Adicionar um enredo no seu idiomaA safecracker takes a job where he must go to Istanbul and steal a scepter that once belonged to the god Gilgamesh but is now in the temple of a secret cult.A safecracker takes a job where he must go to Istanbul and steal a scepter that once belonged to the god Gilgamesh but is now in the temple of a secret cult.A safecracker takes a job where he must go to Istanbul and steal a scepter that once belonged to the god Gilgamesh but is now in the temple of a secret cult.
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I wholeheartedly agree with the other commenter who referred to "Ark of the Sun God" as a reunion of the dream team that previously made the similarly themed "Hunters of the Golden Cobra". Director Margheriti and cult cinema actors David Warbeck and John Steiner (and, optionally, Luciano Pigozzi as well) really do form a dream team and their exciting and adrenalin-rushing Indiana Jones imitations are truly a must for all fans of the Italian exploitation industry. Personally, I think "Ark of the Sun God" isn't half as action-packed and memorable as the aforementioned "Hunters of the Golden Cobra", but it still is a far above average and amusing adventure-movie with likable characters and some impressively spectacular stunts. David Warbeck portrays the acclaimed safe-cracker Rick Spears, traveling with his sexy girlfriend to Istanbul supposedly for a routing burglary job. It quickly turns out his hirers wanted to test his skills and entice him into accepting a much more adventurous job, namely the search for the lost Temple of the Sun God with its entrance gate of pure gold and the incredibly valuable scepter hidden somewhere in the tomb of the king. The journey to trace down the Temple is full of dangerous traps and the ill-tempered descendant of the Sun God also sends his troops after Rick to recover the treasures. "The Ark of the Sun God" (the "Ark"-part is presumably just to cash-in on "Raiders of the Lost Ark", as there's not an ark in sight) is a simple and straightforward adventure movie without much pretension, but with a lot of heart and spirit. It's simultaneously a buddy-movie with fun dialogs and comical situations and an action flick with delightfully fake car chases and virulent shootouts. Antonio Margheriti's direction is taut & fast as always, since he had an average of 3 films per year to deliver, and the majority of the cast clearly had an awesome time starring in this light-headed cult production. Although the ratings and reviews for this film are better, I would like to encourage fans to track down "The Hunters of the Golden Cobra". It simply has more ingenious action bits, including plane crashes, truck explosions, spiders, snake pits, cockfighting, black magic, spells, poisonous darts and volcano eruptions.
This has lots of action and there is a modern setting, just too many overcast cloudy weather scenes, where is sunlight, for the Istanbul setting which is the city of many movies of intrigue and a welcome cinematic return. Highlight is a cat burglar sequence.
My review was written in July 1986 after watching the film on Trans World Entertainment video cassette.
After filming the fantasy "Yor, the Hunter from the Future" there, Italian filmmaker Antonio Margheritti returned to Turkey in 1983 to shoot "The Ark of the Sun God", a subpar entry in his series of imitative adventure films. Pic debuted domestically on video cassette.
British thesp David Warbec (veteran of 10 Italian films to date) gets to play a British character for a change, sa Rick Spear, a London cracksman sent to Istanbul on a cockeyed mission: he's to find the temple of the Sun God which is the resting place of Gilgamesh. A legendary jeweled scepter of the king is inside and can be used as a limitless source of power to the bearer. Because the golden door is booby-trapped (with the entire temple set to self-destruct), a master burglar like Spear is needed for the job.
If this sounds a bit like "Raiders of the Lost Ark", it's because Margheritii earlier raided that hit with an interesting variation, "The Hunters of the Golden Cobra". This time there's too much padding, as Sperar is tested and then goes hunting for the site, aided by a survivor of a mission over 40 years earlier, Beetle (Alan Collins).
The Turkish locations are again impressive, but this "Ark" doesn't pic up steam until the final reels containing cliffhanger derring-do in the em=emple and caverns surrounding it.
Soundtrack features a lovely romantic theme but elsewhere pointlessly includes the main theme from "Battlestar Galactica".
After filming the fantasy "Yor, the Hunter from the Future" there, Italian filmmaker Antonio Margheritti returned to Turkey in 1983 to shoot "The Ark of the Sun God", a subpar entry in his series of imitative adventure films. Pic debuted domestically on video cassette.
British thesp David Warbec (veteran of 10 Italian films to date) gets to play a British character for a change, sa Rick Spear, a London cracksman sent to Istanbul on a cockeyed mission: he's to find the temple of the Sun God which is the resting place of Gilgamesh. A legendary jeweled scepter of the king is inside and can be used as a limitless source of power to the bearer. Because the golden door is booby-trapped (with the entire temple set to self-destruct), a master burglar like Spear is needed for the job.
If this sounds a bit like "Raiders of the Lost Ark", it's because Margheritii earlier raided that hit with an interesting variation, "The Hunters of the Golden Cobra". This time there's too much padding, as Sperar is tested and then goes hunting for the site, aided by a survivor of a mission over 40 years earlier, Beetle (Alan Collins).
The Turkish locations are again impressive, but this "Ark" doesn't pic up steam until the final reels containing cliffhanger derring-do in the em=emple and caverns surrounding it.
Soundtrack features a lovely romantic theme but elsewhere pointlessly includes the main theme from "Battlestar Galactica".
A fun movie to watch maybe once. Unlike Margheriti's earlier Warbeck films, this one seems oddly much more aimed at children. Well it's a pretty weak ripoff of RAIDERS OF THE LOST ARK, but it is fun in many ways. One of the most annoying theme songs in film history, though.. Contrary to what many say, this is NOT the same film as "Hunters of the Golden Cobra" which was made a year earlier. The two just had similar casts and crew, but different plots entirely! This one takes place in the desert and is much more slowly paced and dull. Warbecks's a cool guy though, too bad he died so young.
ARK OF THE SUN GOD is an INDIANA JONES & 007 copy that's an okay time waster. The real reason to watch this Italian made film is David Warbeck (THE BEYOND) who's a great action star, imo. He would have made a fun James Bond. The production values are good. I really enjoyed the car chase made with models, not real cars. And some of the effects at the end were pretty good. But the whole film is hampered by a grubby look/feel about it (dark and dreary sets; the two old and overweight men at Warbeck's side) and a vivid sense of Deja Vu for anyone who has already seen YOR, THE HUNTER FROM THE FUTURE, which sorta keeps it from being more fresh and fun. And that stupid song was really annoying. But it's a must-see for fans of David Warbeck. Those who don't know him or Italian cinema in general will probably not like this though.
Você sabia?
- CuriosidadesDirector Antonio Margheriti was famed for his usage of scale models and miniatures as special effects for his films. This movie features two car chase sequences (one set on an abandoned railway and the other set in the desert) that almost look like they were big-budgeted stunt set pieces, but were actually filmed with radio-controlled models racing on specifically built small-size dioramas.
- Erros de gravaçãoAt the end of the movie when the tomb is collapsing and debris is falling you can clearly see a crew member push a column over as soon as David Warbeck runs past it.
- ConexõesEdited into Cop Game - Um Jogo de Vingança e Morte (1988)
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