A Mansão da Meia-Noite

Well yeah, in all honesty, "House of the Long Shadows" is an extremely disappointing and weak film, but I'm convinced that there isn't a single (real) horror fan out there that can bring him/herself to spread an entirely destructive criticism about this unique feature. After all, it is the only movie that ever managed to assemble no less than four of the most legendary genre icons and even show them in the same scenes! Something that stars Vincent Price, Christopher Lee, Peter Cushing and John Carradine all at once is simply fundamental viewing for horror fans, whether or not the storyline is any good. The plot is a re-working of the famous 'Seven Keys to Baldpate'-novel and introduces Ken Magee as a rather cocky writer who bets his publisher 20.000 Dollars that he can complete a successful novel in the likes of Wuthering Heights in a short period of only 24 hours. To have the required isolation for writing, his publisher gives him the key to an old deserted mansion in Wales. Instead of finding peace and quiet there, the writer is subsequently interrupted by his publisher's attractive secretary and four uncanny members of the Grisbane family that reunite in the house to release their mad youngest brother after an imprisonment of forty years. Writing a novel is completely out of the question when it turns out Roderick Grisbane escaped from his room and started a new killing spree around the house. "House of the Long Shadows" is a heavily flawed and clichéd film that would have been long (and righteously) forgotten by now if it weren't for the top notch cast listing. First and foremost, the film got released at least a decade too late. The early 1980's were an era dominated by raw and blood-soaked slasher movies and an old-fashioned haunted-house chiller simply couldn't fascinate the audiences any longer. Then it also takes far too long before something interesting happens. The story is over halfway by the time all four horror legends are fully introduced and it takes another twenty minutes before anything even mildly horrific occurs. Then there suddenly are too many childish and overly implausible plot-twists going on in the last sequences, resulting in a totally unsatisfying climax. The tone and themes of the film, as well as the murder-scenes, are regretfully tame. It's actually hard to believe that Pete Walker directed this film! He was the British exploitation master during the 70's and made shocking movies about murderous priests ("House of Mortal Sin"), cannibalistic grannies ("Frightmare") and barbaric women prisons ("House of Whipcord"). "The House of Long Shadows" doesn't feature one single shock and hardly any suspense moments, apart from Christopher Lee's gruff facial expressions. It certainly isn't the masterwork I secretly hoped it to be, but if I could make one wish, it would be going back in time and pay a visit to the film set.

Vincent Price, Peter Cushing, Christopher Lee and John Carradine in one movie is like a dream come true and a recipe for a truly great time. House of the Long Shadows is not a great movie, but it is an interesting one and better than I was led to believe. It does have flaws of course, the ending is unsatisfying and feels like more than one ending rolled into a single one, the middle drags and Desi Arnaz Jnr gives an awful lead performance, very wooden and overly-serious. However, the production values complete with a suitably Gothic mansion are in keeping with the spooky atmosphere and in the genre House of the Long Shadows is an example of. The music has a very haunting sound to it, I loved the tongue-in-cheek humour and thrills in the script(Vincent Price having the best lines and he really relishes them), and the story has some nice-if occasionally silly- twists and turns and is mostly swiftly paced. The opening sequence is great. The murder sequences are not exactly subtle, but are suspenseful and evoke some chills. The four stars Price, Cushing, Lee and Carradine- easily the highlights of the film- are brilliant, distinctive and commanding with a very one-of-a-kind chemistry. In conclusion, fun and interesting if far from perfect. 7/10 Bethany Cox

Everyone probably figured that Vincent Price, Christopher Lee and Peter Cushing would have to all co-star in a movie, but who ever would have guessed that Desi Arnaz Jr would also co-star? Far removed from his parents' famous roles, Arnaz plays Kenneth Magee, an American author who goes to an old Welsh estate to write a novel. He is supposed to have no disturbances, but Vincent Price, Peter Cushing and John Carradine arrive to release their brother who has been locked in his room for forty years, and Christopher Lee arrives to claim ownership of the mansion. Naturally, things don't go as everyone expects.

