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6,6/10
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Adicionar um enredo no seu idiomaSoviet forces attack Alaska's pipeline during a US grain embargo in 1987. Col. Caffey's Guard unit faces them at a pump station as Soviet and US leaders engage in strategic tension, risking ... Ler tudoSoviet forces attack Alaska's pipeline during a US grain embargo in 1987. Col. Caffey's Guard unit faces them at a pump station as Soviet and US leaders engage in strategic tension, risking WWIII.Soviet forces attack Alaska's pipeline during a US grain embargo in 1987. Col. Caffey's Guard unit faces them at a pump station as Soviet and US leaders engage in strategic tension, risking WWIII.
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Thankfully, this 1982 miniseries no longer has any contemporary relevance unless you're doing a study of Cold War era movies (I won't comment on the dated aspects of the political outlook, since I've done that with other movies like "2010" and "Dr. Strangelove"). I have to wonder though if the previous reviewer is confusing Brian Keith's performance in "Meteor" with this one, because that was the film where he spoke only Russian. In this one, it was just accented English.
Rock Hudson is credible as the president, though there's really not much to brag about from the rest of the cast. I do have to give the producers credit for their metaphorical depiction of the end. Gil Melle's music accompanying the images is probably the most frightening sounding I've ever heard in a TV score. It's much more eerily effective than the graphic attempts at realism in "The Day After" (and reminiscent of the ending of "Fail Safe").
Rock Hudson is credible as the president, though there's really not much to brag about from the rest of the cast. I do have to give the producers credit for their metaphorical depiction of the end. Gil Melle's music accompanying the images is probably the most frightening sounding I've ever heard in a TV score. It's much more eerily effective than the graphic attempts at realism in "The Day After" (and reminiscent of the ending of "Fail Safe").
Enjoyed it all those years ago. Would really like to see it run again. Rock Hudson's final scene showed some of his finest acting, and the fact that Brian Keith spoke fluent Russian blew me away.
I can believe that this is how it would happen... the approach of the end of the world, propelled by miscalculation, obstinacy, and pride, set in motion at a half-forgotten army base and snowballing along unknown to almost everyone but a handful of footsoldiers on the one hand and a handful of world leaders on the other.
A chillingly credible job of work, this series was.
A chillingly credible job of work, this series was.
Great made for TV miniseries from NBC. I vividly recall this movie from when I was in maybe the 10th grade and being absolutely riveted by it's superbly plotted story about a group of National Guard soldiers trying to fend off a Russian invasion of Alaska with about 10 bullets per man. It still holds up, and is one of the best made for network TV action thrillers from that now bygone era.
Some of the studio sets depicting the frozen wastes are a little cheezy -- you get Roger Ebert's Captain Video Effect of the same fake rocks arranged in different formations a few too many times -- but there is an impending sense of urgency to the proceedings, which are staged in a surprisingly sober manner. The movie is also a lot more violent than one might expect, with nearly R rated gunshot wounds that are a lot more bloody than one might see on television today. Kudos also to the production team in getting together an integrated cast for the American troops that doesn't seem like gratuitous politically correct meddling.
Once you get down to it though this was another one of those Hollywood Cold War era doomsday fantasies that inevitably has a character announcing that "war is over forever" before being blown away by a crooked plant in their own platoon, which then sets the movie's inevitable global annihilation climax phase into motion. Rock Hudson is very sympathetic as a President who cannot stop the avalanche of doom once it gets started, with Brian Keith well cast as his Russian counterpart who is literally just a figurehead leader of a military oriented Soviet bureaucracy who look upon nuclear war as a justifiable risk.
Made at the height of US/Russian cold war tension (remember the Korean air liner jet incident?), this miniseries along with Nicholas Meyer's THE DAY AFTER and Edward Zwick's mesmerizing SPECIAL BULLETIN helped to define the decade for many of us who were growing up at the time, helping to convince me at any rate that a global apocalypse was unavoidable. I still am amazed that we made it out of that era without a nuclear war.
There is sadly a real-life tragedy that hangs like a pall over the film, and perhaps makes its sobriety all the more telling: Original director Boris Sagal, a competent and talented filmmaker who's talents had graced such made for TV favorites as Rod Serling's NIGHT GALLERY and the brilliant ode to D.B. Cooper, DELIVER US FROM EVIL, and the Charlton Heston favorite THE OMEGA MAN, was killed in a bizarre accident involving a helicopter during early 2nd unit location filming in Oregon. His death and the unwholesome accident that claimed the life of Vic Morrow & two Vietnamese-American child actors on the set of Steven Spielberg's THE TWILIGHT ZONE movie would lead to changes in how helicopters -- inherently dangerous contraptions -- would be used in major Hollywood productions.
