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IMDbPro

Special Bulletin

  • Filme para televisão
  • 1983
  • 1 h 43 min
AVALIAÇÃO DA IMDb
7,5/10
1,4 mil
SUA AVALIAÇÃO
Special Bulletin (1983)
Drama

Uma repórter e seu cinegrafista são feitos reféns em um rebocador marítimo durante uma greve de trabalhadores. Os sequestradores exigem a coleta de detonadores nucleares em Charleston, ameaç... Ler tudoUma repórter e seu cinegrafista são feitos reféns em um rebocador marítimo durante uma greve de trabalhadores. Os sequestradores exigem a coleta de detonadores nucleares em Charleston, ameaçando detonar um dispositivo nuclear próprio.Uma repórter e seu cinegrafista são feitos reféns em um rebocador marítimo durante uma greve de trabalhadores. Os sequestradores exigem a coleta de detonadores nucleares em Charleston, ameaçando detonar um dispositivo nuclear próprio.

  • Direção
    • Edward Zwick
  • Roteiristas
    • Marshall Herskovitz
    • Edward Zwick
  • Artistas
    • Ed Flanders
    • Kathryn Walker
    • Roxanne Hart
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,5/10
    1,4 mil
    SUA AVALIAÇÃO
    • Direção
      • Edward Zwick
    • Roteiristas
      • Marshall Herskovitz
      • Edward Zwick
    • Artistas
      • Ed Flanders
      • Kathryn Walker
      • Roxanne Hart
    • 47Avaliações de usuários
    • 8Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Ganhou 4 Primetime Emmys
      • 8 vitórias e 2 indicações no total

    Fotos5

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    Elenco principal64

    Editar
    Ed Flanders
    Ed Flanders
    • John Woodley
    Kathryn Walker
    Kathryn Walker
    • Susan Myles
    Roxanne Hart
    Roxanne Hart
    • Megan Barclay
    Christopher Allport
    Christopher Allport
    • Steven Levitt
    David Clennon
    David Clennon
    • Bruce Lyman
    David Rasche
    David Rasche
    • David McKeeson
    Rosalind Cash
    Rosalind Cash
    • Frieda Barton
    Ebbe Roe Smith
    Ebbe Roe Smith
    • Jim Seaver
    Roberta Maxwell
    Roberta Maxwell
    • Diane Silverman
    Mary Armstrong
    Bernard Behrens
    Bernard Behrens
    • Dr. Neils Johanssen
    Ivan Bonar
    Ivan Bonar
    Frank Dent
    • Dr. Jason Halpern
    Woody Eney
    Robert Fields
    Robert Fields
    Ron Frazier
    Ron Frazier
    • Robert Grafton
    Bruce French
    Bruce French
    Elizabeth Gill
    • Direção
      • Edward Zwick
    • Roteiristas
      • Marshall Herskovitz
      • Edward Zwick
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários47

    7,51.4K
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    Avaliações em destaque

    Seanette

    Effective and memorable

    I saw about the last 20 minutes of a rerun at about 3am, without the precautionary warnings used in the original airing, and still remember how believable and intensely effective the movie was. Based on what I saw of it and remember after about 15 years [I probably saw this in the late 80s or very early 90s], very well done. I might even add it to my "to rent" list so I can see the whole thing :-). I even woke my grandfather [I was living in his house at the time] to ask him if we knew anyone in Charleston. Once we worked out that it had only been a movie, he was sympathetically amused. His sister had been taken in by the War of the Worlds radio broadcast, so he apparently readily understood how easy it had been for me to be confused by an apparent newscast with no commercials or warnings.
    10mmears-1

    Far ahead of its time

    Though this originally aired (on NBC, if I remember correctly) in 1984, it was prescient in how it depicted news media coverage of a "breaking news" event.

    Complete with glitzy (for their time) graphics, concerned anchors, wall-to-wall coverage, talking heads, and gripping live reports, it does not seem dated (except for the hair styles!), even today.

    Though it depicts the coverage of a hostage crisis by a fourth broadcast network, this aired a year before the Fox network came into existence. The RBS network's graphics, promotional spots, and anchors are so realistic that the real network that aired the film really didn't have any choice but to continually remind viewers that what they were watching was fiction. And though we're all familiar today with the news networks' saturation coverage of live events, this originally aired only 4 years after the inception of CNN -- before that network was the major force that it is today.

    Depicting a gripping series of events, it's as much or more of a commentary on how the news media handles such situations than anything else. The way that the events are presented will seem eerily familiar to anyone in today's world, but remember that terrorism was not a big concern to many people 20 years ago.

    The acting and production values combine to make for one of the most powerful films ever produced for television. I highly recommend this film not only for its impact, but for its almost too accurate portrayal of events that are all too easy to imagine in today's world.
    8ericrnolan

    A review of "Special Bulletin" (1983)

    There's a pretty damn interesting chestnut from from 80's-era nuclear nightmare films available on Youtube — 1983's "Special Bulletin." I was surprised I hadn't heard of it. I think most 80's kids remember ABC's "The Day After." That infamous television movie was a cultural touchstone that scared a generation of kids. "Special Bulletin" was produced by NBC the same year, actually preceding "The Day After" by nine months. Instead of a world-ending war with Russia, the feature-length special imagined a single incident of nuclear terrorism in Charleston, South Carolina. (I myself had no idea that Charleston was the strategic military nexus that the movie explains it to be.)

    "Special Bulletin" was filmed as a "War of the Worlds"-type narrative, consisting exclusively of faux news coverage, and it's pretty damned good. (It won a handful of Emmys.) It's just as frightening today — or maybe more so, given the increased threat of precisely this kind of terrorism from stateless groups.

