Uma coleção de fenômenos fotografados de forma especializada, sem uma trama convencional. O filme enfoca a natureza, a humanidade e a relação entre eles.Uma coleção de fenômenos fotografados de forma especializada, sem uma trama convencional. O filme enfoca a natureza, a humanidade e a relação entre eles.Uma coleção de fenômenos fotografados de forma especializada, sem uma trama convencional. O filme enfoca a natureza, a humanidade e a relação entre eles.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 6 vitórias e 1 indicação no total
- Self - On TV
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- Self - On TV
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- Self - On TV
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- Self - On TV
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- Self - On TV
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- Self - On TV
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Avaliações em destaque
The best thing to do is to turn off all of the lights, pump up the sound and absorb yourself in the spectacle that unfolds on the screen. If you do this, you'll experience one of the most breathtaking, moving and exciting pieces of art ever. There are few films that reach these heights -- 2001: A Space Odyssey is the only one that instantly comes to mind.
Don't analyse it until it's finished. Talking through it will ruin it. I've found that the film works best on an emotional level so switch your brain off and just watch and listen. By the time it's finished, you'll feel like you've been on an exhausting and exhilarating journey that you'll want to take again not long afterwards.
one of the great things about this film is that while the intrusion of man is initially presented as profane and abhorrent, ultimately there is found a symmetry to the human experience that is as organic as anything found in the `natural' world. i used to be tempted to perceive humans as the only species on the plant that didn't fit, that threw everything out of balance, as it were. but over time it has become apparent that even the blight of man on earth is a naturally occurring phenomenon. the evolution of life is the destruction of life. the circle is unbroken.
One of the things I also like about this movie is the fact that since there is no dialogue, it can be shown in any country in the world unchanged. We would all see it the exact same way. I like the idea of that very much.
Você sabia?
- CuriosidadesGodfrey Reggio was hooked on Philip Glass doing the music. He approached Glass through a mutual friend, and Glass replied, "I don't do film music." Reggio persisted, and finally the friend told Glass that the tenacious guy was not going to go away without at least an audience. Glass relented, though he still insisted he wasn't doing the music. Reggio put together a photo montage with Glass' music as the soundtrack, which he presented to Glass at a private screening in New York. Immediately following the screening, Glass agreed to score the film.
- Erros de gravaçãoThe two explosions at about 18 minutes into the film were shot with anamorphic lenses and not properly desqueezed for the film's 1.85:1 aspect ratio.
- Citações
[last lines]
title card: Translation of the Hopi Prophecies sung in the film: "If we dig precious things from the land, we will invite disaster." - "Near the Day of Purification, there will be cobwebs spun back and forth in the sky." - "A container of ashes might one day be thrown from the sky, which could burn the land and boil the oceans."
- Cenas durante ou pós-créditosEnd credits go over mashed voice recordings in English ranging from call operator answers to television news.
- ConexõesEdited into Wide Awake (2006)
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Koyaanisqatsi
- Locações de filme
- San Onofre Nuclear Generating Station, Condado de San Diego, Califórnia, EUA(as seen from San Onofre State Beach)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 1.723.872
- Faturamento bruto mundial
- US$ 1.728.699