Trocando as Bolas

Murphy and Aykroyd work well off each other. They both know how to deliver the punchlines. Supporting cast helps bring the comedy to fruition. Delightful performances by veterans Don Ameche and Ralph Bellamy knowing how to work with todays young talent.

One of the best comedies of the 1980's, this stars Eddie Murphy in one of his best roles alongside Dan Aykroyd. The plot is great, a poor, homeless man who has resorted to a life of crime (Murphy) and an upper class yuppie involved in the stock market (Aykroyd) trade places when two devious brothers (Aykroyd's employees) have a bet. This is a very well written, well acted, and well executed comedy, that makes you laugh, but also grips you with a strong plot. Also has a satisfying ending.

`Trading Places' is one of the best movies and one of the best comedies that I have had the privilege of viewing and almost every aspect of this movie is done to the highest excellence and the highest quality. I have always considered that some of the most entertaining and enjoyable movies came out during the 1980s and `Trading Places' definitely falls within this category.

Everything is a success with this movie –the high quality of acting from both the main actors and the supporting cast, the wonderful humour and engaging dialogue contained within the script, the development of the plot, the music selection provided for the various scenes and even the atmosphere and scenery contained in the movie. Eddie Murphy and Dan Ackroyd are particularly outstanding in their various roles –and keep the excellent performances up in their reversal of roles. Ralph Bellamy, Don Ameche and Denham Elliot also provide their characters with a great amount of depth and dimension and make what would have already been a wonderful comedy success even more entertaining. The only very minor criticism is that Jamie Lee Curtis is meant to portray a prostitute in this movie. Jamie Lee Curtis is much too high quality of an actress for the role of a prostitute and I think if the emphasis had been on her character's profession it would have weakened her contribution to the movie. But thankfully the writers and producers recognized that she shouldn't be portrayed in a one-dimensional role and her truly wonderful and highly excellent acting abilities shone through during the whole movie.

The script flowed naturally and had an edge to it that made it both entertaining and intriguing. Even though the storyline and outcome was slightly predictable, the scriptwriters succeeded in keeping you interested and keeping you entertained as the sequence of events unfolded. The humour contained in the movie is genuinely entertaining and doesn't sound forced or strained in the same way that it does in some other movies. Dan Ackroyd and Eddie Murphy make a thoroughly wonderful team and I hope they someday consider doing another movie together. I think the 1980s marked the high point of Eddie Murphy's career and this was one of the movies that cemented his reputation as a great comedian.

I couldn't recommend this movie highly enough. A truly great comedy masterpiece and classic.

John Landis has directed a brilliant original screenplay by Timothy Harris and Herschel Weingrod.

Eddie Murphy is absolutely hilarious as a street hustler that was placed in the world of options trading by a couple of old farts who just like to bet with each other.

Of course on the opposite side, the real options trader, Dan Aykroyd, is dumped on the street.

Coming to save the day is Jamie Lee Curtis, who is funny and hot as a prostitute who feels sorry for Winthorpe (Ackroyd).

Denholm Elliott is positively lovable as the butler. Don Ameche and Ralph Bellemy play the betting Duke brothers.

SKIN-TASTIC Moment: In front of a mirror (and Dan Aykroyd) hooker- with-a-chest-of-gold Jamie Lee doffs her top and lets loose her magnificent money-markers in one of history's all-time hottest topless scenes.

I couldn't remember much of this movie when I borrowed it from a friend to watch for the second time... I can't have been very old when I first saw this, because there were not much more than one scene that I recognized. Even the title seemed new to me. Furthermore, I don't recall thinking about the film... about what it meant. This contains a lot of sad truth. The scenes of Aykroyd's character going from the peak of America's business life to rock bottom in a disturbingly short amount of time provide food for thought. Landis presents these events without pretense or heavy-handedness... he gives us the facts as they are. No bias. This direct, almost indifferent tone makes it all the more scary... this is the way it is, and that's accepted. The movie also has some insight to prove on racism and greed. Paul Gleason, whom I have only seen in The Breakfast Club(and Not Another Teen Movie, spoofing his character in aforementioned movie) plays a radically different role, yet still shows some of the authority he's famous for as the principal in The Breakfast Club. That was amusing to watch for someone who enjoyed said film so much. Jamie Lee Curtis bares a lot of skin, for those in the audience looking for that. Aykroyd and Murphy are both extraordinary. They get to play with their characters a lot, to great effect. They create so many funny moments, there are simply too many to list or for mere words to do justice; you'll just have to watch the film for itself. If you are a fan of either actor, you won't be disappointed. The language surprised me, with how uncensored it was, compared to today's standards. The plot is interesting, and based on an intelligent idea. The pacing is dynamic. The acting is all top-notch. The humor is mostly good and tasteful, with few but glaringly obvious exceptions(the fate of Beeks being an almost offensive one). The film has more heart than most of its kind... if you watch only one movie of this type, let this be it. I recommend this to fans of the actors and/or director, and people intrigued by the general idea. If you are even considering watching this... take my advice and do so. It is intelligent without being preachy and funny without trying too hard. John Landis has yet again created something big. 8/10