    The acting is mostly good, the directing successfully captures the feel of live news coverage, and the absence of a musical score further lends the movie a sense of realism. The story has a few surprises for us, too — the plot setup is creative and interesting, and much more thought went in the the teleplay than I would have expected. The film asks some difficult questions about the role of the media in affecting the outcome of high-profile crimes like the one depicted. (Would such questions be more or less relevant in the age of camera-phones, uploaded ISIS executions and Facebook Live? I'm not sure.)

    I was also quite impressed with some of "Special Bulletin's" thriller elements. (I'd say more, but I will avoid spoilers.)

    One thing that detracts from the format's realism is the fact that some of this movie's actors are easily recognizable from other roles in the 80's (although it's fun spotting them as an 80's movie fan).

    Most viewers my age, for example, will recognize Ed Flanders and Lane Smith. The utterly sexy female reporter who arrives on location at Charleston Harbor is Roxanne Hart, who later played Brenda in "Highlander" (1986). (She's still quite beautiful, guys, and she's still making movies.) Most jarring of all, however, is a prominent role played by David Clennon, who any fan of horror- science fiction will recognize as Palmer from John Carpenter's 1982 masterpiece, "The Thing." This is still fun, though — he has that same disarrayed hair. Was it his trademark back in the day?
    9goleafs84

    Well Done

    The first time I saw this, I initially thought that this was happening, only because I caught it when the movie was already in progress. The characters were believable and the realism was well done. It took a couple of minutes when I figured out that this was a movie; At the time I thought it was odd that only one channel was covering this and the others had their normal programing when I checked the other stations to see if they were covering this.

    The more I watched, the more it drew me in. I was fascinated over the realistic quality and it was scary to think this could happen. I remember hearing on the news and in the papers, many people panicked when they saw this movie; They too thought this was happening, despite the disclaimers shown during the commercial breaks.

    A few years later one of our local stations had shown this for their daily "One O'clock movie" feature and I made it a point to watch it in it's entirety. Once again, I was fascinated.

    On a side note, I heard that they day the local station had shown this, many people once again thinking this was happening and phoned their loved ones living in Charleston SC (where the movie took place), to see if they were okay, despite the disclaimers. Maybe this is the reason why no one has shown this movie for years.
    8David_Powell3006-1

    Fascinating - Why no video release?

    Very ahead-of-its-time story, tremendous commetary on the media and politics among other things. Someone else referred to modern day disaster coverage by the media and disaster response by the federal government, and boy do those both come into play here, amazing for a telefilm made in 1983.

    The dialogue was also pretty good, and if you look at some of the films that the writers/producers of this gem went on to make, definitely a lot of material there.

    Also some good performances from great actors, which is always a good thing, of course! Why was this never released on video? The original (and excellent) "Brian's Song" came out on DVD, so certainly a TV movie could be doable for DVD.

    "Countdown to Looking Glass" is another good one. IMO both of these are tons better than "The Day After" which I found cheesy even then. "Special Bulletin" almost has a surreal quality that is very hard to match.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      When this film was first broadcast, the network superimposed the word "dramatization" on the bottom of the screen every few minutes and ran disclaimers after every commercial break, to remind people it was only a movie. That didn't stop some people in Charleston, S.C. from panicking anyway.
    • Erros de gravação
      The cameraman would not be able to film the explosion. Either the pyroclastic storm or the electromagnetic pulse would render the camera unusable, and at least erase the magnetic tape in the camera.
    • Citações

      Susan Myles: Good evening, this is News Watch. Emergency efforts continue in Charleston, South Carolina, where 3 days ago a nuclear explosion destroyed the heart of the city. Estimated at an yield of 23,000 tons of TNT was seen and heard up to 400 miles away and created a firestorm that is still burning in several areas. Due to early evacuations, the number of dead is estimated at less than 2,000, but at last count there were more than 25,000 injured. Many of those are burnt and have been flown to hospitals around the country for treatment, but altogether the burn care centers in the United States have only 2,400 beds, less than half the number needed for the victims of the Charleston blast. Because onshore winds spreading radiation fallout west of the city, 250,000 more people have been evacuated from outlying areas. In all, half a million are homeless. Scientists estimate that it may be years before the region is safe to reoccupy. Trauma care centers are being set up for survivors, many of whom are physically uninjured but suffering from shock and delayed stress. Authorities are also caring for hundreds of children who are either orphaned or cannot find their parents. Counselors tell of recurring nightmares and shock. One child of 9 apparently committed suicide. After 3 days the shock seems to be just setting in. Early talk of rebuilding have been forgotten in the wake of radiation estimates. Hundreds of thousands of refugees face the prospects of starting new lives elsewhere in an already depressed economy. As for Charleston itself, the city of gardens and narrow streets and beautiful old houses, that city is gone forever. A new city may someday grow there years from now, or it may remain a desert, whichever, the staggering loss of once was can never be eradicated.

    • Cenas durante ou pós-créditos
      Opens with a commercial advertising shows for the fictional RBS network, followed by the title "Special Bulletin" as the commercial is interrupted. There are no opening credits, making this one of the first TV movies ever produced without some sort of opening credits.
    • Versões alternativas
      The video release omits the "dramatization" on-screen disclaimer seen throughout the original TV broadcast. The DVD released through the Warner Archive Collection does contain the on-screen disclaimers.
    • Conexões
      Featured in The 35th Annual Primetime Emmy Awards (1983)

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    Detalhes

    Editar
    • Data de lançamento
      • 20 de março de 1983 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Boletín especial
    • Empresas de produção
      • National Broadcasting Company (NBC)
      • Ohlmeyer Communications Company
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 43 minutos
    • Cor
      • Color
    • Mixagem de som
      • Mono
    • Proporção
      • 1.33 : 1

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