Adicionar um enredo no seu idiomaThe Korean War has ended. Colonel Potter, Sergeant Klinger, and Father Mulcahy find themselves together once again, this time at a veteran's hospital.The Korean War has ended. Colonel Potter, Sergeant Klinger, and Father Mulcahy find themselves together once again, this time at a veteran's hospital.The Korean War has ended. Colonel Potter, Sergeant Klinger, and Father Mulcahy find themselves together once again, this time at a veteran's hospital.
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OK,choose your three favorite characters from MASH. Now scratch them from your memory as you watch After MASH,one of the biggest disappointments as well as one of the worst TV shows of all time. I saw this recently on FX,and I'm surprised that they showed it,but you get a sinking feeling you got upon realizing that a new episode of MASH would focus on either Klinger,Radar or Father Mulcahy? Well,with After MASH you had a two-out-of-three chance of being let down and this follow up to one of the most successful series of all time,which spawned from it could be so disastrous by all means,and it shows here. Klinger(Jamie Farr),Radar(Gary Burghoff),and Father Mulcahy(William Christopher)joined Colonel Potter(Harry Morgan) in a Missouri hospital after the Korean War to heal the sick,annoy the bureaucrats,give longwinded speeches and actually make Larry Linville glad he left the 4077th as early as he did. To make matters worst,several episodes were directed by Harry Morgan as well as fellow MASH alumnus Mike Ferrell,and Alan Alda.
The producers were trying to hold on to it but it was time for the series to die since in my opinion after the huge success of the first one,why try to hold on to something that won't last.....Let it go guys. That is what CBS did when they pull the plug on the series when the network axed it in December of 1984. The series did however survived its entire one season run at 30 episodes where some TV executive at CBS had the not-so-bright-idea of taking the show from its Monday night time slot(where the old M*A*S*H series was)and moving it to Tuesday nights opposite NBC's "The A-Team" which clobbered it in the ratings. However,the show that replaced it on that powerhouse Monday night timeslot was "Newhart".
The producers were trying to hold on to it but it was time for the series to die since in my opinion after the huge success of the first one,why try to hold on to something that won't last.....Let it go guys. That is what CBS did when they pull the plug on the series when the network axed it in December of 1984. The series did however survived its entire one season run at 30 episodes where some TV executive at CBS had the not-so-bright-idea of taking the show from its Monday night time slot(where the old M*A*S*H series was)and moving it to Tuesday nights opposite NBC's "The A-Team" which clobbered it in the ratings. However,the show that replaced it on that powerhouse Monday night timeslot was "Newhart".
I don't think the series 'After M*A*S*H' was made to 'cling onto M*A*S*H's former glory' thats just bull. I think that people wanted a continuing story. They wanted to know what did happen when they returned. We know nothing compares to the original M*A*S*H but sometimes people just want an ending. And not just an ending of the 'war'.
In 1983, the Korean-war comedy/drama series M*A*S*H, which many still consider to be one of the best television shows of all time, ended its phenomenal 11-year run. The following season, After M*A*S*H debuted. The series featured Colonel Potter, Klinger, and Father Mulcahy improbably reunited in a Midwest hospital. (Presumably the series' creators tried and failed to sign other M*A*S*H stars to the lineup.) After M*A*S*H played on the screen exactly as its title suggested -- as a desperate attempt to keep some of the former series' glory alive. Without M*A*S*H's writers, principal stars, dramatic setting -- or ratings -- it died a quick and merciful death
To be fair, I didn't see a lot of this show. Probably because it wasn't as good as the original M*A*S*H, but I seem to recall them moving it around on the weekly schedule. Some shows just aren't worth the trouble of following around every week. But I really did try at first, so it wasn't all bad. Maybe I just kept expecting it to improve, but I can't give this show a 1. In all honesty, I can't give it any more than a 2 either.
It wasn't MASH (I'm not going to type those stupid *'s every time). And it was trying to be MASH without putting forth any effort, like it would just magically happen. Well guess what? No magic. The best I can do here is to compare it to other shows.
Trapper John, M.D. was a much better show by far. However, they should have called it B.J. Hunnicut, M.D. because Pernell Roberts looked exactly like an older BJ, but nothing at all like Trapper John. Keep everything else the same, just change his name and the name of the show. Presto! After MASH wasn't the only sequel to completely bomb and dishonor the original. Archie Bunker's Place was a lame follow-up to All In The Family. It had no heart, no conflict, no depth all of the things that made All In the Family so memorable. Likewise, MASH was funny because the doctors were reacting to the impossible absurdity of war. Remove the war and you remove the drive for 99% of the humor. Potter can't yell at Klinger for wearing a dress, because Klinger isn't wearing a dress, because he's not trying to get kicked out of the Army, because he's already out of the Army, because the war is over. (breathe) All of the jokes became forced because there was no motivation for anything. The least motivated was the viewer, to stay around and watch the show.
