Projeto China

Jackie Chan, Yuen Biao and Samo Heung were all at the height of their considerable powers when this film was made and it shows. This blows just about every other martial arts film out of the water faster than any of San Pao's pirates ever could. With humour, suspense and a half decent plot thrown in to add to the blistering action I found this to be the 'three dragons' most accessible film to a western audience. The humour translates well and three sequences stand out as some of the best action scenes ever put to film the three being Jackie's homage to 'Safety Last' by falling from the clock tower, the bonkers bike chase through increasingly narrow city streets, and the final showdown defeat of San Pao by Jackie, Yuen Biao and Samo (with a little help from Mars and some wayward grenades). This is the pinnacle of Jackie Chans stunt career and is near impossible to better and I doubt that anyone will ever reach this level of stunt excellence again. If you only ever see one Jackie Chan film see this one as it is truly unique.

Incredible movie, it ranks up there with some of Jackie Chan's best movies. It is not to be missed by any martial art-movie fan. The stunts performed in this movie is incredible. The clock tower fall by Jackie Chan is the most amazing one but I also loved some of the falls that Jackie's opponents did, a lot of people must have gotten injured while making this movie. The fighting scenes are top-notch, maybe not quite as good as the ones in Drunken Master II, which still remains my favorite Jackie Chan movie even though this one gets really close. Jackie Chan must be the most exciting man ever to appear in a movie, he risks his life to bring us entertainment, is he dumb, crazy or out of his mind? I don't know, all I know is that he's entertained me more than any other man ever has. Watch this movie and prepare to be amazed.

I once watched Jackie on a documentary mention how a specific audience likes his Hong Kong films and a specific audience likes his American films but they rarely overlap. I belong to the former group, and believe this movie is the perfect example why.

The story does not twist or turn much but does have a certain charm and separates itself from any average "beat anyone up" kung fu film - even if a few fights happen for the stupidest reasons. It's all about a group of soldiers put together to get rid of some pirates in nearby waters which is always in competition with the local police force for funding. But the film really entertains through the use of Jackie's stunts and gags. From cycling through the cramped streets of Hong Kong to grenade training in the police academy, you bound to sometimes be in a state of awe - or at least chuckle a few times.

It's amazing some of the stunts Jackie pulled off, including falling from a very high clocktower. If your interested in Jackie's films, or want a high quality kung-fu film then I recommend you have a look at 'Project A'.

There are certain cinema ideas that were just meant to work, no matter what the circumstances might be. Jackie Chan fighting pirates easily ranks up there as one of the slickest ideas ever composed. Thank goodness it delivered on the premise. Jackie Chan's Project A is a mesh of action, comedy, and homage to classic slapstick. Within the 100+ minutes you'll see some spectacular fights, even more spectacular physical stunts, hilarious physical humor, and of course, Chan at his best. Unlike the insurance-run Hollywood, the Jackie Chan Stunt Team wasn't afraid of taking risks or getting hurt at the sake of entertainment, and this beat-em-up' underrated classic overpowers any modern-day action film that Hollywood could muster. Project A is silly but viciously raw; and thanks to clever direction and choreography, its one of the better martial arts movies out there.

Project A is about (Yes guys, there is a plot) a group of sailors, Navy-like men trying to stop Chinese pirates from wreaking havoc in the coastline. However, because of corruption amongst the government and the police force, they are unable to receive enough funding to continue the fight and are forced to thwart the terrorism when it strikes on their home turf. Jackie Chan and co. must try to stop the rivalry against the Chinese police force and unravel the web of corruption that's entangling everyone involved and heightening the danger present. Jackie Chan not only starred and directed the flick, but he wrote the script too, and it's quite clever at times. Other times, it can be quite confusing—usually in those instances you are anticipating the next fight, which is never too far away.

In a martial arts movie, we watch for all about the fighting. While Enter the Dragon may have started the obsession and love towards the genre, Jackie Chan and his reliable crew perfected the art in the 80s. Project A is easily one of the best choreographed films of all-time in terms of the action; some of the fights are just flat-out unbelievable. Jackie Chan fights with a bicycle for crying out loud. While the punching and kicking combinations aren't as gruesome as his other films (Drunken Master, Meals on Wheels, Dragons Forever), the elaborate movements and avoidance of damage (example: Chan avoids a man swinging a sword at him for two minutes straight) more than make up for it. Not a single action fan should be disappointed. Plus, just like Chan's best comedic work, there has to be at least one humorous fight thrown in, and Project A delivers in this category as well.

Chan's direction does two things: allows for the action to remain intense, and showcases just how elaborate everyone's movements are. There is no trickery; you shall see elongated shots of hand-to-hand combat that's too precise to be filmed in the United States. While Chan doesn't have the ability to capture emotions like Spielberg or Scorsese he knows how to flesh out the energy and craft of a good fight. And that's why we are watching this, correct? Nobody's acting here is award-worthy, but it gets the job done and maintains its silly-but-serious tone. Sammo Hung gives the best performance of the film as the thief that thwarts Chan's quest for justice and at the same time helps him.

Bottom Line: While perfection or masterpiece isn't achieved here, Project A delivers everything you could possibly want in a martial arts film: amazing stunts, great fights, decent story, good acting, worthy adversary, explosive finale, and a tang of humor. Well-directed and written by the master himself, Project A remains one of Jackie Chan's best work and another example of how his foreign films are far superior to that of his work in America. It's not all his fault though; Hollywood doesn't lust as much over precision and perfection as the Chinese do when staging a fight. Legend of Drunken Master's final fight took months to film; one stunt here required a week of merely convincing Chan before actually filming it----we don't believe in investing that much time towards a couple of minutes. This is called effort, and Chan's career has more effort than twenty-five actors and actresses put together. Project A: Jackie Chan fighting pirates; it's too good to be true. Thank goodness it's true.

P.S. Is it so hard to correctly dub a movie? Buena Vista pretty much butchered this film.

Boy, that lead-in stinks of a rotting cliche, doesn't it? But I really do enjoy this movie. Every time it hits cable, I watch it.

Jackie Chan and Sammo Hung play wonderfully off of each other, even in the dubbed version. The story is realistic enough to be compelling, and the action sequences are superb. My personal favorite is the battle on the bicycles in the narrow back alleys.

The one thing that has made Mr. Chan my favorite martial arts actor is the way his movies infuse humor and slapstick into serious fight scenes, and Project A, in my opinion, does that better than any of his other films.

Highly recommended.