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IMDbPro

Os Desamados

Título original: The Loveless
  • 1981
  • R
  • 1 h 25 min
AVALIAÇÃO DA IMDb
6,1/10
3,5 mil
SUA AVALIAÇÃO
Willem Dafoe in Os Desamados (1981)
Trouble ensues when a motorcycle gang stops in a small southern town while heading to the races at Daytona.
Reproduzir trailer1:22
1 vídeo
87 fotos
AmadurecimentoDrama

Adicionar um enredo no seu idiomaTrouble ensues when a motorcycle gang stops in a small southern town while heading to the races at Daytona.Trouble ensues when a motorcycle gang stops in a small southern town while heading to the races at Daytona.Trouble ensues when a motorcycle gang stops in a small southern town while heading to the races at Daytona.

  • Direção
    • Kathryn Bigelow
    • Monty Montgomery
  • Roteiristas
    • Kathryn Bigelow
    • Monty Montgomery
  • Artistas
    • Willem Dafoe
    • J. Don Ferguson
    • Robert Gordon
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,1/10
    3,5 mil
    SUA AVALIAÇÃO
    • Direção
      • Kathryn Bigelow
      • Monty Montgomery
    • Roteiristas
      • Kathryn Bigelow
      • Monty Montgomery
    • Artistas
      • Willem Dafoe
      • J. Don Ferguson
      • Robert Gordon
    • 30Avaliações de usuários
    • 51Avaliações da crítica
    • 44Metascore
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    Trailer
    Trailer 1:22
    Trailer

    Fotos87

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    Elenco principal40

    Editar
    Willem Dafoe
    Willem Dafoe
    • Vance
    J. Don Ferguson
    J. Don Ferguson
    • Tarver
    Robert Gordon
    Robert Gordon
    • Davis
    Marin Kanter
    Marin Kanter
    • Telena
    Tina L'Hotsky
    Tina L'Hotsky
    • Sportster Debbie
    • (as Tina L'hotsky)
    Lawrence Matarese
    Lawrence Matarese
    • La Ville
    Danny Rosen
    • Ricky
    Phillip Kimbrough
    Phillip Kimbrough
    • Hurley
    Ken Call
    • Buck
    Elizabeth Gans
    • Augusta
    Margaret Jo Lee
    • Evie
    John King
    • John
    Bob Hannah
    Bob Hannah
    • Sid
    Jane Berman
    • Lady in T-Bird
    A.B. Calloway
    • Truck Driver in Diner
    Leslie Kribbs Jr.
    • Wino
    Don Tilly
    • Cook
    Herbie Benton
    • Customer at Diner
    • Direção
      • Kathryn Bigelow
      • Monty Montgomery
    • Roteiristas
      • Kathryn Bigelow
      • Monty Montgomery
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários30

    6,13.5K
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    Avaliações em destaque

    5caseymoviemania

    Casey's Movie Mania: THE LOVELESS (1982)

    Before director Kathryn Bigelow became widely recognizable with her later effort in 1987's NEAR DARK, 1991's POINT BREAK, 1995's STRANGE DAYS and of course, right down to 2009's Oscar-winning war drama THE HURT LOCKER, she made her first feature debut in a low-budget independent drama called THE LOVELESS when she was still studying in NYC as a film student. THE LOVELESS is a stylized and eccentric genre movie that pays homage to 1950s biker movies (notably Marlon Brando's THE WILD ONE) with art-house sensibility. This movie is also notable as Willem Dafoe's first lead role.

    Set in 1950s, the story centers on Vance (Dafoe), a leather-clad biker who rides into a small Southern town where he supposes to meet up with his fellow motorcycle gang at a cafe somewhere at Highway 17. Their plan is to head over to Daytona Beach for the races, but they forced to postpone for a while when one of their motorcycles breaks down. While waiting the broken motorcycle to get fixed in a nearby garage, Vance and his motorcycle gang hang around at the cafe. Along the process, Vance flirts a bit with a widowed waitress named Augusta (Liz Gans). She also hooks up with Telena (Marin Kanter), the rebellious teenage daughter of a psychotic father, Tarver (J. Don Ferguson).

    THE LOVELESS is also co-directed by Monty Montgomery, who is best known for producing David Lynch's WILD AT HEART (1990). Both he and Bigelow favors a lot in fetishism (mostly close-up on leather outfit, motorcycle, chrome) that it's quite mesmerizing to watch their stylized eroticization of a '50s biker culture. Somewhere in between, you can also see Bigelow's earlier attempt in lurid direction that will later becoming one of her trademarks in her subsequent movies. Despite its low-budget standard, the visual is adequate enough for this kind of genre, while Robert Gordon's (who also appeared as an actor here, playing one of Vance's motorcycle gang member named Davis) rock soundtrack is a standout. As for Willem Dafoe, he made quite an impression playing a stoic lead character.

    But most of the movie is a disappointment. Despite clocking at a brief 82 minutes, the movie can be excruciatingly tough to sit through. The pace is deliberately slow to a crawl, especially in the long-winded first hour. Here, the movie lingers in a circle as we watch the characters sit around and talk about nothing in particular. Other times we see them stare silently into space, waiting for something to happen, and all the mundane tasks that goes on and on. The purposefully-stylized dialogues, which meant to be cool, are mostly borderline into self-parody. Meanwhile, the sudden burst of violence that occurs in the final act, fails to deliver any would-be shocking impact.

