AVALIAÇÃO DA IMDb
6,6/10
34 mil
SUA AVALIAÇÃO
Depois de vinte e dois anos internado em um sanatório, Norman Bates é considerado apto para se reintegrar à sociedade.Depois de vinte e dois anos internado em um sanatório, Norman Bates é considerado apto para se reintegrar à sociedade.Depois de vinte e dois anos internado em um sanatório, Norman Bates é considerado apto para se reintegrar à sociedade.
- Prêmios
- 2 indicações no total
Bob Destri Hilgenberg
- Public Defender
- (as Robert Destri)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Even though Sir Alfred Hitchcock left us in 1980, his honor and memory lives on in the film. "Psycho II" begins where we left off 22 years ago. Norman Bates(Anthony Perkins) is released after his stay in a mental institution for the murder of Marion Crane(Janet Leigh) and several others. His release draws the ire of the sister, Lila Loomis(Vera Miles). Norman goes back to his motel home, where the manager Warren Toomey(Dennis Franz) runs it while Bates was institutionalized. Prior to returning, he goes to work at a greasy spoon diner where he meets Mary(Meg Tilly). That night, Norman takes over his motel after he fires Toomey for turning it into an "adult motel". The next day, Toomey drunkenly accosts Bates. And just say, he was fired, permanently. Here we go again. The murders are back. Has Bates gone back to his murderous ways? Apparently. However, Mary does cover for him when the sheriff comes by. If Norman was locked in the attic, who killed the teenage boy and Toomey? Well, Lila did have a daughter, and she's helping Norman. Lila wanted Norman to suffer and re institutionalized, but Mary has other plans. In this movie, Norman was more victim than villain. If Alfred was alive, he would have been proud. It was not bad! 3 out of 5 stars.
Safe to say that Psycho II suffers from all the prejudices possible. Numberless elements could be used as an excuse to avoid this movie and to place it among other pointless and money-making sequels. Brought out 22 years after the original masterpiece by Hitchcock himself, I can imagine that many fans refuse to give a subjective look at it. Very wrong, though!! Number two is a very worthy and underrated sequel, which brings perfect homage to the Master of Suspense best film. Even though Franklin can't fully live up to Hitchcock's style, he shows a pretty intense and mind-blowing story here. Franklin obviously worships Hitchcock (which was also clear in one of his previous films - Patrick) and this sequels is made with nothing but respect and goodwill. The very creative script - written by Tom Holland - has more than enough positive aspects and perplexing twists to consider the entire movie a triumph. Sure, some of the twists are far-fetched but overall the continuation of the Psycho couldn't be better. It actually takes place 22 years later with Norman Bates judged sane and released from the mental institution. Some people immediately want to forgive and forget but some others are convinced that Norman will soon go crazy again. This last group of people also has a complete plan worked out to make Norman snap again. Soon there are people dying again in the infamous Bates ' Motel but who is the vicious murderer this time??? Psycho II manages to keep you guessing the entire movie and the terrific acting performance by Anthony Perkins keeps you even closer to the screen. If you were a fan of the original masterpiece ( and I can't imagine anyone isn't a fan of that ), make sure you catch this sequel too!! There were made two more sequels after this but you can easily skip then....and whatever you do...keep your hands off the Gus Van Sant remake of 1998. I wish I had!!
Of course, PSYCHO II can't hold a candle to Hitch's original masterwork, but then what film can? The surprise is that it turns out to be a decent little film in itself, purely because it isn't a slavish copy but instead a stand-alone psychological thriller that takes its plot in a different direction to most.
Instead of emulating the then-popular slasher craze of the 1980s, PSYCHO II plays out as a whodunit for the most part. Norman's back on the streets and back in his motel, and the grisly slayings start up once more. But who's the killer? Is it Norman himself, or the young, seemingly innocent girl (Meg Tilly) living with him? Could it be the returning Vera Miles as Lila Loomis, seeking vengeance for her sister's slaying in the original by setting Norman up? Or somebody else with an axe to grind?
