AVALIAÇÃO DA IMDb
4,2/10
3,5 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaFed up of his wife's bad cooking, Donald kills her and turns to cannibalism to satisfy his appetite.Fed up of his wife's bad cooking, Donald kills her and turns to cannibalism to satisfy his appetite.Fed up of his wife's bad cooking, Donald kills her and turns to cannibalism to satisfy his appetite.
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Avaliações em destaque
Grab a mate, something to drink and eat and enjoy the hilarity of this movie. From the moment I found this movie and added it to my watchlist, I never expected anything more than a trashy and bad forgotten movie. Well, I'm so glad I was wrong, because "Microwave Massacre" is for it's relatively low budget very competently made movie with unbelievably smart and funny remarks from our cynical and hilarious protagonist. There is also a decent amount of nudity in this movie and all of it is high quality nudity for such a relatively low budget movie! All in all, if you like over the top humour and are not offended by unsophisticated content (violence, nudity), you won't go wrong with this one! 6.5/10! I recommend it to all the fans of the genre or anyone with open mind looking for a laugh!
Is MM a good movie? No. Did I enjoy watching it? Yes.
This is one of those films that falls into the "B minus"-movie category. It's sincere in being what it is, but what it is is a lot of schlock.
Oddly, Jackie Vernon is probably one of the weakest parts of this film. His portrayal of a middle-aged blue-collar schlub is just not convincing. (Hmmm...as if any of the other actors are convincing.) I/m sure that this film probably wouldn't have been made at all if he hadn't been attached to the project, but he's just not very good/interesting/funny in his role.
On the bright side, the producers somehow managed to scrape together quite a few pretty good-looking women and get them to take their tops of. In fact, I'm rather surprised that Marla Simons didn't go on to do more films after this one, even if this would have been due to her assets rather than her acting. The nudity in this film is silly rather than titillating and I personally would have given it a PG-13 rating.
Everybody else in the film acts as if they're in a sketch on the Carol Burnett Show, mugging and over-reacting. Some of the jokes and one-liners are pretty funny, just don't expect any real acting. Oh, yeah...and it's not at all scary or even gross.
The only big question that I had after watching this was, "How did the huge, industrial microwave fit into that little shipping box that you see in the beginning of the movie?" Recommended for people who are tired of artsy-fartsy horror films.
This is one of those films that falls into the "B minus"-movie category. It's sincere in being what it is, but what it is is a lot of schlock.
Oddly, Jackie Vernon is probably one of the weakest parts of this film. His portrayal of a middle-aged blue-collar schlub is just not convincing. (Hmmm...as if any of the other actors are convincing.) I/m sure that this film probably wouldn't have been made at all if he hadn't been attached to the project, but he's just not very good/interesting/funny in his role.
On the bright side, the producers somehow managed to scrape together quite a few pretty good-looking women and get them to take their tops of. In fact, I'm rather surprised that Marla Simons didn't go on to do more films after this one, even if this would have been due to her assets rather than her acting. The nudity in this film is silly rather than titillating and I personally would have given it a PG-13 rating.
Everybody else in the film acts as if they're in a sketch on the Carol Burnett Show, mugging and over-reacting. Some of the jokes and one-liners are pretty funny, just don't expect any real acting. Oh, yeah...and it's not at all scary or even gross.
The only big question that I had after watching this was, "How did the huge, industrial microwave fit into that little shipping box that you see in the beginning of the movie?" Recommended for people who are tired of artsy-fartsy horror films.
Ladies and gentlemen here it is...the worst horror movie ever made! The genius behind this movie is that it is literally so utterly terrible, that it's good! This film NEVER takes itself too seriously, just look at who is playing the lead character...Frosty the Snowman himself Mr. Jackie Vernon (or as he is more commonly known old "Mush Mouth") How can anyone be terrified by this man? This film has some of the tackiest, most outlandish scenes ever recorded on film. From the outrageous scene at the fast-food drive in to the woman being placed between 2 of the largest slices of bread I have ever seen! The acting is awful, the effects are hideous and the jokes are lame but all of this adds to the chaotic fun that is known as "Microwave Massacre". You have been warned, this is the most awesomely bad movie in cinema history...but also the most fun...watch it with some sort of chemical assistance, trust me it helps!
