AVALIAÇÃO DA IMDb
5,8/10
15 mil
SUA AVALIAÇÃO
Um repórter subempregado se vê literalmente comprado como um brinquedo para um pirralho rico mimado.Um repórter subempregado se vê literalmente comprado como um brinquedo para um pirralho rico mimado.Um repórter subempregado se vê literalmente comprado como um brinquedo para um pirralho rico mimado.
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Avaliações em destaque
Underneath all the "controversy" about the rich whitey "buying" the po' black man as a toy for his son, there's actually a very touching story about a kid and his dad who don't know how to communicate their feelings.
All this "slave" stuff seems a bit silly - in the early '80s, Richard Pryor was probably the most popular (and funniest) comedian out there, so who better to play the role of Jack Brown? They needed someone with great comic timing, who is fantastic delivering funny lines and doing slapstick, and who can emote as good as anyone then when a dramatic scene called for it. Who would have been a better choice than Pryor? No one.
The bratty kid and his "toy" Pryor raise heck in every scenario, from a dinner party, to a democrat KKK fundraiser, to a printing press room, and just about everywhere in the dad's mansion. Along the way, Eric the kid learns more and more about how to be a decent person from Jack, who is trying to get a job from the kid's dad (the amazing Jackie Gleason) who owns the local newspaper, among everything else.
Ned Beatty shines as always as one of Gleason's flunkies, showing that he was one of those guys who could play just about every kind of role.
Pryor of course is absolutely hilarious as Jack, paid to befriend the kid, and take the brunt of the kid's jokes and pranks, always with hilarious results.
Sure this isn't the funniest film ever made, but this is a very likable film for anyone that puts the prejudices against it aside and just chills and enjoys it.
All this "slave" stuff seems a bit silly - in the early '80s, Richard Pryor was probably the most popular (and funniest) comedian out there, so who better to play the role of Jack Brown? They needed someone with great comic timing, who is fantastic delivering funny lines and doing slapstick, and who can emote as good as anyone then when a dramatic scene called for it. Who would have been a better choice than Pryor? No one.
The bratty kid and his "toy" Pryor raise heck in every scenario, from a dinner party, to a democrat KKK fundraiser, to a printing press room, and just about everywhere in the dad's mansion. Along the way, Eric the kid learns more and more about how to be a decent person from Jack, who is trying to get a job from the kid's dad (the amazing Jackie Gleason) who owns the local newspaper, among everything else.
Ned Beatty shines as always as one of Gleason's flunkies, showing that he was one of those guys who could play just about every kind of role.
Pryor of course is absolutely hilarious as Jack, paid to befriend the kid, and take the brunt of the kid's jokes and pranks, always with hilarious results.
Sure this isn't the funniest film ever made, but this is a very likable film for anyone that puts the prejudices against it aside and just chills and enjoys it.
I know there was a lot of controversy around this film, due to the fact we have a rich white man buying a black man for his son, but I think that people just took this film way too seriously. Richard Pryor is one of the best comedians of all time, so I definitely became interested in seeing this film after I saw it on VH1's "I love the 80's" show, once again though, it seemed like they were giving the film a hard time. Well, I saw this at a store and figured for 5 dollars, what the heck? It's the rental price, if I liked the movie, I might as well own it. Well, I watched it this morning, I have to say that I thought that this was a very cute film that I'm sure if you have an open mind, you'll definitely enjoy it.
Jack is a journalist looking for a job, he's not getting anything though, at first he starts as a cleaning lady, but is fired by a snobby rich man. Then he's security at a toy store where the snobby rich man's son is shopping for anything he wants, he sees Jack and thinks he is funny, he wants him as the toy. When offered enough money to save his house, Jack agrees to it, but he's getting just a bit humiliated when he is constantly mocked, understandably. But when he gives the little boy a chance, they end up becoming great friends.
The Toy is just a fun movie that I'm sure you'll get a kick out of if you just give it a shot. It's a definite 80's classic that had great comedy in it, Richard was absolutely hilarious. He and Scott Schwartz were very adorable together and looked like they had so much fun together. I would recommend this film for a fun comedy, you're guaranteed a few laughs.
