Na Hora da Zona Morta

One of the unwritten laws of the movies is that Stephen King books are nearly always disappointing when transferred to the big screen. One film which doesn't fit that rule is The Dead Zone. In the hands of David Cronenberg, you may expect this to be a gore-filled affair, but it is actually a very well-made, subtle film which emphasises the psychological sense of fear rather than settling for blood-spattered mayhem. There isn't a moment in the film that will make you jump out of your seat, but it is still an effectively scary film because it plays on your mind.

Normal, down-to-earth everyman Johnny Smith (Christopher Walken) is involved in a terrible car crash which leaves him comatose. Four years later, he miraculously awakens. To begin with, he is devastated to learn that his girlfriend has moved on, marrying and starting a family with another man. But soon he realises that this is the least of his problems. He soon discovers that the accident has left him with remarkable powers, which enable him to see into people's futures just by touching their hand. And Johnny is in for one hell of a nasty shock when he shakes hands with potential senator Greg Stillson (Martin Sheen) at a political rally....

An intelligently paced and very well-acted film, The Dead Zone is also full of unpredictable plot developments. Walken elicits great sympathy as the normal guy who rapidly learns that his new gift is actually a curse, and there are fabulous supporting performances from Tom Skerritt, Herbert Lom, Brooke Adams and the terrifying Martin Sheen. The film has several tremendous moments, but the climax in particular builds to an emotional crescendo. The premise of The Dead Zone is probably rather silly if you stop to think about it, but other than that it is a most impressive film - and still ranks as one of, if not THE, best adaptation of a Stephen King story so far.

Christopher Walken is in his weary, paranoia-stricken best in the

awesome film adaptation of Stephen King's best-seller, THE DEAD ZONE. Walken plays Johnny Smith, a once-mild mannered teacher who receives a mixed blessing of predicting the future after a nasty car accident. Soon enough Smith becomes a center of attention as he predicts murders, accidents, and the like. The "gift" takes an even sharper turn as Smith realizes that a candidate for the presidential election (Martin Sheen, shades of THE WEST WING here?) has his sights set on nuclear domination. Walken is mesmirizing as Johnny, as the man tries in vain to cope with his power. And former PINK PANTHER actor Herbert Lom also shines as Johnny's shrink.

I keep having to remind myself that David Cronenberg directed this, as it is so unlike his previous and subsequent work--more mainstream, less cold, and far less fixated on gooey special effects. What is going on here? One of the most stunning adaptations of a Stephen King novel with Christopher Walken absolutely brilliant as tortured coma victim Johnny Smith, that's what. An elementary-school teacher preparing to marry Sarah (Brooke Adams), Johnny has a run-in with fate that throws him into a coma for 5 years; when he awakens, he is plagued by psychic visions, including a chilling apocalypse that frames the film's final act. While the horror elements (including a suicide via scissors) carry an appropriate impact, the core of "The Dead Zone" is Walken's performance--he portrays Johnny as a recluse who regards his visions as a curse, and taps into a sensitivity and vulnerability that is rarely seen in male film characters; his interactions with others carry a down-home, plausible feel that gives the film a strong emotional resonance. Cronenberg directs Jeffrey Boam's script almost as a series of vignettes, but maintains a flowing pace and trusts Walken to deliver the film to a heartfelt, tragic conclusion.

A schoolteacher Johnny Smith (Christopher Walken) a survivor of a road accident awakes from a five-year coma to discover he has psychic abilities, which he gets visions of the past, present and the deadly future. And how he does it, is through the use of touch. But life has changed within that time with his girlfriend (Brooke Adams) being married; he's basically crippled and no longer having a job. So now he uses his abilities to help a sheriff (Tom Skerritt) solve a murder case, to save a child's life and predicting world's fate from an evilly corrupt politician (Martin Sheen) who plans to be president.

It's definitely one of my favourite King adaptations and you could say Cronenberg at his best. This time around Cronenberg has taken a more mainstream (even though depressing) approach with none of his grotesque and disturbing visuals evident, but that doesn't take away from the experience - as on show is good story telling, performances and film-making. Visually the film does hold strong imagery (especially the vision scenes) and also the picture truly captures the unsaturated colours of the wintry backdrop, which makes the bleak atmosphere such a dour affair. Though the sharp stabbing sounds when Johnny gets a vision truly knocks you, but it's the stinging outcome that made the film for me. Distinctive photography by Mark Irwin was beautifully constructed and pretty smooth in the detail of the settings. While, the driving score stood out and was particularly on the spot with capturing the right mood. Sound performances are given by the likes of the sympathetic Christopher Walken and the innocent Brooke Adams. Martian Sheen delivers a rather hammy performance and Tom Skerritt's performance is the total opposite, being rather toned down. Cronenberg's solid direction paces the film swiftly and also creates some well-staged sequences of tension that stick in your head. In all you can always expect dashing film-making by Cronenberg and that's what you get in this picture.

The story is what I had some gripes with. At times it felt like writer Jeffrey Boam was trying to squeeze too much into the story. Some interesting and intelligent sub-plots (murder investigation) felt hurried and rather contrived - it was like it was concentrating and building more towards the final act instead. But then again time is money and it didn't take away from my overall enjoyment of this film. The plot is basically a portrait of a man coming to grips with his pain and accepting the fate his been chosen and also throw in some social commentary into the mix. Also added is the occasional dabbing of dry/witty remarks, but for me it was uncomfortable humour. That being pretty much the state of the film. One thing I noticed, but don't know if this symbolism was intended but the way Johnny is always wearing the black coat reminded me of death (fate). Especially with touch his can see into the future and actually alter what can happen (say death). Maybe it was just I?

It isn't gut wrenching stuff (visually speaking) we've come to expect by Cronenberg, but still he nails down a well drawn up and gripping drama/thriller.

THE DEAD ZONE is one of the best adaptations of a Stephen King novel, capturing the horror as well as King's meditation on destiny, fate, etc. It helps a lot that David Cronenberg directed it, lending his cold, somber tone, which fits perfectly with the story. Casting Christopher Walken as Johnny Smith was pure genius, since Walken's gaunt, haunted look and renowned quirkiness made him an ideal choice. Brooke Adams is Johnny's conflicted fiancee, Sarah, torn between a once promising past and a poignant future.

Johnny's long journey begins with an accident, resulting in a lengthy coma, which destroys his life while somehow allowing him to see events before they happen. This leads to his ability being used to help those around him, culminating in a decision that just might save the world.

Co-stars Herbert Lom as Johnny's soon-to-be eternally grateful doctor, Sam Weizak, Anthony Zerbe as zillionaire hockey dad, Robert Stuart, Tom Skerritt as the desperate Sheriff Bannerman, and Martin Sheen as the repellent politician, Greg Stillson.

P. S.- Once unimaginable, the rise of Stillson seems almost prophetic now...