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Adicionar um enredo no seu idiomaThe Budapest Opera House's diva commits suicide after the owner ruins her career for having rejected his advances but her conductor-husband, believed killed in a fire, plans his revenge on a... Ler tudoThe Budapest Opera House's diva commits suicide after the owner ruins her career for having rejected his advances but her conductor-husband, believed killed in a fire, plans his revenge on all those he deems responsible for her suicide.The Budapest Opera House's diva commits suicide after the owner ruins her career for having rejected his advances but her conductor-husband, believed killed in a fire, plans his revenge on all those he deems responsible for her suicide.
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Avaliações em destaque
This film is all that I could hope for and more! I am surprised that this great film is so under-rated. The music is beautiful, as is the young Jane Seymour, and Max a million Smell makes an excellent Phantom, especially with his mysterious deep voice. He makes his first appearance in the opening scene as the conductor with bed-head. This film has an excellent atmosphere and gothic mood. There is some of the most unique and original camera work that I've ever seen in this film. The film includes the masked ball and a finale that will keep you on the edge of your seat and your heart pounding. When trying to find this film avoid the Canadian video release which mangles the movie terribly by rearranging scenes, and ultimately the film doesn't really make much sense. The film is occasionally available on eBay in a version that looks like the master has been dubbed from another, so the quality isn't very good, but it's still a really great film. I would love to see this film released on DVD.
Jane Seymour and "Phantom" fans beware!!! This made for T. V. movie has to be the worst adaptation of the famous Gaston Leroux story filmed to date. Ms. Seymour plays two roles: Elena, a suicidal soprano, and Maria, a bitchy soprano. Maria (the Christine Daae character) hasn't one good quality about her, making the viewer wonder what the Phantom is so in love about. Michael York plays the equally irritating director of "Faust", the show that the opera company has been rehearsing for ever. In a nutshell, Ms. Seymour's hair gets bigger with each scene, her costumes look like a third rate community threatre production of "My Fair Lady" (...she usually looks so beautiful in period costumes!) and her lip-synching only works in wideshots. Mr. York's hair gets more and more like Orphan Annie's as the film progesses and his costumes look like Oscar Wilde's cast offs. The one redeeming moment in this film, is when the Phantom's face is finally shown. Stan Winston's make-up is quite good.
I am a fan of both Jane Seymour AND "The Phantom of the Opera". After seeing this film, I just wanted to call her up and ask her why she made this!!!!
I am a fan of both Jane Seymour AND "The Phantom of the Opera". After seeing this film, I just wanted to call her up and ask her why she made this!!!!
I wonder why so typically French a story was transferred to Budapest. In the novel, the opera house is as much a star of the story as the characters. It makes no sense to shift the story.
The acting is OK at best and often quite silly. Overall this is a rather cheezy and lame attempt at the story, with the usual attempts to rewrite and revise the story.
I often wish that someone would attempt a version that is truer to the original book, even though it was penny-dreadful claptrap. All too often they try to make the Phantom so sympathetic that they lose sight of his psychopathic side. However, in the original novel Christine is such a stupid drip that she does get quite annoying.
The acting is OK at best and often quite silly. Overall this is a rather cheezy and lame attempt at the story, with the usual attempts to rewrite and revise the story.
I often wish that someone would attempt a version that is truer to the original book, even though it was penny-dreadful claptrap. All too often they try to make the Phantom so sympathetic that they lose sight of his psychopathic side. However, in the original novel Christine is such a stupid drip that she does get quite annoying.
I was younger when I saw this, before I saw any other version, maybe, and definitely before I read the book. I remember a scene with a quote that has come back to me powerfully. The phantom comes into the room with the young singer to meet her for the first time after watching her rehearse many times. He says to her, "The mask frightens you? The mask protects you!"
Contrairy to what everyone thinks this is not a bad film. While, true it isn't faithful to Leroux, and the acting can make you feel like your watching a soap opera from the seventies, it is still an interesting take on the story. Maximillion Schell does a wonderful job as the Phantom, Shandor Korvan who after losing his wife to suicide takes revenge on the Baron and his men who drove her to it and in the process of killing the critic has both acid drip on his face and is caught on fire. After being rescued by the city ratchacer, did I mention it takes place in Hungary not France, he slowly recovers all the while scheming, waiting for the chance to destroy the Baron. Then a Italian American girl named Maria, not Christine, who looks almost identical to his wife, comes to sing at the opera. Korvan thinks Maria is his wife returned to him in a different form and he trains her to sing like he wished he could have taught his wife to sing. in the meantime Maria falls in love with the director(played by Micheal York) , our Roul. In the end The phantom steals her, jealous of her love for the director. She unmasks him; the director rescues her, and then we come to where the movie gets bad. I think The Phantom is trying to find Maria but gets side tracked and decided to cut down the chandelier while he is on it, maybe he was committing suicide, but he sees Maria is under him and he yells for her to move as it falls in extreme slow motion. In fact its so slow everyone has time to move out of the way and the only one killed is the Phantom. Everyone is sad and the end. There's a lot of bad things about this film, hey its a TV movie, but the thing that redeems it all is the Unmasking scene. It is fantastic. The makeup effects for the Phantom's disfigurement is wonderful. It seems the one thing that they tried to keep accurate to the book is the Phantoms face. It doesn't even look like a burn; it looks congenital. He hardly has a nose, his skin is a nasty yellow and parchment-like, and he only has a few hanks of dark brown hair on sides of his head and on his forehead. His mask is great too, it is a black hood with a blue green full face mask over the face with a movable jaw. Now, about the unmasking, HE QUOTES LEROUX!!!! Maria even burns his mask like Christine does in the book. Schell performances as Shandor Korvan, the Phantom, is great. As Shandor he seems believable that he is mental unstable and when he becomes The Phantom he is completely insane after the loss of his wife and his body, remember his whole body gets burned. He plays the Phantom for Horror and sympathy, like Lon Chaney, and I think he would of been a great Erik in a Leroux based movie. He has the deep voice for it. What you really have to remember is to not compare it to the book. Like all Phantom movies its its own work of art. Just because it not exactly like the book, or what you think is the book, referring to the last summary.
Você sabia?
- CuriosidadesShot on location in Budapest, Hungary. The opera house is actually the József Katona Theatre in Kecskemét. The Phantom's lair was shot in storage facilities underneath a brewery.
- ConexõesReferenced in Behind the Mask: The Story of 'The Phantom of the Opera' (2005)
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