    Suffice to say, THE LOVELESS isn't much of a recommended effort, other than those who always curious to see how Bigelow and Dafoe get started during their early careers.

    www.caseymoviemania.blogspot.com
    cd332-livejournal-com

    Hyperrealism in real time.

    I think this movie comes closest to what bikers experience while on the road. Boredom, waiting, mechanical problems, prejudice of the locals. I have done many transcontinental motorcycle rides alone, and this one captures it best. You're not going to come across Timothy Leary in the middle of nowhere (Roadside Prophets), or pick up Nicholson and get blown away (Easy Rider). There are long stretches where absolutely nothing happens. There is a scene where Dafoe sits in the bar and it is filmed in real time, security-camera style. Unbearable minutes go by and nothing happens at all, while a gorgeous Brenda Lee song "I Want To Be Wanted" plays in the background.

    The loneliness of riding alone and coming into town alone is what makes this movie poignant and beautiful in a quiet way.

    This movie is also a rockabilly heaven. Eddy Dixon's superb opening song Relentless is possibly one of the most difficult songs to find in print. NYC rockabilly singer Robert Gordon also serves up some over-the-top method acting here. DaFoe's narrative voice is already wonderful here, as is Bigelow's filmmaking style. Sometimes I explain this movie to people as one where the tables are turned and men get objectified. It's an interesting dynamic to see what mainstream films have done for so long to women done to men.

    The plot is about a group of bikers who are en route to Florida to see some auto/bike racing. They are coming from different states and planning to converge at a meeting point. One of the biker's Harleys break down and there is a delay that holds them up in a small Georgia town. Dafoe runs into a daughter of a redneck at a gas station and hooks up there. Everything finally hits the fan at the local bar.

    Lots of nice shots of vintage bikes. Harley shovelheads and knuckleheads are in effect throughout the movie.
    Lexo-2

    Not bad for a first attempt

    Kathryn Bigelow's first film as a director. It's a superior biker flick, with the characteristic Bigelow gloss already visible. Don't remember much of the plot, but there are scenes - mostly between Dafoe and the eerily underage-looking Marin Kanter - that have stayed with me ever since I saw it years ago. Violent and sexy and almost too cool for its own good, with a rockabilly soundtrack by Robert Gordon and lots of long tracking shots of glossy cars and bikes. Worth watching, and one of Dafoe's less stunned performances (he really is much better on stage.)
    Wizard-8

    Missing one (big) thing

    "The Loveless" has apparently built somewhat of a cult since it was first released more than thirty years ago. To a degree, I can sort of understand that. There are some positive things to be found here. Though a low budget movie, the movie looks good, from the convincing period detail to the photography. The acting is also well done; you can really believe these brooding characters. And the atmosphere is appropriate for a movie about hard core bikers.

    Unfortunately, despite positive things like what I've listed, the movie didn't work for me. In fact, I think that most viewers will be dissatisfied as well. There is a big problem, and that problem is that there is virtually no plot. The movie is just one scene after another where little to nothing (usually nothing) of consequence happening. I admit I came close to hitting the eject button on my DVD player several times because I was quite frankly bored. In the end, I can only recommend the movie to hard core fans of anyone in front of or behind the camera.
    RobD-4

    Not just a biker film

    I saw 'The Loveless' years and years ago but I'm still searching the internet for it; it must have been on TV because I didn't see it at the cinema and it isn't available on video. I watched the film because it had bikes in it and was amazed - it has a great sound-track, stunning visuals with glistening chrome and shots of motor oil that you can almost touch (the repair scenes in the garage).

    The first time you see the film the ending is a surprise - after you've thought about it for a while it becomes obvious that it's the only ending the film could have.

    I'm stunned that this film seems to have vanished. It is impossible to obtain on tape or DVD and even some of my film going friends that reckon they like Kathryn Bigelow have never heard of it.

    Bring it out on DVD - NOW!

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Debut credited role in a movie of Willem Dafoe.
    • Erros de gravação
      After visiting the liquor store, Vance downs a pint of Thunderbird wine and throws the empty bottle out of the car. The sound of the glass breaking on the pavement is heard while the bottle is still in the air.
    • Citações

      Buck: Y'know? I ain't never seen nothin' like it before in my life. They're animals. Hell, I'd love to trade places with 'em for a day or two.

    • Cenas durante ou pós-créditos
      The closing credits includes the following information: "Robert Gordon is an RCA recording artist"
    • Conexões
      Featured in Ultravox: Hymn (1982)
    • Trilhas sonoras
      Title Theme
      Written by Robert Gordon

      Arranged by Tim Wisner (as Jim Wisner) and Robert Gordon

      Music Coordinator Artie Kaplan (as Art Kaplan)

    Principais escolhas

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    Perguntas frequentes15

    • How long is The Loveless?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 25 de maio de 1984 (Suécia)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Russo
    • Também conhecido como
      • The Loveless
    • Locações de filme
      • 271 North Coastal Highway, Midway, Geórgia, EUA(Midway motel on U.S. 17)
    • Empresa de produção
      • Pioneer Films
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 800.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 25 min(85 min)
    • Cor
      • Color
    • Mixagem de som
      • Mono
    • Proporção
      • 1.85 : 1

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