Caçador do Espaço: Aventura na Zona Proibida

This is one of those movies I caught on cable TV quite a few years ago. It's not too big on brainpower but it's fun to watch. Here's the story: A space liner cruises too close to a nebula and is destroyed. Three very beautiful (but not very smart)women escape and crash land on a barren planet and are captured by a group of nomads. Meanwhile a bounty hunter named Wolff intercepts a message and sets out to rescue the women,who've been taken to OverDog, the tyrant who rules the wastelands of the planet. Along the way Wolff meets up with a young girl named Nikki and his ex-partner who happens to be on the same mission.

This movie has some well known character actors, Peter Strauss as Wolff, Molly Ringwald as Nicky, Ernie Hudson as Wolff's ex-partner,and Michael Ironside as OverDog.

I saw this in July, 2008 for the first time and was surprised by the amount of mechanical devices and vehicles built for this one. And the attention to detail is higher than many modern productions.

A funny thing about making movies in 1983 is your choice of either using miniature models or constructing full scale behemoths. This movie goes for the latter option, which is one of its strengths, almost everything you see is right there and not some blue screened effect or shoddy computer graphics. This investment carries very well still today some 25 years later. It is like watching Road Warrior with all of the bikes, cars and trains and it all looks authentic because its actually there. Speaking of Road Warrior, it must be said that Spacehunter has an apparent look and feel of a post-apocalyptic desert world similar to that of the Mad Max films.

Striking are the interesting locations which are thrown at the viewer at a fast pace where new environments show up around every corner during their hunt in the forbidden zone. While short scenes in themselves, they come together nicely in creating the feel of a good adventure movie reminiscent of the Indiana Jones movies.

Not sure of the budget here, many things look really nice, some space scenes are awful but very, very short. I've mentioned two series of other films in this review, don't expect to find either one of them in Spacehunter, rather expect to find elements of all of them combined.

I make a point to catch Spacehunter every time it airs (usually after 1 a.m.). It's classic cheese, and I submit there's a place in our moral-cinematic universe for such films.

What films? Oh, having Michael Ironside as the villain is a good clue. If I had to define them...films so goofy (yet riddled with neat ideas that only the low-budget creative intellect can conjure) that we harken back to adolescence and think how cool these films would have been/were when we saw them with our junior high pals.

Yes, this is MST3K material, but lovingly so, nostalgically so. An ugly duckling that never becomes a swan--never even really gives such a transformation a shot--but one we can groove on precisely because it's so dorky.

i'm a big fan of portions of this film - primarily the Peter Strauss/Molly Ringwald portions - despite their 21 year age difference - their incessant battling brought out the duo's chemistry just as if this were a romantic comedy - and Molly's valley-girl-in-space remains one of my favorite scifi characters ever.

with their charisma - and a talented supporting cast including Ernie Hudson, Andrea Marcovicci, and Michael Ironside - along with some imaginative set design - and great dialog for Molly - this is more than a gimmicky scifi yarn - too bad the rest of the movie isn't up to that standard.

Spacehunter is a film I saw as a child, which has remained at the back of my mind for years. Around the same time, I was watching things like Ghostbusters and Star Trek (The Wrath of Khan), and knew nothing about special effects, budgets or story lines. All I knew was that I liked these films. Having recently obtained a copy of Spacehunter, I was pleasantly surprised at how well it holds up, compared to other classics. Yes, a lot of it is hokey nonsense, but in a GOOD way.

Strauss makes a likable rogue, obviously straight from the Han Solo mold, and Molly Ringwald is her usual early eighties cutie. The special effects are fair for the time (though the title sequence leaves something to be desired), and the futuristic 'Mad Max' style vehicles could easily be from a more recent movie.

Michael Ironside is almost unrecogniseable underneath prosthetics, but offers a great performance, hampered only by his lack of mobility in costume. I was especially surprised to recognise Ernie Hudson as a supporting character, playing Strauss' ex-buddy.

In all, a great film with a few minor flaws. I'm amazed this got no further than it did at the time. One of the few post-Star Wars movies that deserves a sequel (which i'm tempted to have a bash at myself).