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IMDbPro

Os Embalos de Sábado Continuam

Título original: Staying Alive
  • 1983
  • Livre
  • 1 h 33 min
AVALIAÇÃO DA IMDb
4,8/10
18 mil
SUA AVALIAÇÃO
John Travolta in Os Embalos de Sábado Continuam (1983)
DramaMúsicaRomance

Cinco anos depois, a febre de sábado à noite de Tony Manero ainda está em chamas. Agora, ele está se preparando para seu maior desafio: ter sucesso como dançarino no palco de Broadway.Cinco anos depois, a febre de sábado à noite de Tony Manero ainda está em chamas. Agora, ele está se preparando para seu maior desafio: ter sucesso como dançarino no palco de Broadway.Cinco anos depois, a febre de sábado à noite de Tony Manero ainda está em chamas. Agora, ele está se preparando para seu maior desafio: ter sucesso como dançarino no palco de Broadway.

  • Direção
    • Sylvester Stallone
  • Roteiristas
    • Nik Cohn
    • Sylvester Stallone
    • Norman Wexler
  • Artistas
    • John Travolta
    • Cynthia Rhodes
    • Finola Hughes
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    4,8/10
    18 mil
    SUA AVALIAÇÃO
    • Direção
      • Sylvester Stallone
    • Roteiristas
      • Nik Cohn
      • Sylvester Stallone
      • Norman Wexler
    • Artistas
      • John Travolta
      • Cynthia Rhodes
      • Finola Hughes
    • 165Avaliações de usuários
    • 31Avaliações da crítica
    • 24Metascore
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 6 indicações no total

    Fotos71

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    Elenco principal81

    Editar
    John Travolta
    John Travolta
    • Tony Manero
    Cynthia Rhodes
    Cynthia Rhodes
    • Jackie
    Finola Hughes
    Finola Hughes
    • Laura
    Steve Inwood
    • Jesse
    Julie Bovasso
    Julie Bovasso
    • Mrs. Manero
    Charles Ward
    • Butler
    Steve Bickford
    • Sound Technician
    Pat Brady
    • Derelict
    Norma Donaldson
    • Fatima
    Jesse Doran
    • Mark
    Joyce Hyser
    Joyce Hyser
    • Linda
    Deborah Jenssen
    • Margaret
    Robert Martini
    • Fred
    Sarah M. Miles
    • Joy
    • (as Sarah Miles)
    Tony Munafo
    • Doorman
    Susan Olar
    • Model
    Cindy Perlman
    • Cathy
    Ross St. Phillip
    • Sound Man
    • Direção
      • Sylvester Stallone
    • Roteiristas
      • Nik Cohn
      • Sylvester Stallone
      • Norman Wexler
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários165

    4,818.3K
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    10

    Avaliações em destaque

    Ian Mc-3

    One Actor - - - - many shapes!!!!!

    Seeing this film on TV again the other night made me wonder how amazing the human body is.... or more specifically John Travolta's body.

    In Michael and Get Shorty he had a tremendous girth for the character's roles yet the films before and after Phenomenon and Broken arrow show a different size. and then we have the extreme end of the scale in this film. Sly Stallone trained Travolta for 3 months to get him into the rippling muscled fat free condition he displays in this film.

    It just goes to show you that your fat levels aren't really THAT predetermined by birth and genetics afterall. All you have to to is be committed to attaining a the shape you want to be. Travolta can be slim, medium or large build, muscled, fat or average depending on the film role his ability in this regard is second only to Robert deNiro of raging Bull and Cape fear physique abilities.

    Travolta wil never be out of work while he is able to mold himself into his characters. The charcter of Tony would not have been believeable in this film in any shape other than the one depicted by John Travolta in this film. he got it spot on --- in appearance, line delivery and overall feeling!

    7/10
    5grantss

    Not good, but not as bad as it is made out to be

    Not good, but not as bad as it is made out to be.

    Plot is thin, but the behind-the-scenes look at a Broadway dance show is interesting. Far too much time is spent on the actual show though, making you think that the whole movie may as well have been one big recording of a dance show.

    Music is kind of cheesy, specially the music in the Broadway production.

    Acting is so-so. Cynthia Rhodes gives probably the only convincing performance. John Travolta is his usual one-dimensional self and Finola Hughes is irritating.
    7Petey-10

    Dancing in the 80's

    It's five years later and Tony Manero is still dreaming of becoming a professional dancer.He may get his big break on Broadway.He has something going on with two girls, his girlfriend Jackie and an English dancer called Laura.Staying Alive (1983) is a sequel to the disco movie classic Saturday Night Fever.It has a new director, a fellow called Sylvester Stallone.You can see him giving a cameo as Man on Street.John Travolta is just as good here as he was in the original.The girls, Cynthia Rhodes and Finola Hughes are both great.Julie Bovasso is also in this part playing Tony's mother.Steve Inwood plays the part of Jesse.Kurtwood Smith plays Choreographer.Sly's brother Frank Stallone plays Carl.Music by the Bee Gees can be heard also in this movie, as was in the first part.From the brothers Gibb we sadly lost Robin on May at 62.This sequel doesn't get too close to the original, but I don't find it a bad movie.It's still entertaining, it has some cool dance scenes.The movie looks very 80's, so if you're allergic to the 80's, you shouldn't probably watch this movie.
    7slightlymad22

    Entertaining

    Continuing my plan to watch every Sly Stallone movie in order, I come to Saturday Night Fever.

