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4,4/10
1,5 mil
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Um maníaco persegue e assassina adolescentes.Um maníaco persegue e assassina adolescentes.Um maníaco persegue e assassina adolescentes.
William Hicks
- Sheriff Avery
- (as William T. Hicks)
Curt Rector
- Bob
- (as Kurt Rector)
Hanns Manship
- Casey
- (as Hans Manship)
Avaliações em destaque
I saw this film under the title "House of Death". Although it may seem standard and cheesy, it's lots of fun to watch, and it's fairly gory, too! Nine teenagers who live in a small North Carolina town go to the local carnival and have lots of fun. What they don't know is: a killer is stalking them! They proceed to go to a cemetery, tell ghost stories, and camp out in a creepy old abandoned house. Could the killer be lurking inside? Though predictable, "Death Screams" is rather fun, exciting, and scary. The music, I thought, was pretty good, and the actors weren't bad either. Many scenes are atmospheric and misty, and believe me, there are "Death Screams" aplenty in this one!
This early 80's slasher effort should receive some kudos for being somewhat original. Unfortunately, it's not original in any way that makes it especially effective or good. The movie does a good job of establishing a bucolic small-town setting (perhaps, it's not a coincidence that the director is the grown-up David Nelson of "Ozzie and Harriet" fame). There is also a lot more character development than usual, but regrettably the characters are still the usual annoying teen stereotypes. The murders are few and far between until the very end when the bodies start to stack up in a hurry. They're pretty low-tech (they obviously couldn't afford Tom Savini), but they try to make up for by being bizarre. The first victims are strangled simultaneously somehow while having sex on a motorcycle. Their bodies are thrown in a river where, as a running joke, they are seen floating down at various points throughout the movie. Another victim wanders away from the town carnival and is struck by an arrow, but instead of screaming for help or anything, she staggers over to an abandoned carousel and sits down so the killer can (somehow) finish her off with a plastic bag.
The actors are all ridiculously over-aged considering they're supposedly high school students, but this is actually a good thing considering the male protagonist is a "coach" who apparently both parties with and dates his students (which they tend to frown on in real high schools). The goody-good female protagonist is played Susan Lynn Kiger, who had an interesting career going from hardcore porn to "Playboy" to more legitimate acting. While it is nice to see a young woman in Hollywood have the opposite of the usual career trajectory, Kiger's talents unfortunately were probably better suited to her earlier career choices. Kiger stays dressed, but there is some gratuitous nudity, of course, including the girl on the motorcycle, a girl who showers with her bra on (which quickly becomes so transparent you wonder why she bothered), and a pretty blonde girl who goes for a full-frontal skinny-dip (which ALMOST keeps you from contemplating the absurdity of why anyone would go skinny-dipping in a RIVER).
I don't want to imply this movie is in anyway good, but it sure is weird.
The actors are all ridiculously over-aged considering they're supposedly high school students, but this is actually a good thing considering the male protagonist is a "coach" who apparently both parties with and dates his students (which they tend to frown on in real high schools). The goody-good female protagonist is played Susan Lynn Kiger, who had an interesting career going from hardcore porn to "Playboy" to more legitimate acting. While it is nice to see a young woman in Hollywood have the opposite of the usual career trajectory, Kiger's talents unfortunately were probably better suited to her earlier career choices. Kiger stays dressed, but there is some gratuitous nudity, of course, including the girl on the motorcycle, a girl who showers with her bra on (which quickly becomes so transparent you wonder why she bothered), and a pretty blonde girl who goes for a full-frontal skinny-dip (which ALMOST keeps you from contemplating the absurdity of why anyone would go skinny-dipping in a RIVER).
I don't want to imply this movie is in anyway good, but it sure is weird.
Did every film studio limit their output to just slashers in the early '80s? There are so many of them. Just when I think I've seen them all, I find another one I've never heard of. Still, it's not hard to see why Death Screams flew under my radar for so long: it's formulaic stuff that never tries to do anything out of the ordinary, from it's clichéd group of characters (obnoxious joker, nympho, goody-two-shoes final girl, town simpleton, fat bumbling sheriff) to its rain-lashed finalé in a rundown house by a cemetery.
The film opens with a pre-credits double murder of a young couple, but it's too dark to see what happens to them, director David Nelson seemingly more preoccupied with getting in the first shot of a topless girl than delivering an effective fright. Certainly, for much of the time, Nelson appears to be more intent on delivering gratuitous T&A than he does horror, focusing on the twenty-something victims-to-be as they go about their daily business--smoking weed, showering, chatting up the local baseball coach, making out etc...