I recommend anyone who perhaps wants to get a feel for the mindset of the early 1980s to seek this movie out and take a look. It's too bad that NBC has not managed to find time to issue it or SPECIAL BULLETIN on a DVD because there really are lessons to be learned here. Not so much about how to fight a skirmish in Alaska so much as how to make a really really good movie that maintains interest for a relatively long period of time (3 hours) with what was really a modest TV movie budget: $8 million, at the time, with some big names in the cast (David Soul, Cathy Lee Crosby, Brian Keith, Katherine Helmond, Robert Prosky, and of course the late Rock Hudson). Definitely more meaningful than it had to be, and deserving of a modern day audience.
9/10
Some of the studio sets depicting the frozen wastes are a little cheezy -- you get Roger Ebert's Captain Video Effect of the same fake rocks arranged in different formations a few too many times -- but there is an impending sense of urgency to the proceedings, which are staged in a surprisingly sober manner. The movie is also a lot more violent than one might expect, with nearly R rated gunshot wounds that are a lot more bloody than one might see on television today. Kudos also to the production team in getting together an integrated cast for the American troops that doesn't seem like gratuitous politically correct meddling.
Once you get down to it though this was another one of those Hollywood Cold War era doomsday fantasies that inevitably has a character announcing that "war is over forever" before being blown away by a crooked plant in their own platoon, which then sets the movie's inevitable global annihilation climax phase into motion. Rock Hudson is very sympathetic as a President who cannot stop the avalanche of doom once it gets started, with Brian Keith well cast as his Russian counterpart who is literally just a figurehead leader of a military oriented Soviet bureaucracy who look upon nuclear war as a justifiable risk.
Made at the height of US/Russian cold war tension (remember the Korean air liner jet incident?), this miniseries along with Nicholas Meyer's THE DAY AFTER and Edward Zwick's mesmerizing SPECIAL BULLETIN helped to define the decade for many of us who were growing up at the time, helping to convince me at any rate that a global apocalypse was unavoidable. I still am amazed that we made it out of that era without a nuclear war.
There is sadly a real-life tragedy that hangs like a pall over the film, and perhaps makes its sobriety all the more telling: Original director Boris Sagal, a competent and talented filmmaker who's talents had graced such made for TV favorites as Rod Serling's NIGHT GALLERY and the brilliant ode to D.B. Cooper, DELIVER US FROM EVIL, and the Charlton Heston favorite THE OMEGA MAN, was killed in a bizarre accident involving a helicopter during early 2nd unit location filming in Oregon. His death and the unwholesome accident that claimed the life of Vic Morrow & two Vietnamese-American child actors on the set of Steven Spielberg's THE TWILIGHT ZONE movie would lead to changes in how helicopters -- inherently dangerous contraptions -- would be used in major Hollywood productions.
I recommend anyone who perhaps wants to get a feel for the mindset of the early 1980s to seek this movie out and take a look. It's too bad that NBC has not managed to find time to issue it or SPECIAL BULLETIN on a DVD because there really are lessons to be learned here. Not so much about how to fight a skirmish in Alaska so much as how to make a really really good movie that maintains interest for a relatively long period of time (3 hours) with what was really a modest TV movie budget: $8 million, at the time, with some big names in the cast (David Soul, Cathy Lee Crosby, Brian Keith, Katherine Helmond, Robert Prosky, and of course the late Rock Hudson). Definitely more meaningful than it had to be, and deserving of a modern day audience.
9/10
WW III is a film about political brinksmanship in the face of nuclear war and a thriller about battling against overwhelming odds. The film is about a President who relies on a national guard unit low on ammo to battle russians sent into alaska to destroy the alaska pipeline. The russian premier also relies on his men in alaska as political bargaining chips as well. The film goes from political bargaining to gun battles in the arctic snow of alaska. WW 3 also deals with infighting within the soviet union as the two super powers hurtle towards a nuclear exchange. This film marks one of Rock Hudsons better film roles.
Você sabia?
- CuriosidadesDirector Boris Sagal was killed early in the production, in a helicopter accident in Oregon.
- Erros de gravaçãoIn the opening scene where the 2 Air Force sergeants are watching the radar scope, they are wearing the blue name tapes on their fatigues with subdued stripes. They should have subdued name tapes on their uniforms and an Alaskan Air Command patch on the right shirt pocket.
- Citações
President Thomas McKenna: I'm afraid I've reached that age when sex is constantly on my mind but rarely on my agenda.
- ConexõesFeatured in TopTenz: 10 Little Known But Genuinely Disturbing Films About Nukes (2018)
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