AVALIAÇÃO DA IMDb
4,0/10
1,6 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA group of archeological students venture on Indian land for a dig. Unfortunately, they release an evil spirit who possesses one of them and starts killing the others.A group of archeological students venture on Indian land for a dig. Unfortunately, they release an evil spirit who possesses one of them and starts killing the others.A group of archeological students venture on Indian land for a dig. Unfortunately, they release an evil spirit who possesses one of them and starts killing the others.
- Direção
- Roteiristas
- Artistas
Jo-Ann Robinson
- D.J.
- (as Jo Ann Robinson)
Avaliações em destaque
"Scalps" is a bloody Native American slasher with a nice supernatural angle.Six archeology students head to the desert to search for Native American artifacts.Despite the warnings of DJ,the students disturb the ancient Indian burial ground and unleash the vengeful spirit of Black Claw.After possessing Randy,Black Claw hunts down the others with an arsenal of stone-age weapons.Despite its crude cinematography and editing "Scalps" is an overlooked slasher with some nasty bits of gore.The throat slashing and scalping sequence truly made me squirm in my seat.A combination of desert landscapes and sinister soundtrack gives "Scalps" a raw and nihilistic atmosphere of fear and despair.Unofficial sequel "Demon Warrior" was made in 1988.
Greetings And Salutations, and welcome to my review of Scalps; here's the breakdown of my ratings:
Story: 0.75 Direction: 0.75 Pace: 0.50 Acting: 1.00 Enjoyment: 0.75
TOTAL: 3.75 out of 10.00
Scalps is an early Fred Olen Ray joint, and it shows. Both the story and filmmaking had potential. Sadly, Ray misses out on all the evident opportunities, Only to deliver a half-baked tale, an undercooked movie stuffed with overcooked and hammy performances. Hhmm...why do I feel hungry?
In essence, the story should have been enough to grab the audience by the hair and hold their heads steady so their eyes were glued to the screen. However, what could have been a profound story about Native Americans and their abuse at the hands of the land thieves and their subsequent revenge, becomes nothing more than another slasher flick with supernatural overtones. It's a shame, as at the start of the picture, it's apparent the narrative could have taken a more esoteric trail. What we do get is fifteen minutes of filler travelogue as we ride with the students in their clapped-out station wagon to the dig site. However, we get to meet an obliging Native American who kindly recounts the dark legends of the area, so we know what's coming later...much later. And that's one thing about this tale - There's a lot of dead space, which required packing with factual, relevant, and gripping information about the tribes of the area. Then there are the characters who are about as vacuous as the story. Here's a note to all the prospective writers-come-directors out there: If you're going to have a slow story, populate it with exciting and credible individuals - and should the characters be insubstantial, then make the story captivating - of course, both would be perfect.
I felt tricked by the opening sequence of the movie. The cinematography, though too slow in pace, is quite decent. It builds up an eerie atmosphere. And the archaeologists forced suicide is superbly filmed. But, sadly, once the opening credits have ceased rolling, the filming style slips down the slippery slope of averageness. The worst scenes are in the so-called university and the teenager's journey. You can tell the university is nothing but rooms in somebody's house. And the repartee between Professor Machen and his secretary is shot separately. They're obviously not in the same area. Watch as the secretary passes the Prof a file. He doesn't take it from her hands but lifts it off his desk and thanks her. And, when we're on the car trip, Ray gives us some dire panoramas of oil derricks and powerlines, with the customary rough road bounce and shake. The rest is your standard point and shoot. On the plus side, the special effects are passable, except for the full rubber mask of the Native American; surely it wouldn't only be the guy's head that transforms under the possession(?) It should be a full-body mutation. It looks fake because the masked face and body colourings are so varied.
The cast is the prime element in this production, and these actors and actresses are not brilliant. However, thanks to the poor script and below-par direction, they shine a smidgen brighter. Regrettably, it's not nearly enough to keep the audience's attention.
I cannot recommend this missed opportunity of a movie to anyone - not even the die-hard Native-American Horror Lovers dotted around the globe. There is so much wrong with Scalps that I could write a book, and sadly, only enough good to fill out the back of a match-book cover. Don't waste your time collecting this Scalp.
