A Força do Carinho

Something tells me that when it is all said and done, and people are trying to come up with that definitive "greatest actor of all-time" winner, it will be Robert Duval. I know that this is a bold statement. The Jimmy Stewart, Humphrey Bogart, Burt Lancaster, Paul Newman and Henry Fonda fans (among others) will scream and protest. Sure, it is subjective, but then again, maybe it is not. Sometimes there is supporting evidence out there, maybe because of one particular role. I think Robert Duval's performance in "Tender Mercies" is the greatest performance by an actor in the history of film. It is a subdued performance, but underneath, so powerful. Duval plays a washed up Country music singer and song writer named Mac Sledge. His better days are in the past. Now, he finds his only comfort in a whiskey bottle. His ex-wife has gone on to use his songs to become a huge star. She detests him because of the way he had become in his later years with her (alcohol). She even denies him the right to see their daughter. Mac has closed himself off to the world, he does not want to become emotionally attached to anybody or anything. The only time Mac was ever happy, bad things ended up as a result. However, Mac will soon come into contact with a widow and her young son and he gets a second chance to join the living. In this film you see a Duval character different from any other he has ever played. You see the rebirth of a spirit, long suffering. The supporting roles are incredible as well. I still find this one of the most emotionally satisfying movies ever made, every time I watch it.

This is a movie with a lot of "dignity." It has such realistic people, it kept me fascinated because it seemed so different from most films I've watched.

There aren't a lot of dramatic things that happen in the story yet, as a whole, it's a wonderful tale that stays with you. It's a lot more than just seeing an Oscar-winning performance by Robert Duvall as Texan and former C&W singer and writer, "Mac Sledge." It's simply good storytelling

I can't say I am a fan of Duvall's country singing, but that is the only thing I didn't like. Well, maybe "Dixie" (Betty Buckley), who played a bitter ex-wife of Duvall's in here. She was not pleasant, but others were really nice, likable people. Yet, this is not some sappy movie just because most of the people are good folks.

As in film noirs in which the viewer has a sense of dread, knowing something bad is around the corner, I felt the same thing in this film, even though it didn't necessarily happen. I mean with the main characters: Mac, Rosa Lee and Sonny. There was underlying tension, probably because of Sledge's alcoholic and violent past, that made me fear that any minute he was going to ruin the nice setup he had with a good woman and nice stepson.

Duvall, as usual, makes his role a fascinating and unpredictable one. With many of the people he has played over the years, you never am sure what his characters are going to do next. Tess Harper, as Mac's new wife, and Alan Hubbard, as her son, are two of the most realistic characters I've ever seen on film. It helped they were from the area so their accents were real.

This is a just straight drama, with a solid screenplay by Horton Foote and direction by Bruce Beresford ("Driving Miss Daisy"). In addition, actors Buckley (who can sing, too), Wilford Brimley and Ellen Barkin all give memorable supporting performances.

It was an interesting tale of something I have rarely seen on film in the past 50 years: a good Christian woman lifting up a man to her level. She never had to do it verbally, never nagged or preached to the man, just set example of how to act and be a loving, supportive spouse. There is a lesson for people here with how well "Rosa Lee" handled situations. Nice.....very nice.

This is a great, great film. Robert Duvall richly deserved the Oscar he won for Best Actor, and Bruce Beresford's direction is quirky but consistently entertaining.

The most wonderful aspect of this movie is how the screenwriter (Horton Foote) doesn't let the characters engage in all the obvious, "Hollywood" histrionics that the plot would allow them to do. For example: when Mack (Duvall) finally meets his long-lost daughter late in the film, he doesn't run to her and embrace her with tears staining his face while music swells beneath the scene, as a hack director would have him do. Instead, he looks at his shoes, makes small talk, and acts embarrassed. Why? Because, consistently throughout the film, he doesn't believe he deserves the good things that come his way.

This is the tale of a man who, in the absolute pit of despair and hopelessness, is saved by the love of a good woman and the love of God. You need to see it.

This moving and thought-provoking film is a timeless classic of redemption and perseverance.Robert Duvall totally captures the pain, heartache, despair and ultimate survival of a once beloved entertainer.The film is an emotional tour-de-force for all the main characters, as they deal with forgiveness, doubt, loss of faith and memories of what might have been .......

The direction, screenplay, music and cinematography are all top-notch and add to the realistic feel of the film.

In a career that has seen a number of great performances, this quiet, unassuming Duvall film will leave you inspired as well as thoughtful. In this film , we see our own lives reflected in this small town saga. Maybe that is why I found the movie so deeply entertaining. It appeals to the lost dreams and missed opportunities in our own lives.

Horton Foote won an Oscar for his original screenplay about a drunken ex-country singer/songwriter finding personal strength and redemption after marrying a young widow who runs a hotel and gas station with her little boy. The spare Texas landscapes, busy roads and bars, are vividly captured by director Bruce Beresford, who is aided greatly by a keen art direction from Jeannine Oppewall and solid performances by his cast. Robert Duvall received the Best Actor Oscar for what is arguably his greatest screen performance (he also did his own singing); using his expressive eyes and body language to wonderful effect, Duvall conveys the self-consciousness and shyness of this complicated man, the demons he's now able to shuck off and the betrayals of life he blames on himself. As his new wife, Tess Harper has never been better, and young Allan Hubbard is inquisitive without being the slightest bit precocious. Betty Buckley's role as Duvall's "rich and famous" ex-wife doesn't really work (her scenes are presented in shorthand, as are the film's opening moments). Ellen Barkin seems a bit mature cast as Duvall's estranged teenage daughter, however the beautiful work by Duvall and Harper anchors the film is an emotional reality which stays with you. Nice music direction and songs as well, adding to the challenging simplicity of the story, which runs deeper than might be expected. *** from ****