While there is the expected bloodshed in this film, for the most part it's deeper than that, working hard to build up a creepy atmosphere. Anthony Perkins is on top form as his most famous creation, and he succeeds in making Norman a sympathetic protagonist; watching this guy losing his mind for the second time is truly a tragic occurrence. The presence of supporting players like the reliably sleazy Dennis Franz and the solid Robert Loggia help to make this an effective horror film all in itself.
Instead of emulating the then-popular slasher craze of the 1980s, PSYCHO II plays out as a whodunit for the most part. Norman's back on the streets and back in his motel, and the grisly slayings start up once more. But who's the killer? Is it Norman himself, or the young, seemingly innocent girl (Meg Tilly) living with him? Could it be the returning Vera Miles as Lila Loomis, seeking vengeance for her sister's slaying in the original by setting Norman up? Or somebody else with an axe to grind?
While there is the expected bloodshed in this film, for the most part it's deeper than that, working hard to build up a creepy atmosphere. Anthony Perkins is on top form as his most famous creation, and he succeeds in making Norman a sympathetic protagonist; watching this guy losing his mind for the second time is truly a tragic occurrence. The presence of supporting players like the reliably sleazy Dennis Franz and the solid Robert Loggia help to make this an effective horror film all in itself.
What a pleasure it is to see good old Norman in this rather decent sequel to the acclaimed the movie 'Psycho' - Anthony Perkins' role in this film is one fantastic, also an interesting and unpredictable plot buffers up the quality of this film, a great film, and a hidden gem....RECOMMENDED
Norman Bates (Anthony Perkins) is released after over 20 years in an asylum, supposedly cured. He goes back to Bates Motel...but then he starts seeing his dead mother again, gets phone calls from her and the murders start up again. Is it Norman going crazy again or is someone trying to drive him to it?
A very good, intricately plotted sequel to Hitchcock's classic. This could have been a disaster, but it isn't. The plot has many twists and turns and moves quickly. Director Richard Franklin does an excellent directing job, setting up some very eerie shots and duplicating some of Hitchcock's shots from the original. Perkins is just OK (he should have toned down on the twitches) and Meg Tilly is her usual blank self but there is a strong supporting cast including Vera Miles and Robert Loggia. One minor problem--was it necessary to get so violent and bloody at the end (although it's restrained for a 1980s horror film)? Still, worth catching. Great final shot too.
A very good, intricately plotted sequel to Hitchcock's classic. This could have been a disaster, but it isn't. The plot has many twists and turns and moves quickly. Director Richard Franklin does an excellent directing job, setting up some very eerie shots and duplicating some of Hitchcock's shots from the original. Perkins is just OK (he should have toned down on the twitches) and Meg Tilly is her usual blank self but there is a strong supporting cast including Vera Miles and Robert Loggia. One minor problem--was it necessary to get so violent and bloody at the end (although it's restrained for a 1980s horror film)? Still, worth catching. Great final shot too.
Você sabia?
- CuriosidadesThe reflection of young Norman Bates in the doorknob when he flashes back to his mother's poisoning is Anthony Perkins' son Osgood Perkins.
- Erros de gravaçãoThere is a vertical window on the side wall of the front entry (to the left as you face the door) which is often clearly seen illuminated in exterior shots. However when interior scenes of the front entry are shown, there are solid walls and no windows on either side of the entry way.
- Citações
Norma Bates: Remember, Norman. I'm the one who loves you. Only your Mother truly loves you.
- Cenas durante ou pós-créditosThe Universal Studios logo is in black and white.
- Versões alternativasThe television version includes various extra takes, including one when Norman is on the porch of the house and he says goodbye to Dr. Raymond.
- Trilhas sonorasPiano Sonata Op. 27, No. 2 'Moonlight'
(uncredited)
Written by Ludwig van Beethoven
Played by Anthony Perkins
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Psicose II
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 5.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 34.725.000
- Fim de semana de estreia nos EUA e Canadá
- US$ 8.310.244
- 5 de jun. de 1983
- Faturamento bruto mundial
- US$ 34.725.614
- Tempo de duração1 hora 53 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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