"House of the Long Shadows" doesn't have anything that we wouldn't anticipate in a movie about a dark old mansion, but it's got more twists and turns than a roller coaster. So, I recommend it, and I hope that they don't try to remake it.

This is a horror film aficianado's dream - the only time that Peter Cushing, John Carradine, Christopher Lee and Vincent Price appeared in the same film and the same scenes together!

Forget about the ponderous build-up to the appearance of the stars and the lamentable arrogance of Desi Arnaz Jr. in a forgettable role (he can't hold a torch to the acting abilities of his famous co-stars!). The cliched surroundings of a dark, haunted house can also be criticised; but this is the ideal platform for the horror greats on show to perform in a typically professional fashion.

Peter Cushing's drunken characterization is very well done and Vincent Price's grand dialogue is reeled off in an extremely believable way. Christopher Lee's role is also enjoyably wooden and in the mould that we have come to expect over the years!

The film is guilty of faulty pacing - the start is slow but the execution of murders later in the film comes relentlessly and with little subtlety in thought or execution. However, the sole purpose of the film is to provide a horrific who-dunnit in an old-fashioned way with the top stars of the genre!

The ending also ensures that the viewer is never quite confident that the story's resolution has been provided.

Not a masterpiece by any means , but a fitting tribute to the stars in the horror field, who have entertained us so much in the past and will continue to do so in the future!

This proved to be the last film of British horror director Walker (in the accompanying DVD interview for his THE FLESH AND BLOOD SHOW [1972], which followed this in short order, he states that this was his only 'assignment' – all his other work he personally financed) as well as the final teaming of that prolific and (for fans, hugely rewarding) iconic duo of Peter Cushing (complete with endearing speech impediment) and Christopher Lee (a complex characterization, albeit characteristically boorish).

Having mentioned the two Hammer stars, some reviewers mistakenly believed the film intended to recapture that studio's Gothic tradition but it actually hearkens back to the comedy-thrillers of the Silent and early Talkie era. In fact, it was the sixth filmization – scripted by Michael Armstrong, whose own directorial career was curtailed following the notoriety of his MARK OF THE DEVIL (1970) – of "Seven Keys To Baldpate", a novel by Earl Derr Biggers (creator of Charlie Chan) that was adapted for the stage by George M. Cohan (yes, the songwriter played by James Cagney in YANKEE DOODLE DANDY [1942]!).

Besides, its plot about a dysfunctional Welsh family that includes a locked-up maniac and whose mansion is 'intruded' upon by innocent strangers is a virtual retread of James Whale's sublime THE OLD DARK HOUSE (1932; one of my absolute favorites) – though with little of that film's style or wit. Another direct link to it is the fact that there is a Roderick involved – and let's not forget that Vincent Price (who co-stars here) had played a character by that name in Roger Corman's seminal Poe adaptation HOUSE OF USHER (1960)! The final revelation (which wasn't at all surprising nor, come to think of it, was the identity of the mysterious killer), then, is straight out of SEVEN FOOTPRINTS TO Satan (1929)…

The cast also highlights two other lesser horror stars – John Carradine (who's supposed to be the patriarch of the family when the difference in age from, at least, Price and Cushing is minimal!) and Walker regular Sheila Keith (replacing the ailing Elsa Lanchester). The young cast isn't in any way comparable obviously – however, both Desi Arnaz Jr. (from childhood sci-fi TV show AUTOMAN [1983]!) and Julie Peasgood prove reasonably engaging nonetheless. By the way, Richard Todd appears as novelist Arnaz's genial publisher – who makes a bet with his client that he won't stay the full-length of 24 hours in an ostensibly haunted house (which is the exact same premise of the Abel Gance/Max Linder short AU SECOURS! [1924] I've just watched and, I see, Michael Elliott did too!).

At the end of the day, the film is clearly old fashioned (despite the occasional gore) but undeniably fun – which makes the Leonard Maltin guide's *1/2 rating a genuine head-scratcher!