De Volta para o Inferno

A rousing men-on-a-mission action-adventure with an angry political message, this covers the same ground as Rambo 2 and is almost as entertaining. The great Gene Hackman plays Colonel Rhodes, a father haunted by his son's disappearance behind enemy lines during the Vietnam War. For years he tries, and fails, to convince the US government to help him find Frank. In a last-ditch attempt, he recruits several of Frank's comrades-in-arms, who each, in his own way, has unfinished business with the war, to join him on a daring rescue mission.

What follows is a by-the-numbers but stirring action film, with an extremely likeable cast including Fred Ward, Tim Thomerson, and a young Patrick Swayze. James Horner provides another of his brilliant 80's action scores, by turns haunting and pulse-quickening. The set-up and training sequences are rock solid and fun, and the final rescue mission is downright exciting. I liked it better than The Dirty Dozen, which had way too much comedy for me to take it seriously. Uncommon Valor strikes a much better balance between popcorn heroics and its more sobering themes, both human and political. It's an underrated film, one I never tire of watching.

This is probably one of the best movies I have watched. Period. I'm not gonna dwell into the plot (a bunch of other guys here already did). So what I will say is that it is indeed as realistic - in terms of the actors who played the veterans called upon to settle some "unfinished business", the fears that viet vets harbor even after all these years, and the realistic nature of the POWs (who I must say performed really well, one not being able to speak English, another can't leave the garden he is forced to tend to). Even to the point of the senator not wanting to see "that old MIA colonel again." From what I have read on the issue over the last 20 years, the film (to me at least) hits it "right on the nail." And who can forget French restaurant owner with his parrot. The directors made it look to seem that he has been around since the French were in Vietnam, and who managed to crave a little business for himself, gun dealing. And the introduction! Awesome! Awesome! (Marines under fire dashing across the field being pursued by NVA as choppers hover overhead; all in slow motion with haunting music). It's a great movie.

None of that nonsense like what was featured in Missing in Action and Rambo II; now those are bad comedies. They are just an example of a good story that's mishandled to turn into complete garbage.

My thanks to all who were involved in the research and making of the film. You've done a great job, Ted, Gene, Reb, and all you others.

Gene Hackman is always a pleasure to watch, and he lifts this implausible POW-rescue escapade with a mature and convincing portrayal of a father strugglingto come to terms with the fact that his son was listed missing-in-action during the Vietnam War. The whole cast is quite impressive actually, consisting of old pros (Hackman and Robert Stack), future stars (Patrick Swayze, Fred Ward) and familiar bit players (Tim Thomerson, Harold Sylvester, Randall Tex Cobb, Reb Brown).

Hackman plays a retired army officer - a veteran of the Korean War - who desperately seeks closure on the matter of his son's disappearance in Vietnam. In the early '80s, he receives photographic evidence that American POWs are still being held in the south-east Asian country of Laos. In fact, one of the prisoners on the photo looks like his son. He assembles a team of ex-Vietnam vets, trains them for a return to combat, and heads off with them to Laos on a clandestine rescue mission.

This film seems to have been the starting point for Chuck Norris's 1984 offering Missing In Action, and Sylvester Stallone's 1985 hit Rambo, First Blood Part II. However, Uncommon Valor is much better than both of those overblown comic-strip follies. Although the action in this movie takes liberties with credibility, the character development is at least quite decent and the mental impact of fighting and losing friends in a war is explored. The cast give good performances (Swayze in particular, still a relative unknown here, gives the best performance of his career to this day). Ted Kotcheff directs well, conveying disparate moods - angst, humour, horror, excitement - very nicely in a variety of scenes.

Uncommon Valor is hard to swallow in terms of believability, but it is a well-made, well-acted and entertaining jungle rescue film.

Re-visiting "Uncommon Valor"(1983) Arguably he best "Going back to "Nam' to rescue the POW's flick!...And the first. What a cool, underrated movie this is and what a cast: Gene Hackman, Fred Ward, Robert Stack, Reb Brown, Patrick Swayze, Tim Thomerson and Randall "Tex" Cobb as the scene stealing "Sailor". The plot is simple: Ten years after his son went M.I.A. in Vietnam, U.S. Marine retired Colonel Jason Rhodes assembles a private rescue team to find Americans held in P.O.W. camps in Laos. What really makes this work is top notch acting, great action, the comradery among the group and the nail biting finale. By the end, you are so invested in the characters and objective, you really feel bad when any of the characters buy it. Very tight and good direction by Ted Kotcheff ("North Dallas forty" and "First Blood"). Really, a good movie and well worth a visit or re-visit!

American forces going back into Vietnam to settle a score, now there's a well-worn premise for an '80s movie. But in all fairness, Gene Hackman blazed that trail for Norris and Stallone. "Uncommon Valor" is as manly as they come, wielding a righteous cause and a well of brute testosterone. And for a great deal of the running time, it's a by-the-numbers war movie. I have to admit, that's not really my thing, so I started drifting after awhile.

It's a good cast, but Hackman deserves high praise for his sympathetic performance. The damn thing opens with him stalking the streets of Bangkok in hopeless search of his POW son. Washington's no help and his desperation is palpable. The stake are a lot more real when he's around.

6/10 Stray thought: what is with the milquetoast pop songs that end these '80s 'Nam movies?