A Lenda dos Oito Samurais

This is one of many Japanese sword and fantasy films, but in that genre it stands out. This comes as no real surprise since it is directed by Kinji Fukasaku, who is one of the masters of Japanese cinema. But if you are looking for a masterpiece here, you won't find it. There are many flaws. The character development is non-existent and even silly. One character, who had been a bloody killer of women and children, suddenly reforms. His explanation: "I heard a flute and it awoke something inside me." Well, don't let that or any of the many plot holes bother you. It is simply not that kind of movie. And you probably won't notice these flaws anyway, because you will be so wrapped up in the excellent action sequences that you won't care. Fukasaku uses his considerable skills to pull out all the stops on pure entertainment. Aside from the action sequences, the special effects are excellent and the production values are high.

Fukasaku was known for getting the best from his players and this is no exception. Among the actors, Sonny Chiba is up to his usual antics here, but Fukasaku brings out a certain charm that makes him a plausible romantic lead. Hiroko Yakushimaru plays the female lead. In this type of film, her type of character is usually just a pretty face that other, more interesting characters revolve around. But she takes the role beyond this and is not only beautiful, but charming and exciting. She gives the character a kind of positive energy that makes her character interesting and can't help but make you smile. The other characters also represent themselves well.

What really makes the film work is the pace. It is quick and pulls carries you through the story so that you don't notice its flaws. And really, do these flaws matter that much? To a purist perhaps, but a purist would miss the obvious good time of watching this film. So just let the film carry you away into that fantasy land that we all need to go to once in a while. It is fun and refreshing. Enjoy - it is one of the best rides like it that you can find.

Swords and sorcery films are one of my preferred genres and a pleasant pass time for me and when I came across this lesser known gem of a movie; imagine my surprise when (for me at least) it ticked most if not all boxes. In fact this is not a S&S movie like say "The sword and the sorcerer" or the two original "Conan" movies but it is an enjoyable (cheesey) rendition of the genre. It wold be better to say that this is a genre of it's own, namely Samurai, magic and princesses. OK, so what did I make of this hokey and laughable highly enjoyable film? Well...in a nutshell...I really enjoyed it. Slow to start off but stick with it and it grows on you. Of course we have the well known actor Sony Chiba in this (from "kill Bill" as if you don't know) which is reason alone to see this. There was one song in this that got stuck in my head and I had to know what it was called. Having hit a dead end using Siri on my iPhone to identify the song I headed to the good ol' internet and IMDb where i discovered that the song was written especially for the dubbed version of this movie and not a bonafied standalone song. Nevertheless I managed to get a copy and play it on iTunes now.I would love to know what other people make of this movie and the soundtrack so if you are into sword, sorcery, samurais and light shows (don't ask) then give this a chance. Hopefully, you'll enjoy it as much as I did.

SATOMI HAKKENDEN (Literally `Satomi (Clan) Eight Dog (Samurai) Legend') is a silly yet enjoyable romp that is a true guilty pleasure for Japanese Action Movie fans, mixing elements of Fantasy, Romance, Adventure and Traditional Samurai Drama (Chambara).

Inspired by the massive 106 Volume, 1814 epic Japanese novel `Nanso Satomi Hakkenden,' by Takizawa (Kyokutei) Bakin, SATOMI HAKKENDEN attempts to modernize and reinterpret the legend of the Eight `Dog' Heroes of the Satomi Clan of Awa Province, whose Princess Fume upon her tragic death gives birth to the Hakkenshi (Eight Samurai) whose spirits are reincarnated in human form carrying mystic crystal beads signifying the virtues of Confucianism (Jin-Sympathy, Gi=Duty/Justice, Rei=Proper Form, Chi=Wisdom, Chuu=Loyalty, Shin=Faith, Kou=Filial Piety, and Tei=Brotherly Affection).

