filme
      • Hammersmith Odeon, Hammersmith, Londres, Inglaterra, Reino Unido(concert venue)
    • Empresas de produção
      • Mainman
      • Bewlay Bros.
      • Miramax
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 162.547
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 6.816
      • 14 de jul. de 2002
    • Faturamento bruto mundial
      • US$ 565.228
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 30 minutos
    • Cor
      • Color
    • Mixagem de som
      • Mono
      • Dolby
    • Proporção
      • 1.33 : 1

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