Drop that bloody knife and put your wig back on, it's time to check out my Absolute Horror and Killer Thriller Chillers lists to see where I ranked Scalps - or to find something better to watch.
Take Care & Stay Well.
Story: 0.75 Direction: 0.75 Pace: 0.50 Acting: 1.00 Enjoyment: 0.75
TOTAL: 3.75 out of 10.00
Scalps is an early Fred Olen Ray joint, and it shows. Both the story and filmmaking had potential. Sadly, Ray misses out on all the evident opportunities, Only to deliver a half-baked tale, an undercooked movie stuffed with overcooked and hammy performances. Hhmm...why do I feel hungry?
In essence, the story should have been enough to grab the audience by the hair and hold their heads steady so their eyes were glued to the screen. However, what could have been a profound story about Native Americans and their abuse at the hands of the land thieves and their subsequent revenge, becomes nothing more than another slasher flick with supernatural overtones. It's a shame, as at the start of the picture, it's apparent the narrative could have taken a more esoteric trail. What we do get is fifteen minutes of filler travelogue as we ride with the students in their clapped-out station wagon to the dig site. However, we get to meet an obliging Native American who kindly recounts the dark legends of the area, so we know what's coming later...much later. And that's one thing about this tale - There's a lot of dead space, which required packing with factual, relevant, and gripping information about the tribes of the area. Then there are the characters who are about as vacuous as the story. Here's a note to all the prospective writers-come-directors out there: If you're going to have a slow story, populate it with exciting and credible individuals - and should the characters be insubstantial, then make the story captivating - of course, both would be perfect.
I felt tricked by the opening sequence of the movie. The cinematography, though too slow in pace, is quite decent. It builds up an eerie atmosphere. And the archaeologists forced suicide is superbly filmed. But, sadly, once the opening credits have ceased rolling, the filming style slips down the slippery slope of averageness. The worst scenes are in the so-called university and the teenager's journey. You can tell the university is nothing but rooms in somebody's house. And the repartee between Professor Machen and his secretary is shot separately. They're obviously not in the same area. Watch as the secretary passes the Prof a file. He doesn't take it from her hands but lifts it off his desk and thanks her. And, when we're on the car trip, Ray gives us some dire panoramas of oil derricks and powerlines, with the customary rough road bounce and shake. The rest is your standard point and shoot. On the plus side, the special effects are passable, except for the full rubber mask of the Native American; surely it wouldn't only be the guy's head that transforms under the possession(?) It should be a full-body mutation. It looks fake because the masked face and body colourings are so varied.
The cast is the prime element in this production, and these actors and actresses are not brilliant. However, thanks to the poor script and below-par direction, they shine a smidgen brighter. Regrettably, it's not nearly enough to keep the audience's attention.
I cannot recommend this missed opportunity of a movie to anyone - not even the die-hard Native-American Horror Lovers dotted around the globe. There is so much wrong with Scalps that I could write a book, and sadly, only enough good to fill out the back of a match-book cover. Don't waste your time collecting this Scalp.
Drop that bloody knife and put your wig back on, it's time to check out my Absolute Horror and Killer Thriller Chillers lists to see where I ranked Scalps - or to find something better to watch.
Take Care & Stay Well.
The best way to describe Scalps is as a missed opportunity. The premise is scary enough. College kids go to remote desert location to look for indian artifacts, come under attack from evil black magic and strange creatures(who are not explained in any way) and an evil indian sorceror.
This movie is utter pants. All the scenes shot at night are virtually impossible to watch, you literally cannot see anything, and the sound quality is very poor. It could be argued that this is just my copy of the movie, but then how do you explain the totally incoherent narrative? It makes no sense whatsoever. Where did the monsters come from? Why are they attacking the kids? Why did the people in town know about this if no one returns alive?
At the end of the day I think that this makes the film virtually unwatchable, and not endearing like The Beyond of Lost highway as the questions raised by those films are not suppossed to be answered.
This movie is utter pants. All the scenes shot at night are virtually impossible to watch, you literally cannot see anything, and the sound quality is very poor. It could be argued that this is just my copy of the movie, but then how do you explain the totally incoherent narrative? It makes no sense whatsoever. Where did the monsters come from? Why are they attacking the kids? Why did the people in town know about this if no one returns alive?
