Adicionar um enredo no seu idiomaInquisitive Reveal Magazine journalist John Baxter moves into the Amityville house in defiance of the supernatural events connected to it and finds everyone around him besieged by evil manif... Ler tudoInquisitive Reveal Magazine journalist John Baxter moves into the Amityville house in defiance of the supernatural events connected to it and finds everyone around him besieged by evil manifestations connected to a demonic presence.Inquisitive Reveal Magazine journalist John Baxter moves into the Amityville house in defiance of the supernatural events connected to it and finds everyone around him besieged by evil manifestations connected to a demonic presence.
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- Roger
- (as Pete Kowanko)
- Elliot's Assistant
- (as Rikke Borge)
- Dolores
- (as Josephina Echanove)
- Maintenance Man
- (as Paco Pharres)
- Dr. West's Crew Member
- (não creditado)
Avaliações em destaque
Title (Brazil): `Amityville 3D'
The movie opens in typical haunted house fashion: a seance is being held in the notorious Long Island house where, in earlier films, toilets backed up (shudder!), marching bands played in the dead of night (shudder again!), and a giant red-eyed pig named Jody roamed the premises and engaged in small talk with children (Babe in an early role?). The seance produces mysterious apparitions and odd noises, all of which are exposed by two of the participants--a reporter and his photographer-- as a hoax. The realtor denies any involvement in the souped-up spookiness and explains to the reporter (Tony Roberts on holiday from Woody Allen's repertory company) that the house's infamous reputation is such that he's willing to sell it at a bargain rate. Roberts, newly divorced and eager for a peaceful environment in which to write his great American novel, buys it, all the while ignoring the warnings of his less courageous colleague, the delightful Miss Clark.
Roberts, a stubborn type who sneers at the supernatural, moves in and continues his sneering even as anyone who sets foot in the house experiences terror and, ultimately, death. But, dumbo that he is, he continues to pooh-pooh any notions that the house is cursed.
Some talented performers are on view in this film, and if not for their admirable abilities to keep a straight face, the movie would be a lot funnier than it's supposed to be and sometimes is. Roberts is his usual non-plussed self, refusing to accept any supernatural explanations for the bizarre circumstances taking place around him.
The special-effects are adequate, but they do the trick, and probably worked better in 3D, which is the way the film was presented theatrically. The process is evident in the use of so many scenes in which hands are extended toward the camera and, in one scene, a frisbee is tossed directly at the audience.
"Amityville 3D" will never take its place beside the greats of the horror genre, but neither will its two predecessors. However, unlike those failed shockers, number 3 succeeds on its own modest terms, providing, amid the occasional unintended chuckle, a few moments of genuine suspense and a thrill or two. It's a satisfying spook show on the same level as the William Castle flicks of the late 50s and early 60s ("The Tingler," "House on Haunted Hill," et al).
Into this questionable piece of real estate moves Tony Roberts, a skeptical journalist who doesn't believe the horror stories concerning the house (or hasn't learned anything from the first two movies) and is determined not to let `superstition' get the better of him. But get the better of him it does
This is in no way a great movie but it keeps me entertained every time I watch it, the hallmark of good low-budget horror fun. And dig that neat poster great horror movie graphics! There's also some amusement to be had due to the presence of a few future stars in the cast such as Lori Loughlin as the daughter of the journalist, who would trade in her haunted house for a Full House. And then there's Meg Ryan, touring the Amityville residence and pondering the joys of sexual relations with ghosts. Whatever floats your boat, Meg!
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- CuriosidadesLike the previous installment, Amityville 3-D filmed the exterior scenes at the same house in Toms River, New Jersey and a house nearby for the exterior of Nancy's house. The interior was a set in a Mexico studio: Estudios Churubusco. The filmmakers almost never got the house to film at again. It was scheduled to be picked up and moved over one lot. They were only able to film the exterior shots before the house was moved. Originally the house had four quarter shaped moon windows, two on both sides. However, by the time of filming in 3D, the owners of the house did not want the eye windows on the side of the house facing the road so they modified them to look like small ordinary square windows. All shots of the "eye" windows (except for the most noticeable scene when John and Susan pull up to the house) had to be filmed on the side facing the river that has the sundeck.
- Erros de gravaçãoWhen the swordfish flies at the camera (and also when it is shaking, ready to come off), the wire is clearly visible.
- Citações
Lisa: I hear you bought yourself a haunted house.
John Baxter: I just bought the house, not the ghost.
- Cenas durante ou pós-créditosThe title "Amityville", both in 3D and 2D, appear to bevel outwards toward the audience. Then the "3D" skews outward from the bottom.
- Versões alternativasShout! Factory Blu-ray edition uses a different opening title graphic than other releases. In most prints the word "AMITYVILLE" zooms toward the viewer from the house's windows, then is wiped off the screen, after which "3D" appears. The Blu-ray 2D and 3D versions use a different design of "AMITYVILLE," and in what seems to be an error it stays onscreen as "3D" appears under/behind it, mostly obscured.
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Amityville: A Casa do Medo
- Locações de filme
- Cidade do México, México(Amityville house interiors, Dr. Elliot West office interiors, magazine building interiors, Melanie's car accident street exteriors)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 6.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 6.333.135
- Fim de semana de estreia nos EUA e Canadá
- US$ 2.366.472
- 20 de nov. de 1983
- Faturamento bruto mundial
- US$ 6.333.135