A Lei do Cão

This film was just downright depressing for me as a sleaze-movie lover and a fan of the great Lee Marvin. It had all the right elements, but the director, Yves Boisset, really screwed this film up. I blame him for everything that is wrong with it. His direction is so sloppy and third-rate I couldn't even tell what the hell was going on half the time. It could have been an interesting, if somewhat disturbing, black comedy. As other reviewers have stated, there are similarities between this film and Marvin's Prime Cut, but that film found a good balance between the repulsive and the humorous. This one fails on almost every level. It isn't even worthy enough to go into detail of its flaws. Also, Lee Marvin is totally wasted in this film. Once the first 5 minutes are over he is given absolutely nothing to do. Boisset had this incredible actor in the twilight of his career to work with. He could have made it into a sort of Last Great Film for the man, a study of a bad guy at the end of his life played by an actor famous for playing bad guys near the end of his life. Instead, that honor goes to Gorky Park. But I guess none of that really matters as Marvin was very sick during the making of this film, and you can tell. He seems tired, bored, and physically he looks haggard and ill. You can practically see his skull through his skin. This is NOT the way you will want to remember this great actor, so please, if you like Lee Marvin, do yourself a favor and honor his memory by never ever watching this movie. You have been warned.

Watch the two movies together for an example of a good film and a bad one with the same themes. No one is good in this one, and that goes for the acting as well as the morality. The family is depraved and watching Lee Marvin go through his 'take the illegal money, eye the women, escape the pursuers' bit is incredibly boring.

Skip it. A real waste of film, despite the VanGogh beauty of the golden fields of southern France.

Although I haven't seen every one of his movies, I am reasonably confident to call "Dog Day" the strangest movie Lee Marvin ever appeared in. Why he decided to appear in it, I have no idea, especially since he was still a big star back home in the United States. Fans of Marvin will likely be disappointed by the fact that Marvin doesn't appear in this movie as frequently as he does in his other movies - in fact, he almost becomes a secondary character. The other characters in the movie are a real weird lot, disappearing and reappearing seemingly at random, and acting in random ways when they do appear. Certainly, the movie at first does command your attention because you've likely not seen anything like it before, but it soon becomes tiresome, and you likely won't care what happens at the end when it eventually gets there.

Not to be underestimated, this French black comedy of sorts stars Marvin in one of his last film roles as a fugitive bank robber, but he's really more of a plot device to showcase the crazy antics of his French co-stars, each with their own offbeat characterisation proving more dangerous than Marvin himself.

Lovely Miou-Miou is the film's leading lady, a captive farming wife of an abusive husband (Lanoux) who sees Marvin as her opportunity for emancipation. Man-child Bennent is a highlight playing a smart-mouthed inbred kid, himself a victim of the Lanoux character's rough handedness who clues onto Marvin's gambit from the outset, setting himself up as the hero of the ensuing farce making for a satisfying climax.

Also grabbing the attention is Bernadette Lafont playing one of the toothless farmhouse occupants with a comically lubricious lust for carnality. Virtually the entire cast play a whacky assortment of oddballs, offset (ironically) by Marvin as the only predictable character in the plot. Apart from Marvin, the only other native English-speaker in the cast is Tina Louise in a small supporting role as one of Marvin's accomplices during the opening heist.

Well photographed with sharp dialogue, a catchy bass guitar sound and overall sympathetic characters, 'Dog Day' might be an unknown quantity for most casual Marvin fans, but is surely worth a look if you're open-minded to a bit of depraved French farmhouse farce.

I was browsing the reviews for this before I saw it and noticed the negative comments and low ratings. Unfortunately many reviewers were giving the key moments of the plot away without warning. When I watched it, in French I thought it was a superb black comedy. Not as stylish as a Tarantino film but actually much better in substance. Lee Marvin does an amazing job doing his own lines in French. I was wondering why the others had found the film risible and upon investigation I found the American dubbed version streaming, which IS risible. People should understand that to do justice to this film, an English language version would cost almost as much as the original film and is well nigh impossible. American dubs of Franco-Italian cinema are hardly ever worth watching. Even if you don't understand French, the subtitles plus the music of the delivery, the intonations, are enough to experience the original. I don't know how easily you can find a French language version with good English subtitles though.