All of the girls are attractive and several wear skimpy outfits, with buxom town tramp Ramona (Jennifer Chase) looking great in a bikini top and hot blonde Kathy (Andrea Savio) sporting short shorts. In a rare spot of gender-reversal, it is Coach Marshall (Martin Tucker) who takes the customary slasher shower, baring his butt, but he does manage to give randy Ramona a soaking in the process. The only other killing amidst all of this titillation is a girl shot with an arrow and suffocated with a plastic bag, a scene more notable for its silliness than scariness (instead of seeking help, the injured girl takes time-out on a merry-go-round).
As the film approaches its final act, sexy blonde Sandy (Jody Kay) goes skinny dipping (cue full frontal nudity) and winds up dead, and from this point Nelson ramps up the violence, eventually bumping off most of the characters in the space of a few minutes (including double decapitation and a girl torn in half). But while the sheer number of kills in a short space of time is admirable, the gore is extremely basic for the most part, and not very satisfying (the severed hands scene is hilarious). The best effect is a blink-and-you'll-miss-it bullet to the head (resulting in the face exploding) as the useless sheriff empties his handgun into the already dead killer (who had fallen out of a window while attacking good girl Lily, played by Playboy playmate Susan Kiger). Exactly what the psycho's motive was remains unclear: possibly something to do with being mentally scarred by his mother, who may have been a stripper. I really don't know. Or care.
The film opens with a pre-credits double murder of a young couple, but it's too dark to see what happens to them, director David Nelson seemingly more preoccupied with getting in the first shot of a topless girl than delivering an effective fright. Certainly, for much of the time, Nelson appears to be more intent on delivering gratuitous T&A than he does horror, focusing on the twenty-something victims-to-be as they go about their daily business--smoking weed, showering, chatting up the local baseball coach, making out etc...
All of the girls are attractive and several wear skimpy outfits, with buxom town tramp Ramona (Jennifer Chase) looking great in a bikini top and hot blonde Kathy (Andrea Savio) sporting short shorts. In a rare spot of gender-reversal, it is Coach Marshall (Martin Tucker) who takes the customary slasher shower, baring his butt, but he does manage to give randy Ramona a soaking in the process. The only other killing amidst all of this titillation is a girl shot with an arrow and suffocated with a plastic bag, a scene more notable for its silliness than scariness (instead of seeking help, the injured girl takes time-out on a merry-go-round).
As the film approaches its final act, sexy blonde Sandy (Jody Kay) goes skinny dipping (cue full frontal nudity) and winds up dead, and from this point Nelson ramps up the violence, eventually bumping off most of the characters in the space of a few minutes (including double decapitation and a girl torn in half). But while the sheer number of kills in a short space of time is admirable, the gore is extremely basic for the most part, and not very satisfying (the severed hands scene is hilarious). The best effect is a blink-and-you'll-miss-it bullet to the head (resulting in the face exploding) as the useless sheriff empties his handgun into the already dead killer (who had fallen out of a window while attacking good girl Lily, played by Playboy playmate Susan Kiger). Exactly what the psycho's motive was remains unclear: possibly something to do with being mentally scarred by his mother, who may have been a stripper. I really don't know. Or care.
There's a lot of charm in House of Death (or Death Screams depending on which version you watch). The film feels like a homespun passion project where all local community theatre performers and fame struck locals came out and had a good time trying to make a movie. Charm will only go so far and, while House of Death excels in creating a believable and quaint small town atmosphere, it fails at supplying any memorable chills. Some of the death scenes are inspired such as a moment where a young woman is attacked on a deserted merry go round or when another unfortunate soul is sliced in half after falling through a rotten staircase, but the killer's big reveal happens so quickly and is lit so dark that you'll have to rewind to figure out who they were.
I honestly did not understand this movie. In addition to the movie having terrible acting, thirty-something teenagers, and a lifted soundtrack, there didn't seem to be much motive or plot. The back of the box claims that the murderer was excluded from carnival activities as a child and was therefore getting his revenge. However, the movie never even touches on this. All we get are a few obscure and unexplained references. It is mentioned that Casey was driving a car that killed the sheriff's son, but nothing was confirmed. Casey's mother told him that stealing was bad, so he went and killed the one person he truly cared about. Then, towards the end, the weird flashback about him witnessing a woman taking money for sex. When it was all over, the one of the survivors asks the sheriff, "Why?"- I thought I was finally going to get some answers. Unfortunately, all the sheriff said was "I don't know". What kind of answer is that?!? All I was left with was a sense of bewilderment- and anger that I wasted my time with this movie- NO STARS!
Você sabia?
- CuriosidadesThe police officer taking pictures during the final sequence was an actual sheriffs officer from the Rutherfordton country sheriffs department who was asked to join in to make it "more realistic."
- Erros de gravaçãoAt the start of the film, a couple get killed. When their dead bodies are shown again later, it's obvious that they're dolls. They float on water in scenes during the carnival, and when a girl swims at night.
- ConexõesFeatured in Why Horror? (2014)
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