O Mundo Segundo Garp

This book is one of my favorites, so I had to see eventually how the movie stacked up. Not bad, but not perfect either. The movie takes so long to get going that the end seems rushed. If I hadn't read the book, I would have had a hard time really understanding the feud with the Ellen Jamesians or Pooh's hatred of Garp.

Still, this is one of Robin Williams's less annoying performances and a talented cast that at the time not many people had probably heard of. In the end, the movie is complex, at times funny and others sad, and maintains the spirit of the novel.

The book is better, IMO, but this is close enough. "The Cider House Rules" is an even better adaptation--if you like this, you'll love that.

I saw this movie again on cable the other night after many years, and forgotten how enjoyable it is. This remains one of Robins Williams' best performances, but the show is stolen by Glen Close's debut performance as his mother, a neurotic feminist nurse who overshadows his writing career with her own. John Lithgow is in his most unusual role (including Buckaroo Banzai) as a transexual friend of Close's. If you are a fan hers and haven't seen this, run out and rent a copy; it's the best investment at BB you'll make in a long time.

WORLD ACCORDING TO GARP, THE **** Robin Williams, Glenn Close, Mary Beth Hurt, and John Lithgow offer terrific performances in this progressive look at the life of Garp--he's not an odd guy; he's just having to face the common problematic issues that come with childhood, adolescence, and adulthood. It's worth the watch to see the versatile mix of offbeat comedy and gritty believability when Garp and his mother move to New York and onward to find fulfillment. Even though things get over the top with the feminism/terrorism exploits in the conclusion, it all adds to the insight behind the wide range of characters. Rated R. 1982

Rating System

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The World According to Garp is a very strange movie that I think I liked more than I disliked. It has some truly baffling stuff in it (there's a car accident at one point, and the way the scene ends - a freezeframe and a long, drawn-out close-up on one character - is just so jarring in a way that I don't think worked the way the filmmakers wanted it to), but some of the non-sequitur moments I liked... some guy just flying a plane into the side of a house during one seemingly peaceful scene early on. That's the kind of chaotic comedy that makes me love something like The Blues Brothers or It's a Mad, Mad, Mad, Mad World so dearly.

The cast is very good here, but I guess most of the big names here were still pretty close to the start of their careers - Robin Williams, Glenn Close, and John Lithgow, mostly. It's kind of a life story about one weird kid who grows up to be a weird man, and though I never quite understood what his deal was, the film was still interesting. It has a strange blend of comedy and tragedy, and it's messy, but in a way that kind of works. Life is chaotic, and there are right and wrong ways to get that message across on screen... I guess The World According to Garp mostly gets it right, even if I wasn't quite as moved as maybe I was supposed to be.

For the performances, unique tone, and general solid filmmaking, I feel like it's a worthwhile watch. It's a tad overlong, and borderline too weird at points, but it's interesting. It is one of those Robin Williams movies that feels particularly sad to watch since his passing, though... we hear When I'm 64 by The Beatles at a couple of points in the film, and Williams passed away at 63, which did make a surprisingly already quite sad film even sadder (the inverse of Hey Jude... taking a sad song and making it sadder - "Bye Jude"?)

this is the only movie of robin williams' that i can sit through. in every other movie (too many to count), robin drops character more than once and becomes mr. lovable comedian. not because the script calls for it, but because i think he gets uncomfortable with acting and finds it easier to go back to his roots. even "good will hunting," where he is his most restrained in years. it helps that George Roy Hill is an amazing director, and that the story is odd enough that robin doesn't have to invent something weird to keep him interesting. glenn close and john lithgow are amazing in their roles. and robin is touching and funny without going overboard. a nice, quirky American classic. and who doesn't love the Beatles "When I'm 64"?