Caçador do Espaço: Aventura na Zona Proibida

Have you ever wondered what it would be like to stand in the spot where a movie crew had once worked, making a film? My watching "Spacehunter" led, over a period of about 15 years, to that sense of wonder. Here's the story...

Around 1990, I stumbled upon "Spacehunter," possibly while watching TV to kill time. The acting was not especially good and plot elements were goofy. To be diplomatic, I would classify it as "light entertainment." Its only redeeming social value was the presence of actress Andrea Marcovicci, who played Chalmers, the protagonist's android assistant: she was a vision of beauty. Sadly, her part was brief, as she was killed off during a battle near the beginning of the story.

That early-on battle scene interested me because it involved a long, sail-powered railcar (I like railroads). The thing was bizarre-looking and reminded me of the movie "Mad Max." Not only was the railcar cool, the desert environment surrounding the scene was fascinating. But in short order the movie faded from my memory.

The movie returned to my consciousness in 2004, during my first visit to Moab, Utah. Just north of Moab there is a railroad track that runs parallel to US Highway 191. Upon seeing it I thought of "Spacehunter" right away: the environment looked much like that of the battle scene mentioned above. I figured that the battle scene had been filmed on that track but wasn't sure just where.

Later I rented the movie to see the battle scene again and determine just where it had been filmed. Surprise!: the place I saw north of Moab was not the place used in the movie. However, the site of the battle scene was recognizable because I had driven right past it a few times. The scene was filmed at Potash, Utah, which is the site of a potash mine. It is about 20 miles from Moab, at the south end of State Highway 279 (also called Potash Road). In 2006 the mine was owned and operated by Intrepid Potash. It turns out that many (most?) of the exterior scenes of the film were shot on the private property of the mine.

With this knowledge I wanted to visit those sites and take pictures that attempted to duplicate camera angles used in the film. Why?---who knows? Armed with numerous poor-quality photos of TV screen shots of the movie, I returned to Moab in late 2006 and visited three places that were used in filming; this required getting permission from the mining company. Standing in those places where movie crews had once worked, I tried to imagine the presence of a lot of people and equipment and sounds like "Action!" and "Cut!" It was great fun. The result is here: http://www.pbase.com/listorama/movie_spacehunter .

I make a point to catch Spacehunter every time it airs (usually after 1 a.m.). It's classic cheese, and I submit there's a place in our moral-cinematic universe for such films.

What films? Oh, having Michael Ironside as the villain is a good clue. If I had to define them...films so goofy (yet riddled with neat ideas that only the low-budget creative intellect can conjure) that we harken back to adolescence and think how cool these films would have been/were when we saw them with our junior high pals.

Yes, this is MST3K material, but lovingly so, nostalgically so. An ugly duckling that never becomes a swan--never even really gives such a transformation a shot--but one we can groove on precisely because it's so dorky.

Been waiting for this for a long time - as cult classics go it's one of my more memorable adolescent reminiscences.

I remember seeing this on the big screen when it was first released. Loved it then, for several reasons: Strauss was capable but cool as the hero Wolf, Molly Ringwald was feisty, mouthy and cheeky as the elfin Nikki, and Michael Ironsides was virtually unrecognisable under his make-up, but still gave Overdog a sinister air of menace and cruelty.

Now, 20 years later, I get to see it again, and there are flaws that time has exposed. The effects and the music are very dated. The dialogue is weak in places, and the acting from the minor characters leaves something to be desired. However, it still has a sense of excitement and adventure that many other sci-fi flicks of the 80s now lack. The action is fast-paced, the interaction between the leads is good, and the scenery is suitably dark and barren.

7/10 - it's well worth overlooking the more dated elements in order to uncover the gem underneath.

Sure it's just Mad Max meets Star Wars with a main character that is obviously trying to be Han Solo, but it's got some cool ideas mashed up in the familiar packaging. The effects are decent and the action moves along at a good clip even though you've probably seen most of this stuff before. Worth checking out anyway because it has an old school charm lacking in today's CGI fests.

i'm a big fan of portions of this film - primarily the Peter Strauss/Molly Ringwald portions - despite their 21 year age difference - their incessant battling brought out the duo's chemistry just as if this were a romantic comedy - and Molly's valley-girl-in-space remains one of my favorite scifi characters ever.

with their charisma - and a talented supporting cast including Ernie Hudson, Andrea Marcovicci, and Michael Ironside - along with some imaginative set design - and great dialog for Molly - this is more than a gimmicky scifi yarn - too bad the rest of the movie isn't up to that standard.