Trovão Azul

Old movies have it hard on ImDb. They got pushed in this database without all the benefits modern movies have to artificially boost their initial user score. Publicity stunts, media spin, false "user" feedback... They got none of that. How many bad movies have you seen start at 8,5 and end up being turds. To remedy that, Blue Thunder gets a solid 8 from me. It is a typical 80's flick, sprinkled with sexist and racist bits nobody would dare to approach today. Movies reflect their epoch; here we find a pre-olympic L.A. not very far from it's race crisis. More important, we find real helicopters doing real stunts above and inside the city. No production will ever get a permit to do all this anymore and only for that, that movie is worth watching.

I first saw Blue Thunder as a kid at the time of its release and enjoyed it purely as a slice of action/adventure typical of its time. I could name many films from the early 80s of a similar ilk, but this one stuck in my mind as a real favourite and it was only when I re-watched it recently that I understood why.

Unlike other films in the genre, Blue Thunder always strikes me as having been thought about and crafted in a very careful way. In fact I didn't remember there being as little action as there is. Instead we are given far more character development than we might be accustomed to, thereby enhancing the final aerial drama because we do care about the people involved.

Roy Scheider(who I must confess is my favourite actor of his era) gives a standout performance. His portrayal of Murphy with its wry humour & very human lapses shares more than a little with a certain Chief Brody, but the use of an aging rebel with little cause as the main character in a technological thriller is still refreshing now.

Malcolm McDowell gives the sort of OTT villainous performance that only he can (why has no-one ever cast him as a Bond villain?) and special mention must go to Warren Oates as Scheider's long-suffering boss.

The helicopter looks awesome with cool gadgets aplenty but it isn't the star here, Scheider is. Move over Top Gun, Airwolf, Wings of the Apache, et al; this is the number 1 fly-boy in town.

Very good action yarn made during the same year as the more intellegent and superior Badham film, WarGames(1983). Still an entertaining action thriller with three major set pieces. One, the chase among helicopters in the same area as the chase in Terminator 2(1991). Two, the climatic battlescene while at times seems ruthless is nevertheless cheorgraphed with some impressive effects for its time. Three, the final conflict chase between Roy Scheider and Malcolm McDowell.

Acting leads includes Peckinpah actor, Warren Oates whose performance is very good in what was one of his final film roles before his death. He is justly at home in his role of the head of his Police department, and gives us his patterned hard edged cynical with a slight humor mannerisms. Blue Thunder(1983) is one of the five best films from a director in John Badham whose career has been full of ups and downs. I feel his output from the early to mid 1980s are his most successful times as a filmmaker. Roy Scheider is professional and tough in his role of the film's protagonist.

Malcolm McDowell gives another demented performance as Scheider's former mentor, and now chief nemisis. When channeling the right key, McDowell can be one convincing menacing villain. Badham's late 1990s Hitchcockian type thriller, Nick of Time(1996) used many of the same ideas on action and suspense as his earlier film, Blue Thunder(1983). That film even has a similarly sinister mentor/student relationship as this film. While not a classic is certainly something that can be watched when one has little to do, or wants to be entertained.

Tense and suspenseful aerial action film with an exciting final chase starred by superbly crafted high-tech helicopters and F16 on the L.A. skies among its big city skyscrapers . Frank Murphy (Roy Scheider) is a Vietnam vet and police pilot who forms a helicopter surveillance team along with his younger partner (Daniel Stern) , when they spontaneously catch a secret conversation . Booth of them discover the strange project Thor (Thunder Helicopter Offensive respond ) in which are implicated powerful authorities . Then they take to the skies against a nasty army colonel (Malcolm McDowell) who will defend his accomplices at whatever cost.

Gripping , original action movie that deal with Roy Scheider trying to find the means avoid a video disk to be taken by corrupt government agents . Acceptable thriller full of intrigue and tense, this is a fast-paced , stylized action-suspense film. The tension of this picture keeps snowballing as ever close for ending . Casting is frankly magnificent, Roy Scheider as tormented Vietnam vet , Malcolm MacDowell takes honors as a psychopath who attempts to turn the tables on the protagonist before he can inform the police. Plus, a good secondary cast, such as Daniel Stern , Candy Clark, Warren Oates , Joe Santos and usual baddie of the 80s Anthony James , among others . But the real star is ¨Blue Thunder ¨ a heavily armored prototype , an Apache helicopter-alike which is secretly being proved for use in a nefarious government conspiracy . The slick screenplay written by recently deceased Alien's Dan O'Bannon . Adequate musical score accompanying the action by Arthur B. Rubinstein and inventively photographed by classic cameraman John A. Alonzo . The motion picture is professionally directed by John Badham . He's a nice director who achieved his greatest success in the 80s . He directed several hits ( Saturday night fever , Short circuit, Blue thunder, Drop zone, War games,Skateout ) , though today making TV movies( Jack Bull, Floating away ) and television episodes ( Crossing Jordan, Psych, Las Vegas, Standoff , Heroes ). Blue Thunder was followed by a successful TV series also starred by the ultra-sophisticated helicopter with James Farentino and Dana Carvey.

A Vietnam vet police helicopter pilot is asked to test a new state-of-the-art helicopter.

If you appreciate Blue Thunder for its action sequences, 80s technology and a decent hit of LA nostalgia there is no reason not to enjoy it.

The plot is a passable excuse to get Roy Schneider and Daniel Stern into the titular chopper doing all kinds of mischievous things and there is plenty of amusement to be taken from this. Imagine a couple of teenage boys let loose with hi-tech surveillance kit in a vehicle that can hover anywhere, seemingly undetected, and that's the mentality on display.

Most of the characters and the dynamics between them are hugely clichéd and not really explored in much depth or with any particular interest to me.

The plot does get vaguely engaging when the main conspiracy starts to unfold. There is one foot chase sequence involving someone bound and gagged that works very well.

All the downtown LA set aerial sequences that carry the movie to its conclusion are very well made, with production values and practical effects that hold up to the modern era. The flight stunts and use of model aircraft are blended seamlessly so that virtually everything feels real, apart from the final stunt, which has been built up so much during the movie that you somehow accept it as something that has to happen.

Schneider has no real acting challenges, but his presence is enough to engage anyone who is a fan of his work. Stern compliments him well in their scenes together. Warren Oates, Malcolm McDowell and supporting cast are all solid.

It's a 6.5/10 for me but I round upwards.