    Plot In A Paragraph: In this sequel to Saturday Night Fever, former disco king Tony Manero (John Travolta) has left Brooklyn and lives in Manhattan. He stays in a cheap hotel and works as a dance instructor by day and as a waiter at a dance club on a night, trying to succeed as a professional dancer on Broadway. The breakaway from his Brooklyn life, family and friends seems to have matured Tony and refined his personality, represented by his diminished accent and his avoidance of alcohol and swear words. However, certain things have not changed, as with his most recent girlfriend, who's a dancer and also the singer of a band. He feels free to pursue other women, but gets very jealous if someone looks at her too long.

    Stallone has Travolta looking the heat he ever looked, the movie movies at a good pace and is entertaining enough, while not getting close to the first movie. Despite a critical mauling, this was one of the 1983 top ten most successful films at the box-office.

    To date this is the only movie Sly has directed, that he didn't star in. Which I think is a shame, as he is a talented director.
    Michael_Elliott

    A Good Movie? No Way. Camp? You Bet.

    Staying Alive (1983)

    ** (out of 4)

    Sylvester Stallone co-wrote and directed this sequel to Saturday NIGHT FEVER, which picks up five years after that film has Tony Manero (John Travolta) trying to make it as a chorus dancer on Broadway. His old time girlfriend Jackie (Cynthia Rhodes) puts up with his trouble but rich girl and star Laura (Finola Hughes) just uses him as she wants and soon Tony's going to have to decide on his future in both dancing and female. STAYING ALIVE is clearly a very, very bad movie but I think it crosses a line that makes it so campy that you can't help but have some fun with it. I'm really not sure what Stallone was thinking with his screenplay but it seems like he wanted to add in touches of ROCKY making Tony an underdog and this here just never works for a number of reasons. For starters, Tony is a complete jerk and his character just doesn't have the same appeal as Rocky. Another problem here is that the dialogue is so incredibly bad that you can't help but laugh at it as well as the so-called character development that happens. Not for a single second can you believe anything that the Tony character is going thru and especially his "growing up" scenes towards the end. Not only that but the entire music here is just really, really bad and we get too many scenes where we hear complete music numbers that just make your ears numb. This is especially true during the scenes of the Laura character in a bar singing. More bad stuff comes from the final stage production, which is just poorly shot and the entire thing just comes across as pure camp. Even Travolta is just missing a certain energy that was so clear in the original but I think this too can be blamed on the screenplay but that rawness is just missing here. I thought both Hughes and Rhodes were good in their parts but, again, the screenplay does very little for them. Those expecting anything nearly as good as Saturday NIGHT FEVER are going to be in for a major disappointment but if you go into the film expecting unintentional laughs and camp then you should at least be somewhat entertained.

    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      John Travolta has claimed his favorite director to work with was Sylvester Stallone. He said Stallone knew how to make him look the best on screen.
    • Erros de gravação
      During the rehearsal segment, the camera crew is reflected in the mirrors.
    • Citações

      [last lines]

      Tony Manero: Do you know what I wanna do? You know what I wanna do?

      Jackie: What?

      Tony Manero: Strut.

    • Versões alternativas
      NBC edited just 30 seconds from this film for its 1987 network television premiere.
    • Conexões
      Featured in Bee Gees: Someone Belonging to Someone (1983)
    • Trilhas sonoras
      The Woman In You
      Performed by The Bee Gees

      Written by Barry Gibb, Robin Gibb and Maurice Gibb

      Produced by Barry Gibb, Robin Gibb and Maurice Gibb, Karl Richardson and Albhy Galuten

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    Perguntas frequentes19

    • How long is Staying Alive?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 25 de dezembro de 1983 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Sobreviviendo
    • Locações de filme
      • Philharmonic Auditorium - 427 West 5th Street and South Olive Street, Downtown, Los Angeles, Califórnia, EUA(Broadway theatre)
    • Empresas de produção
      • Paramount Pictures
      • Cinema Group Ventures
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 22.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 64.892.670
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 12.146.143
      • 17 de jul. de 1983
    • Faturamento bruto mundial
      • US$ 64.893.329
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 33 min(93 min)
    • Cor
      • Color
    • Proporção
      • 1.85 : 1

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