Shizu (Yakushimaru, Hiroko) is a descendent of Princess Fume and is being hunted by the sinister forces of the Hikita Clan, whose Black Magic wielding, Lady Tamazusa (Natsuki, Mari) needs Shizu's blood to give herself eternal beauty (somewhat Snow White-like). Enter the Hakkenshi who attempt to protect Shizu from Tamazusa's minions and her Black Magic spawned threats. During the course of their adventures, Shizu falls in love with one of her protectors, the wild-child Shinbei (Sanada, Hiroyuki) who just so happens to be the bastard son of Lady Tamazusa.

1980's `Super Producer', Hiroyuki Kadokawa and legendary maverick director Kinji Fukusaku team-up once again to bring together this loud, Special-Effects laden spectacular with mixed results.

The action is superb, compliments to Chiba, Shinichi (aka J.J./Sonny Chiba), Shiomi, Etsuko (aka Sue Shiomi) and the rest of the Japan Action Club and their unique blend of swordplay and martial arts action.

Much time is spent on the romance between Shizu and Shinbei. At the time Yakushimaru was the darling of Japanese Cinema, having just come off of her Box Office smash hit `Sailor Fuku Tou Kikanju' (Sailor Dress and Machinegun) and Kadokawa wastes little time exploiting her new found popularity.

Yet, the story is slow at times and often confusing as a parade of characters march past the screen. Characterization for the Hakkenshi is almost non-existent, save for their stereotypical attributes (the staunch leader, the brooding androgynous samurai, the mysterious warrior princess, the tall and silent muscleman, the token kid and the `bad-guy' turned `good guy').

SATOMI HAKKENDEN is a pure `popcorn' movie for the teenage set.

Satomi Hakkenden will be understood the moment the viewer realizes that the soulful, classically Japanese score is being played on a cheap Casio synthesizer, and that somehow that is good. Being one of the country's very traditional legends (stolen from China), the writers drew from literary sources to make their movie, and it shows. The movie has heaping doses of melodrama, decapitations, and dead children. It also has characters dressed like a costume shop exploded, giant flying snakes hanging by ropes, a truly terrible 70's power ballad love song, and a plot so stereotypically Japanese it can be considered prototypical.

None of that is to say that the movie is bad. All of those things add to the ambiance of the movie. It also contains incredible special effects for 1983, some of the moments are surprisingly poignant, and the fight scenes are great. The plot may be telegraphed from a mile away, but it is still entertaining to watch it all unfold. If you are at all a fan of Japanese culture, you have seen this movie before, in one way or another. Yet if this sounds at all appealing to you, you owe it to yourself to see the original. Satomi Hakkenden deserves a larger spot in great camp history.

Although based on a classic Japanese novel, Legend of Eight Samurai owes an awful lot to the work of George Lucas, with plenty of moments inspired by (ie., borrowed from) Hollywood blockbusters Star Wars and The Empire Strikes Back, with even the occasional nod to Raiders of the Lost Ark; but hey, that's OK, because George owes a lot of his success to Japanese cinema. What goes around comes around, as they say.

An epic fantasy tale of good versus evil, complete with gorgeous princess, handsome heroes, and a wicked villain in a heavily guarded fortress, this is unashamed popcorn action aimed at an international market. A great cast (including Japanese action legend Sonny Chiba, international star Hiroyuki Sanada, and the extremely cute Hiroko Yakushimaru), spectacular stunts from Chiba's Japan Action Club, flashy special effects, and brisk direction from Kinji Fukusaku ensure that the film is consistently fun throughout, despite the somewhat random nature of the plot and a running time that clocks in at well over two hours. Fukusaku also manages to lend the whole thing a touch of class with his stylish visuals, giving those of an artistic bent something to appreciate amidst the film's many crowd-pleasing battles.

NB. For what sounds like ideal family fare, there is a touch of surprisingly gruesome imagery and some brief nudity which may deter those looking for something non-offensive to entertain the kiddies. For me, though, a witch tearing her face off, the occasional decapitation, and the sight of a naked woman bathing in blood only added to my overall enjoyment.