Primavera na Pele

This movie did not have much to it. The comedy was very sparse. There was very little nudity. The plot wasn't apparent until towards the end. The characters all kind of annoyed me. Just a forgettable early 80's comedy.

This movie is simple, mindless entertainment. Expecting it to be anything else is ludicrous. Not every movie has to have a deep, heartfelt meaning nor does every movie have to change the world. You watch this movie to relive your adolescent fantasies of what spring break was going to be like, or to relive your memories of what it really was.

Welcome to Florida!

Maybe your last vacation was just working two jobs instead of three - now you are in Eff Ell Lay. It would be immoral not to pursue women, beer and that evil dude from the Unsafe Buildings Commission.

Actually, the guy from the USC was really the only hole in the script. Why did he choose to join those thugs after he did the bit that he was paid off for? The rest of the film was coherent, the acting suberb (was it? I kept getting distracted by the actresses) and the beer keep flowing right along with the storyline.

I especially liked the part where O.T. swims through the water with a knife in his teeth. Could Coppola have come up with such imagery?

As near as I can tell, this movie is about the four least funny dumbasses in the world going to Fort Lauderdale. I guess it's really not fair to say that they aren't funny, because there are no actual "jokes" per se in the film. Things happen, and the actors sort of react to everything as if they are being funny, but they're not. One guy keeps yelling, "Look at all these people! They're all having fun!" Obviously, he wasn't looking at the audience.

I think Perry Lang here is still playing Hewitt from his quintessential seventies retards-are-people-too movie, "Hewitt's Just Different." When he is trying to convey that his character is having a good time, he dumps a cup of beer over his head and goes "AAAAAAAAAAAH!"

There's lots of strangely homosexual undertones in this, too. You could make a good drinking game to it---each player picks a main character and has to drink every time that character does something latent, like when Paul (The Idolmaker) Land strips down to his jock in a hotel room before two guys he just met about ten seconds earlier.

This movie is so wrong-headed it's hard to pin down every moronic moment, but the nightclub musical numbers stand out as particularly inept. Harry Manfredini must have run through a lot of double-A batteries for his Casio scoring this flick. During these scenes everyone is clapping to their own imaginary beat, which never bears even a remote resemblance to the actual one. I haven't seen this much hopelessly caucasian clapping since the last time I watched "Wild Horse Saloon."

It's hard to believe that at one time this stuff was released in theaters, and that people stood in a line to see it. It's even harder to believe there are still people out there who love this crap (see previous user comments) without any irony whatsoever. I mean, I plan on taping it the next time it's on, but mostly because I find it endlessly entertaining to watch movies that look like they were made by people who had never seen a movie before.

The best thing I could possibly say about this was that the lady who owned the hotel played Eddie's mom in "Diner." And I don't even know why that's a good thing. Also, if you watch it on Comedy Central, listen for when they accidentally left in an F-word when they were editing the soundtrack. Our fun-loving protagonists are in a bar and a male wet t-shirt contest is announced (oh, one of THOSE bars) and one guy asks, "What do we have to do?" His buddy shouts back, very clearly, "Who the f___ cares?" I couldn't have put it better myself.

This is a wonderful film that captures so much of the early 1980's feeling at spring break, before the commercial exploitation and the cheap video cam made it a display. It is a warm film despite its attempts at gross comedy. My favorite line is OT upon reaching the motel, handed a beer he drains the entire quart and says "beer is like...f**king great". That captures the spirit of the movie. There is also a tender love story and a silly sideline about evil politicians. The love interest in the movie is one of the hottest women ever to grace the screen, and all of the characters of wonderfully funny and memorable. Ish (EESH) the bellboy at the motel,grabs a strip of satin hanging from a wall painting and shakes it "Sanitized for your protection", then says "You want anything you see eesh, you need anything you come to eesh, you get in troubles ... they work themselves out." I love this movie, as you can tell. It was what we at the time wanted spring break to be.