And from what I remember, the whole show seemed to be Potter, Klinger, and Mulcahy just standing there unnaturally, facing the audience like a trio of Vaudeville performers. It was reminiscent of Good Times, where they spent 90% of the show standing behind that couch and talking to the audience, trying to make it look like they were having natural conversation. They weren't. And it felt even less natural on After MASH.
Another random tidbit I recall is that the people who made MASH never got any royalties from the spin-off. The studio used the absurd excuse that After MASH was really a spin-off of the movie MASH (which they owned) and not the TV series. Nice try, but Mulcahy was the only one of the three in the movie, and he was never deaf. I guess studio execs will do anything for a buck. Anything other than make a worthwhile sequel, that is.
It wasn't MASH (I'm not going to type those stupid *'s every time). And it was trying to be MASH without putting forth any effort, like it would just magically happen. Well guess what? No magic. The best I can do here is to compare it to other shows.
Trapper John, M.D. was a much better show by far. However, they should have called it B.J. Hunnicut, M.D. because Pernell Roberts looked exactly like an older BJ, but nothing at all like Trapper John. Keep everything else the same, just change his name and the name of the show. Presto! After MASH wasn't the only sequel to completely bomb and dishonor the original. Archie Bunker's Place was a lame follow-up to All In The Family. It had no heart, no conflict, no depth all of the things that made All In the Family so memorable. Likewise, MASH was funny because the doctors were reacting to the impossible absurdity of war. Remove the war and you remove the drive for 99% of the humor. Potter can't yell at Klinger for wearing a dress, because Klinger isn't wearing a dress, because he's not trying to get kicked out of the Army, because he's already out of the Army, because the war is over. (breathe) All of the jokes became forced because there was no motivation for anything. The least motivated was the viewer, to stay around and watch the show.
And from what I remember, the whole show seemed to be Potter, Klinger, and Mulcahy just standing there unnaturally, facing the audience like a trio of Vaudeville performers. It was reminiscent of Good Times, where they spent 90% of the show standing behind that couch and talking to the audience, trying to make it look like they were having natural conversation. They weren't. And it felt even less natural on After MASH.
Another random tidbit I recall is that the people who made MASH never got any royalties from the spin-off. The studio used the absurd excuse that After MASH was really a spin-off of the movie MASH (which they owned) and not the TV series. Nice try, but Mulcahy was the only one of the three in the movie, and he was never deaf. I guess studio execs will do anything for a buck. Anything other than make a worthwhile sequel, that is.
If I remember this program, the first season was acceptable, though kind of boring, but it did improve as it went along. However, what bothered me, as a writer, is that it took the two truly interesting endings from the two hour final episode of MASH and basically trashed them.
For the most part, all of the characters on MASH were leaving Korea on the last episode, and would assume the lives that they left behind, without much deviation. The two exceptions were Klinger, who shocked everyone by remaining in Korea, and Father Mulchachy, who was rapidly losing his hearing after standing on top of an explosion. These were intriguing plot twists, and when MASH ended, the audience was left with the questions of whether or not Klinger would ever leave Korea, and whether Mulchachy would regain his hearing or go completely deaf.
The first episode of After MASH quickly resolved both of these cliffhangers in a schmaltzy, unsatisfying way. Klinger was home, and Mulchacy had an operation that immediately restored his hearing. Two cheap cop outs for strong plotlines. The quality of After MASH was not good enough to justify ruining the ending of one of the best television programs in history.
For the most part, all of the characters on MASH were leaving Korea on the last episode, and would assume the lives that they left behind, without much deviation. The two exceptions were Klinger, who shocked everyone by remaining in Korea, and Father Mulchachy, who was rapidly losing his hearing after standing on top of an explosion. These were intriguing plot twists, and when MASH ended, the audience was left with the questions of whether or not Klinger would ever leave Korea, and whether Mulchachy would regain his hearing or go completely deaf.
The first episode of After MASH quickly resolved both of these cliffhangers in a schmaltzy, unsatisfying way. Klinger was home, and Mulchacy had an operation that immediately restored his hearing. Two cheap cop outs for strong plotlines. The quality of After MASH was not good enough to justify ruining the ending of one of the best television programs in history.
Você sabia?
- CuriosidadesCol. Flagg and Radar O'Reilly were the only characters from M*A*S*H (1972) to appear in guest roles. In the second season, plans were made for Alan Alda and other actors from the original series to appear in the show, but it was canceled before the plans were finalized.
- Cenas durante ou pós-créditosFirst season beginning credits of iconic early 50s moments changed to watercolor drawings in the first few episodes of season 2 which morphed into live action scenes from season 2.
- ConexõesFeatured in The 36th Annual Primetime Emmy Awards (1984)
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Detalhes
- Tempo de duração
- 30 min
- Cor
- Proporção
- 1.33 : 1
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