Uma menina judia se disfarça de menino para entrar no treinamento religioso.Uma menina judia se disfarça de menino para entrar no treinamento religioso.Uma menina judia se disfarça de menino para entrar no treinamento religioso.
- Direção
- Roteiristas
- Artistas
- Ganhou 1 Oscar
- 6 vitórias e 17 indicações no total
- Peshe
- (as Lynda Barron)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The story has been modified for the film in that the role of Yentl is somewhat older and her internal dialogue is fleshed out in the form of songs. A sort of musical narrative solely from her perspective.
The opening song "Where Is It Written", the soulful "Papa, Can You Hear Me?", "The Way He Makes Me Feel" and the closing "A Piece of Sky" are some of the stand-out performances. This is Streisand's first directing effort and she was the first woman to win a Golden Globe for it. She pulls solid performances from everyone and tells her story with a fresh sense of style rarely seen in film today. There are moments when Streisand lingers a bit long to make sure you "feel" what she is trying to convey. Her subsequent directorial efforts, the 1991 "The Prince of Tides" and the 1996 "The Mirror Has Two Faces" are more fluid. Avigdor's concern over his affection for "Anshel" is not adequately explored, but the "girl marries girl" theme is approached with great humor and tact.
For music fans, check out the "Yentl Medley" from the 1994 "Barbra - The Concert" and the soundtrack album, which contains studio versions of "The Way He Makes Me Feel" and 'No Matter What Happens". Her 1991 box set "Just For the Record" includes "The Moon and I" which was written for this film but never used.
At the end, Streisand dedicates this film to her father, and all our fathers... I'm sure he would be very proud.
*Academy Award for Best Score* *Grammy nominations for TWO songs*
People hate this film because Barbra is in it. She is wonderful. I get tired of hearing people say that "Barbra was too old" for the role. Well she doesn't play "Yentl" that was from the short story. She plays Yentl in her 30's. HEr father from the book is even aged by 20 years.
The story of this film is that the main character has a thirst for learning. After her father's death she disguises herself as a man so she continue her studies in a time where women's higher education was forbidden.
Yentl then falls in love with a man who unknown to him that his new best friend happens to be a woman.
My only problem with this film is that it is a little long but it is never boring. In my opinion if this film was directed by a man we would still be singing the films praises today.
First of all, the music is magnificent. Michel Legrand wrote songs that are both perfect for the movie and can be taken out of context as concert material (some of them, anyway--"Papa, Can You Hear Me?" is somewhat of a stretch). However, I was supremely disappointed that Mandy Patinkin doesn't sing a note in this movie. Obviously, the movie was meant for Barbra--it was HER baby--but still. Why cast Mandy as your leading man (and he was very appealing, I must say) in a "movie-musical" and not write a single song for him? Gah.
And to everyone who says that the movie is not credible because Barbra could never pass as a man, I say listen to the soundtrack. There's a lyric in "Tomorrow Night" (the one about her wedding to Hadass) that says "They may have eyes but they don't see,/They never really look at me./People are blind!/How else would everyone believe me?" Yentl didn't think that her plan would ever work, but people are easily deceived by her man's clothing.
Anyway. I liked this movie very much, and I certainly recommend it, but I can see how, if one can't stomach Barbra Streisand, it might be a bit jarring and obnoxious.
7.5/10
Você sabia?
- CuriosidadesBarbra Streisand hand-picked Mandy Patinkin for this movie, and he politely declined several times because he did not like the script. He was eventually invited to Streisand's house where they could discuss the parts he wanted to change. He then agreed to be in the film.
- Erros de gravaçãoThe final scene (on the ship to America) begins with a Jewish child supposedly reading a book, while following his reading with a finger on the lines of text. The book is visibly in Hebrew, language were reading is done from right to left. Yet, the child's finger goes from left to right.
- Citações
Yentl: Why is it that every book I buy, every bookseller has the same old argument?
Yentl's Father: You know why.
Yentl: I envy them.
Yentl's Father: The booksellers?
Yentl: No, not the booksellers, the students. Talking about life, the mysteries of the universe and I'm learning how to tell a herring from a carp.
Yentl's Father: Yentl, for the thousandth time, men and women..."
Yentl: [cuts him off] have different obligations, I know, but...
Yentl's Father: [cuts her off] and don't ask why.
Yentl's Father: [sees her disappointment] Go on, get the book.
Yentl: Thank you, papa!
Yentl's Father: The shutters, darling.
Yentl: We don't have to hide my studying from God, then why the neighbors?
Yentl's Father: Why? Because I trust God will understand. I'm not so sure about the neighbors.
- Cenas durante ou pós-créditosAt the very end of the closing credits: This film is dedicated to my father... and to all our fathers.
- ConexõesEdited into Barbra Streisand: Papa Can You Hear Me (1984)
- Trilhas sonorasWhere Is It Written?
(uncredited)
Music by Michel Legrand
Lyrics by Alan Bergman and Marilyn Bergman
Performed by Barbra Streisand
Principais escolhas
Detalhes
Bilheteria
- Orçamento
- US$ 12.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 40.218.899
- Faturamento bruto mundial
- US$ 40.219.251
- Tempo de duração2 horas 13 minutos
- Mixagem de som
- Proporção
- 1.85 : 1