Dois Contra o Oeste

Bus Spencer & Terence Hill aren't well known in the United Kingdom and this is a shame as their work deserves to be seen by a wider audience. A nice mix of sight gags, slapstick and inventive fight scenes, it's closer to an Italian version of a Jackie Chan comedy than any western comedy duo.

Go For It unites the drifter Rosco (Hill) with fresh-out-of-jail Doug (Spencer). Within the first 10 minutes they've beaten the occupants of a highway diner and stolen a truck. 10 minutes later, they're mistaken for two CIA operatives and despatched to Miami to infiltrate the mysterious K1's organisation.

The script and budget of this film are well above their usual low-budget set-pieces, but what really makes these films shine are the stars. Hill's smooth-talking, fist-fighting charmer is the perfect counterpart to Spencer's hulking laid-back bruiser. If you've never seen them fight a group of Euro-villains, this is a good one to start with. Much of the pleasure comes from seeing Bud Spencer delivering one of his trademark slaps - a slap from a man that size HAS to hurt and the ringing sound effects foleyed in are a nice departure from the usual gunshot-type sound effect.

Posing a rich Texan millionaires and in possession of a million dollars, these two wreak havoc across Miami. My favourite scene is the delivery of Spencer's burger; the sequence is surreal enough to have been lifted from a Leone western and will have you in stitches.

If you like this film I'd also recommend 'Double Trouble', possibly their finest film. 'Go For It' remains a close second and a fine reminder that if there's no chemistry, no amount of stunts or CGI will make your film work. The right team, however unlikely the pairing, will turn any ordinary film into a memorable one.

I've recently bought the DVD of this movie, but I remember watching it when I was a child, here in Italy they used to play a lot of Spencer-Hill movies (in the 70s 80s), unfortunately now it's a total different story...Italian comedy has gone totally bad. But this is another issue.

I've watched it in both the versions (English,I suppose it's the original one..?) and Italian , the one I was used to. I've noticed some changes in the dialogs , like in every movie, and I'd like to quote a funny sketch, that you can see when they go to meet K1... K1 says "Mr ..... and....., I suppose" and Spencer says "You suppose right" , well in Italian is more funny because the line changes in "la supposta è giusta " where "supposta " means both the past tense of "supporre " (to suppose) and also the little rocket- shaped medicine you take when you have fever ... :) :) (got it ?...........:) ciao ciao gio'

The pic deals with the intimate friends , Terence Hill and Bud Spencer, now as two drifters who meet each other and being mistaken as thieves . But they get to escape thanks to the ventriloquist skills of Hill . Later on , while the hustlers travel by airplane are confused for two international spies , and someone give them a luggage full of million of dollars . After that, the pair become involved in several adventures , and rare situations full of risks , dangers and fun.

The big time duo from Spahetti Western wrapped in humor as ¨They call me Trinity ¨ and its followings as ¨Trinity is still my name¨ and ¨Trouble makers¨ were run out and then they're transfered to Police and action genre . As they played the Miami series which are set in Florida , such as ¨Miami Supercops¨, ¨Crime Busters¨, and ¨Superfuzz¨ . Here Terence Hill and Bud Spencer play characters mistaken for spies in this spy spoof . Similarly, in their next movie , Miami Supercops (1985), the two play secret agents who go undercover as policemen . There are plenty of humor based on diverse personality and physical differences among them . This one packs silly comedy with James Bond influence , tongue-in-cheek , slapstick and ordinary struggles , neither blood , nor violence ; besides , including some car pursuits. It appears usual secondaries who customarily intervene on their films , as David Huddleston and Ricardo Pizutti . Average cinematography and lousy musical score composed by means of synthesizer , being composed by the usual La Bionda . The motion picture was regularly directed by Enzo Barboni who previously was a notorious cameraman as proved in ¨Django¨, ¨Hellbenders¨ , and ¨Goodbye Texas¨ and made the classics : ¨Trinity¨ and ¨Trinity is still my name¨. The tale will appeal to Hill and Spencer fans.

What can be said about this except that it's gut busting funny! If Hitchock's North by Northwest has an interesting yet quite believable identity switch (and it has), then this one works in the same way. By answering to a certain name a new identity is given to our heroes and the plot thickens. OK, the bad guy is an ultimate idiot, but that's to be taken into the account - after all this one is a comedy.

Quite a lot of stunts and many humorous punches. Slapstick at it's best and it meets up with a great storytelling talent. Not to mention it's actually a feel-good movie. It lifts your spirits with it's lightness and humor. Can't go wrong with this one!

First, i have to say that i'm fan of Spencer/Hill movies for my whole life, i grew up watching them on TV, and i'll never get bored of them. Finally, thanks to the wonder of internet, i've manage to collect all of their movies and most of their individual efforts (Flatfoot, Don Camillo...) Spencer and Hill together starred in 17 movies ('67-'94), and everything you can ask from a Hill/Spencer movie is here...all the silliness, slapstick, fights, comedy, finally with the much bigger budget than usual... Their age becomes problem but they manage to pull it off and look lively and dynamic without any problems. This movie is lighthearted fun, it is definitively not Oscar-worthy material but with Spencer and Hill around who cares. The story reminds on '70's James Bond movies and director, Enzo Barboni, manages to pull it off pretty well.

This is how action-comedy, or Bond parody, should be made and i recommend it to everyone who wants to have good old-fashioned fun when watching old movies.