Stand up comedian and sometime actor Jackie Vernon had his last movie role in this laugh riot camp horror film. Jackie plays Donald, a construction worker whose wife May (Claire Ginsberg) is trying to get him to eat her experimental dinners. She does this supposedly for his own good, and does it with the assistance of her microwave oven (a real gargantuan artifact). Finally, he can take no more of her nagging and, in a drunken rage, bludgeons her to death with a salt grinder. He comes to realize that he likes the taste of human flesh, so goes out and kills more people to feed his newfound appetites.
Written and produced by Craig Muckler and Thomas Singer, and directed by Wayne Berwick, "Microwave Massacre" is a pretty tasty morsel when it comes to horror comedy. It's full of utter ridiculousness, and absurd dialogue, not to mention some deliciously tacky gore effects and one utterly priceless severed head. The amusingly deadpan Vernon alternates between being sincere, and letting the audience in on the joke by breaking the fourth wall. His interactions with victims and other characters are a joy to behold. We have a hooker named Dee Dee Dee (Lou Ann Webber), a psychiatrist (John Harmon, who'd acted for director Berwicks' father Irvin in things like "The Monster of Piedras Blancas" and "Malibu High"), a doctor with the childish moniker of Von Der Fool (Ed Thomas), a hottie foreigner (Anna Marlowe) who makes a living dancing in a chicken costume, Donalds' fellow construction workers Roosevelt (Loren Schein) and Philip (Al Troupe), and Sam (Phil De Carlo), a grumpy bartender who doesn't want to hear his patrons' sob stories. Ginsberg is perfect as the kind of nagging wife that would drive any husband mad.
This movie keeps coming up with enough wacky and irreverent shtick to sustain it through a very reasonable one hour 17 minutes run time. Just don't expect to see the title appliance come into play all THAT often while it plays out.
Now, if you'll excuse me, I'm so hungry I could eat a whore.
Seven out of 10.
Written and produced by Craig Muckler and Thomas Singer, and directed by Wayne Berwick, "Microwave Massacre" is a pretty tasty morsel when it comes to horror comedy. It's full of utter ridiculousness, and absurd dialogue, not to mention some deliciously tacky gore effects and one utterly priceless severed head. The amusingly deadpan Vernon alternates between being sincere, and letting the audience in on the joke by breaking the fourth wall. His interactions with victims and other characters are a joy to behold. We have a hooker named Dee Dee Dee (Lou Ann Webber), a psychiatrist (John Harmon, who'd acted for director Berwicks' father Irvin in things like "The Monster of Piedras Blancas" and "Malibu High"), a doctor with the childish moniker of Von Der Fool (Ed Thomas), a hottie foreigner (Anna Marlowe) who makes a living dancing in a chicken costume, Donalds' fellow construction workers Roosevelt (Loren Schein) and Philip (Al Troupe), and Sam (Phil De Carlo), a grumpy bartender who doesn't want to hear his patrons' sob stories. Ginsberg is perfect as the kind of nagging wife that would drive any husband mad.
This movie keeps coming up with enough wacky and irreverent shtick to sustain it through a very reasonable one hour 17 minutes run time. Just don't expect to see the title appliance come into play all THAT often while it plays out.
Now, if you'll excuse me, I'm so hungry I could eat a whore.
Seven out of 10.
Described by its original DVD distributor as "The Worst Horror Movie of All Time", this 1983 black comedy doesn't quite live up to that promise, but it's a close thing. The painted cover art is fantastic, and typically unrepresentative of the lousy content of the film.
Donald (Jackie Vernon) is a depressed, disillusioned construction worker who returns each evening to his frumpy, nagging wife, May (Claire Ginsberg). She feels she doesn't get the gratitude she deserves for "slaving away" at her new microwave all day.
