The Wind in the Willows

together with jeremy brett's sherlock holmes and the burlesque of allô allô, this was a landmark for a very young admirer of brit-fashioned TV productions. i saw this for the very first time on the telly and i suppose this was but the movie of the series. today i know this movie is a fair piece of artwork that moulded my life: i teach English. the characters are so exquisite and the scenario is state-of-the-art tasteful paintings. the Gothic side of the movie is also an allurement to it. when mole leaves in search of badger, part of the tone of the movie is clear: there's true darkness in those woods. that darkness is also stressed through the gory mole's fingernails. there's much violence, too, for those who like a pinch of tavern-like brawl. it's a sweet translation into moving pictures of a great story for parents to read their kids when they misbehave and have problems with the increasing, and at times puzzling, importance of friendships in their lives. there's the hilarious water-dancing of the ducks in the river and the truly tiresome teenager frog. beautiful. beautiful.

I say this as a lover of Kenneth Grahame's wonderful book, and I do agree wholeheartedly with anyone who says it is one of the best versions. The stop motion animation is very effectively rendered, while the writing and storytelling is absolutely excellent, while they remain loyal to the book's tone and details they also have a lot of charm and infectiousness about them.

The characters are immensely engaging and also stick to the characters of the book. And of course the voice acting is wonderful, especially David Jason who is a hoot as Toad.

Overall, this adaptation is wonderful and one of the best versions. If you haven't seen it, do, you will not regret it. 10/10 Bethany Cox

This is legendary animation and a classic of British Tevevision.

The well known Kenneth Gramhame novel is given glorious treatment in stop-motion animation style (before the days of popular Aardman). The animation is perfect, depicting all the colours and textures of the British countryside, and the impressive cast plays to perfection, such as the gruff, unforgettable Badger played by Sir Michael Hordern, the wise, dry Ratty played by Ian Carmichael, and the thoughtful, sensitive mole by Richard Pearson, and the infectious clown Toad played by David Jason.

There are also ingenious visual ideas and direction such as Badger's echoing lecture in the library, and Mole's encounter with the weasels in the wild wood. This is beautiful, atmpospheric stuff for all ages, plus the songs are great, and the theme music is one of the most beautiful pieces of music ever! I can't remember who wrote it - but whoever did deserves some high recognition!!!! In fact, this was later developed into an equally great series, one for each of the seasons, and Peter "Wallace and Gromit" Sallis took over the job of voicing Ratty, but the rest of the cast remained.

In short, they're all perfect! Take that, Disney!

As someone who loved Kenneth Grahame's book "The Wind In The Willows" - my father used to read it to me a lot when I was little - I have seen many TV/film/theatre adaptations of the story. But it was this 1983 feature length film by Rosemary Sisson (produced by the great animation team of Brian Cosgrove & Mark Hall) that, for me, ranks as perhaps the best of the lot. This was perhaps the most faithful adaptation to Grahame's book, and in my opinion, it was this adaptation that got it absolutely spot on!

Everything about this version is excellent - this was exactly the characters and scenes as I imagined them from when my father read me the story and from when I was old enough to read them myself. The Edwardian scenery was just perfect. The often poignant and sometimes hilarious incidental music was awe-inspiring. And the theme tune was so beautiful, so relaxing, and so heart-wrenching all at once!

As for the characters and voice actors... They simply couldn't have made a better choice for Mr. Toad than the fantastic David Jason, who takes to his part with passion and vigour. The great Ian Carmichael's warm, friendly and dry manner was totally perfect Ratty (what a pity they couldn't keep him for series that followed on from this film), and Sir Michael Hordern's gruff, husky and stern yet kind voice made a fabulous Badger. Richard Pearson as the shy and sensitive but lovable Moley was very good too, while Brian Trueman and Una Stubbs were great in their supporting roles. The Weasels are great villains, and some of the scenes, while rather dark and scary, evoke exactly the view and words of Kenneth Grahame.

And then there's the songs. David Jason's "The Open Road" still makes my head turn to the screen even now, and Ian Carmichael singing the Ducks' Dance followed by the amazing sequence of the clay puppet ducks performing a well-timed dance routine... Well, you have to see it to believe what an incredible experience it is.

Whether a child or an adult, this film is an experience to be treasured!

The stop motion animation is simply wonderful, the characters exquisitely rendered, the actors delightful, the script true to the spirit of the original. This will be enjoyed on different levels by both children and adults. It is decidedly NOT merely for children, anymore than "The Nightmare Before Christmas." This is a beautiful and timeless production that deserves to live forever.