O Escarlate e o Negro

Remember Henry II's oblique wish about his former friend Thomas Becket which got carried out? Christopher Plummer tried more explicit methods to get rid of his meddlesome priest all without success.

Although Monsignor Hugh O'Flaherty, an Irish national attached to the Vatican staff, was providing aid to refugees of all kinds from the Nazis before, this film covers a period between September of 1943 and June 5, 1944 when Mark Clark and the Fifth American Army liberated Rome.

Gregory Peck plays the resourceful monsignor who's got a whole bag of tricks from the land of leprechauns to outwit the Nazis. He develops quite a network of people who house escaped prisoners. When Italy threw out Mussolini and switched sides in World War II, a whole lot of Allied prisoners were freed and roaming the countryside. You might remember the novel and film Von Ryan's Express which detailed that phenomenon. The word got out if you could make your way to the Vatican, Monsignor O'Flaherty could help.

What I like about The Scarlet and the Black is the fact that Peck's chief antagonist Christopher Plummer is shown as a three dimensional character. We see him as the ruthless Nazi who dogs Peck and his operation every step of the way. We also see him as father and husband who's enjoying Christmas in Rome with his family and also acting like any other tourist taking the family to see the sights of the Eternal City.

Peck and Plummer are a pair of well matched antagonists. Presiding over it all is John Gielgud as Pius XII. The criticisms I have of Pius occur before he reached the Papacy in 1939. At the point in time that The Scarlet and Black is taking place, there was very little he or anyone else as Pope could have done. He feared, probably with good reason, an Avignon captivity situation for the Papacy if he appeared to be overtly pro-Ally. And of course the Soviet Union which was his big fear was an Ally.

I would recommend watching this film about a good man who happened to be a priest who stepped up to the plate when no one would and fulfilled a great need. A whole lot of lives were saved because of him.

Based on a true story set during World War II in Rome, this made for television movie stars Gregory Peck in yet another fine role,(as if he could ever do a bad one.)The supporting cast is also amazing with fine performances from Christopher Plummer and Sir John Gielgud, with Raf Valone, Vernon Dobchef and Walter Gotell among others.

It is a fast paced history/war/drama/thriller in the mold of such films as "The Third Man," and "The Thirty Nine Steps." The frenetic musical score of Ennio Morricone (The Good, The Bad and The Ugly) helps to keep the pace on the edge of you seat. This is simply some fine film making at its very best, and I highly recommend it, if you have not already had a chance to see it. Just a beautiful film.

I am not a Catholic myself, however, the story of Msgr Hugh O'Flaherty must be the most forgotten true story of the Second World War! It also gives us an inside view of the politics the Vatican faced in the 1940s and, presumably, today! The film reminds us all, that whatever the situation, there are always people who are prepared to help. O'Flaherty went beyond this. He hated the British, but saved many British (and American airman) from certain death. His actions saved the lives of thousands of Jews in Italy at not only great personal risk to himself, but to the others in his organisation.

There is talk today of making John Paul 11 a Saint. Surely somebody at the Vatican will remember this humble Monsignor who did (at the time) more to help mankind than anyone is such horrific circumstances. When I can afford it, I will visit this man's grave and say a silent prayer. I don't want a TV film crew there, but I want to say "Thank You" to a man who gave his all to save the free world! A certain telephone company ran a series of advertisements many years ago, asking who in History would you most like to talk to. For me... it would be Mons. Hugh O'Flaherty. At the moment in time, only this film, an area of trees and a gravestone honour this man. Surely he deserves more? An outstanding film, well cast, excellently photographed. Tension, intrigue, drama, even humour (dressing up as a Nun?) I say everyone should view this film. An inspiring, true life film.

This is a pretty good movie. Gregory Peck and Christopher Plummer are strong in the leading roles, but the edge goes to Plummer. Peck's on-again-off-again Irish brogue is distracting, but he makes an acceptable hero. Plummer, on the other hand, is deliciously wicked--charming on the outside, ruthless underneath. Even so, there are occasional glimpses of a less-brutish man; a man who loves his family and wants them to be safe; a man not entirely content with the horrors he has helped to create. So, when Plummer is forced to ask his archenemy for help, we can feel a bit sorry for his shattered pride and can share some of his resulting disillusionment and despair. One of the really wonderful moments in the movie comes at the end. Kappler is asked a question and the camera moves in for a close-up of his face. He doesn't have to say a word--the answer is in his eyes. Fantastic! This inspiring story of heroism and courage is also, ultimately, about forgiveness and about asking ourselves what we would have done. It's an excellent reminder that one should never under-estimate oneself--one good person can do a heck of a lot!

I tuned to this by accident one evening on TV when it seemed there was nothing else worth watching and it grabbed my attention for over two hours.

This is the true story of a man whose conscience will not let him stand by while the world goes to hell around him. Gregory Peck plays an O'Flaherty whose quaint 'Oirish' charm hides a cunning and resourceful leader who has to balance the demands of his conscience with his role as an official in the Vatican government.

Pope Pius makes it clear he understands O'Flaherty's motivation while warning him that if he is arrested, the Pope will not compromise Vatican neutrality to save him. The film does its best to restore Pius XII's reputation - he has been called "Hitler's Pope" - but it is unclear how much he knew of, or even condoned, O'Flaherty's activities. O'Flaherty cannot compromise, and continues with his work despite the Gestapo having orders to shoot him on sight if he is found outside the Vatican, and suffering a failed assassination attempt in St Peter's itself.

Christopher Plummer is always worth watching and his performance here is no exception. Shown first as an arrogant man who feels the Nazis now "own Rome... it's ours", we later see that Kappler is at the mercy of this ruthless regime even as he plays his part in it. Finally the only person he can turn to is his arch-enemy from the Vatican. This is a fairly conventional irony, but during the course of the film Plummer also suggests how Kappler is losing his soul to his inhuman work, becoming isolated from his family as he begins to loathe what he is doing. You feel Kappler hates O'Flaherty not simply because of what he does, but because O'Flaherty represents the better part of himself.

I would give the film more stars but it is about 15 minutes too long and becomes rather episodic towards the end. However, it's a great story, well-acted by a strong cast, and can be viewed and enjoyed many times.