One night Donald snaps and murders May. Naturally, the only way he can destroy the evidence is by cooking and eating her. He gets a taste for it (excuse the pun) and thus begins enticing ladies of the night back to his suburban home. He cooks them and feeds them to his insatiable, ignorant co-workers. Donald is free and he's impressing his new best buddies. What can possibly stop his campaign of cannibalism? Vernon was a stand-up with a distinctive deadpan style, which is entirely incongruous with the farcical events of this story. Combined with the film's weirdly languid pace and Leif Horvath's eerie electronic score, it's quite an unsettling experience – although this is mostly due to it being an outright tonal disaster, rather than any controlled sense of atmosphere.
With the humour and delivery of a 70s sketch show, it's a movie badly in need of canned laughter, if only to inform us of when we're supposed to laugh. Genuine humour comes in the briefest of snatches: Donald's encounter with Dr Van der Fool (Ed Thomas), who doesn't know which side the heart is on; or the scene where May's sister stops by and Donald has to prop May's disembodied head in the bed to pretend she's still alive ("She looks awful pale...").
It's a movie of a mercifully bygone era in which all the women are nags or sluts, although this is par for the course in trash horror of the time. What the flesh sandwich lacks is a juicy layer of satire. Given that the microwave was just becoming a household essential in the 80s, promising the death of the conventional cooker, this has to go down as an opportunity missed – we get none of the consumerist satire of The Stuff, nor the grotesque farce of the more enjoyably outrageous Street Trash.
Microwave Massacre just about claws its way into the midnight movie slot through a certain uniqueness and, frankly, its brevity (it comes in at around 75 minutes). But it's more of a freak-out than a fun time.
Donald (Jackie Vernon) is a depressed, disillusioned construction worker who returns each evening to his frumpy, nagging wife, May (Claire Ginsberg). She feels she doesn't get the gratitude she deserves for "slaving away" at her new microwave all day.
One night Donald snaps and murders May. Naturally, the only way he can destroy the evidence is by cooking and eating her. He gets a taste for it (excuse the pun) and thus begins enticing ladies of the night back to his suburban home. He cooks them and feeds them to his insatiable, ignorant co-workers. Donald is free and he's impressing his new best buddies. What can possibly stop his campaign of cannibalism? Vernon was a stand-up with a distinctive deadpan style, which is entirely incongruous with the farcical events of this story. Combined with the film's weirdly languid pace and Leif Horvath's eerie electronic score, it's quite an unsettling experience – although this is mostly due to it being an outright tonal disaster, rather than any controlled sense of atmosphere.
With the humour and delivery of a 70s sketch show, it's a movie badly in need of canned laughter, if only to inform us of when we're supposed to laugh. Genuine humour comes in the briefest of snatches: Donald's encounter with Dr Van der Fool (Ed Thomas), who doesn't know which side the heart is on; or the scene where May's sister stops by and Donald has to prop May's disembodied head in the bed to pretend she's still alive ("She looks awful pale...").
It's a movie of a mercifully bygone era in which all the women are nags or sluts, although this is par for the course in trash horror of the time. What the flesh sandwich lacks is a juicy layer of satire. Given that the microwave was just becoming a household essential in the 80s, promising the death of the conventional cooker, this has to go down as an opportunity missed – we get none of the consumerist satire of The Stuff, nor the grotesque farce of the more enjoyably outrageous Street Trash.
Microwave Massacre just about claws its way into the midnight movie slot through a certain uniqueness and, frankly, its brevity (it comes in at around 75 minutes). But it's more of a freak-out than a fun time.
Você sabia?
- CuriosidadesRodney Dangerfield was considered for the role of Donald, but his asking salary was too high.
- Erros de gravação(at around 17 mins) Two crew members are visible.
- Cenas durante ou pós-créditosThe producers wish to express their thanks to MICROWAVE OVENS, without which this movie would have taken much longer.
- ConexõesFeatured in My Microwave Massacre Memoirs (2016)
- Trilhas sonorasBourbon
Written by Brian Bennett
From the album: "Rock Spectrum"
Courtesy of KPM music
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- How long is Microwave Massacre?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Microwave Massacre
- Locações de filme
- Los Angeles, Califórnia, EUA(Micky Dolenz house)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 75.000 (estimativa)
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