At the end of the day I think that this makes the film virtually unwatchable, and not endearing like The Beyond of Lost highway as the questions raised by those films are not suppossed to be answered.
Six young archeologists set off to the desert to find sacred Indian artifacts. One of the six becomes the spiritual embodiment of the infamous Black Claw and begins to murder(including scalping one) his friends. Though warned by an old Indian that shakes a lot, these kids cannot be stopped in their desire to drive down the road of motion picture obscurity. This film has next to no budget which compliments its acting, directorial, and other creative talents. Director Fred Olen Ray directed this early work, and although the film has so many problems, one can appreciate Ray's appreciation of the classic horror tradition. He gives meaningless roles to the serial Superman Kirk Alyn as a befuddled professor who sees the POINT-lessness of digging up sacred Native American artifacts in the end, a brief and purposeless cameo to Mr. Sci-fi himself, Forry Ackerman, and a small role to Carroll Borland from Mark of the Vampire fame. The six stars(being very judicious with that appellation)appear to be right out of a high school play. The only plusses any of them have is that the ladies, especially the gal playing Ellen Corman, have wonderful visual assets. The special effects are a big joke as nothing looks real or scary in any way. A puppet is occasionally popping up here and there to show us the disembodied spirit of Black Claw. Night and day readily change. One moment the players are at a campfire in blackness, another moment on a rock as the sun falls, and then back to the darkness all in the same evening. Black Claw is one hell of an Indian if he can manipulate time and space to make that happen! This film falls in the so bad it's entertaining category. I wasn't scalped after seeing it, but I probably lost a few more hairs!
"Scalps" is an extremely predictable and boring early eighties movie. Looking back, the only good thing about this movie is the special effects, but unfortunately, all of the gore takes place either in the very beginning or the very end. This movie is a very good example of a movie with a good premise that has gone bad.
The "plot" of this movie is as follows: A group of students goes out to a Native American burial ground to try to find artifacts. Predictably, the group of students begin to see signs of ancient spirits, who eventually start to attack and overcome the group.
Aside from being almost plotless beyond the first fifteen minutes, this moviesuffers from bad acting, extremely annoying characters, bad pacing, and horrible quality. The spirit effects actually look cool, but eventually they get annoying when the same shots are played repeatedly. I suppose that the gore effects are decent, but there are very few of them.
Try to miss this one. My rating: 2 out of 10
The "plot" of this movie is as follows: A group of students goes out to a Native American burial ground to try to find artifacts. Predictably, the group of students begin to see signs of ancient spirits, who eventually start to attack and overcome the group.
Aside from being almost plotless beyond the first fifteen minutes, this moviesuffers from bad acting, extremely annoying characters, bad pacing, and horrible quality. The spirit effects actually look cool, but eventually they get annoying when the same shots are played repeatedly. I suppose that the gore effects are decent, but there are very few of them.
Try to miss this one. My rating: 2 out of 10
Você sabia?
- CuriosidadesAccording to director Fred Olen Ray, this film was severely re-edited without his consent by the distributor at the time of its release. Scenes were added out of context which threw off continuity and gave away major spoilers, such as the fates of most of the characters, as well as the shots of chanting Indian ghost's head, which was haphazardly overlayed over such scenes as the old man cutting his own throat. Also, all but one of the scenes showing the ghost with the lion's head were shot as test footage and were never intended to be included in the released film.
- Erros de gravaçãoBefore one man's decapitation, his head comes off before it's supposed to.
- Cenas durante ou pós-créditosNext summer watch for SCALPS II: THE RETURN OF D.J.
- Versões alternativasAccording to the director, the "20th Anniversary Deluxe Edition" DVD is the most uncut version presently available, and is a combination of footage taken from a heavily censored German master, a Canadian master and the American VHS release which was the only source he could find for the imfamous scalping scene, this accounts for the wildly varying video quality of the DVD.
- ConexõesEdited into Scalps II: The Return of DJ (2007)
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- How long is Scalps?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Der Fluch des blutigen Schatzes
- Locações de filme
- Agua Dulce, Califórnia, EUA(Afrey estates)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 15.000 (estimativa)
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