7/10
Jack is a journalist looking for a job, he's not getting anything though, at first he starts as a cleaning lady, but is fired by a snobby rich man. Then he's security at a toy store where the snobby rich man's son is shopping for anything he wants, he sees Jack and thinks he is funny, he wants him as the toy. When offered enough money to save his house, Jack agrees to it, but he's getting just a bit humiliated when he is constantly mocked, understandably. But when he gives the little boy a chance, they end up becoming great friends.
The Toy is just a fun movie that I'm sure you'll get a kick out of if you just give it a shot. It's a definite 80's classic that had great comedy in it, Richard was absolutely hilarious. He and Scott Schwartz were very adorable together and looked like they had so much fun together. I would recommend this film for a fun comedy, you're guaranteed a few laughs.
7/10
"The Toy" is a remake of the French movie "Le Jouet," but writer Carol Sobieski and director Dick Donner have infused it with a racist theme that is specifically American.
US Bates (Gleason), a wealthy, powerful Louisiana industrialist purchases, Jack Brown, a janitor (Pryor) to perform as an object for his spoiled son's amusement.
After an initial period of friction due to young Eric's (Schwartz) obnoxious, selfish behavior, they agree to investigate Bates's personal and professional misbehavior in a home-made newspaper, called "The Toy."
Infuriated, Bates demonstrates to the two investigators that he owns the people who work for him by ordering his assistant named Morehouse (Beatty) to drop his pants on command (he later screams at another assistant "I told you to dance!")
The iconoclastic rebels who finally take down Bates at a Klan fundraiser are Eric's innocent generation who never knew Jim Crow and the truth-burdened, unemployed black man with nothing to lose because he's already at the bottom.
This movie is filled with enough Pryor minstrelsy to keep movie-going Whitey occupied and chuckling, but is at the same time digging deep into the reality and shame of this country's racist past, and, indeed, present. And we haven't even addressed the alcoholic indentured man-servant Barkley (Hyde-White) or the Fraulein-who-cries-Mandingo (Leslie-Lyttle.)
From the buying of Brown to the sycophantic staff to the Senator-for-hire Newcomb (consonance: Nuke 'Em,) US Bates proves that slavery isn't over...people just cost a little more these days.
In this day when skirting the issue of race and playing it safe at the risk of being offensive has crushed any discussion of racism in this country, it's nice to see that Hollywood once had the balls to make a movie that called a spade a...well, you get it.
Oh, and the kid grows up to be a porn star.
US Bates (Gleason), a wealthy, powerful Louisiana industrialist purchases, Jack Brown, a janitor (Pryor) to perform as an object for his spoiled son's amusement.
After an initial period of friction due to young Eric's (Schwartz) obnoxious, selfish behavior, they agree to investigate Bates's personal and professional misbehavior in a home-made newspaper, called "The Toy."
Infuriated, Bates demonstrates to the two investigators that he owns the people who work for him by ordering his assistant named Morehouse (Beatty) to drop his pants on command (he later screams at another assistant "I told you to dance!")
The iconoclastic rebels who finally take down Bates at a Klan fundraiser are Eric's innocent generation who never knew Jim Crow and the truth-burdened, unemployed black man with nothing to lose because he's already at the bottom.
This movie is filled with enough Pryor minstrelsy to keep movie-going Whitey occupied and chuckling, but is at the same time digging deep into the reality and shame of this country's racist past, and, indeed, present. And we haven't even addressed the alcoholic indentured man-servant Barkley (Hyde-White) or the Fraulein-who-cries-Mandingo (Leslie-Lyttle.)
From the buying of Brown to the sycophantic staff to the Senator-for-hire Newcomb (consonance: Nuke 'Em,) US Bates proves that slavery isn't over...people just cost a little more these days.
In this day when skirting the issue of race and playing it safe at the risk of being offensive has crushed any discussion of racism in this country, it's nice to see that Hollywood once had the balls to make a movie that called a spade a...well, you get it.
Oh, and the kid grows up to be a porn star.
Richard Pryor stars as a down and out writer who ends up as a human toy for multi-billionaire Jackie Gleason's son. The combination results in comedy that only a man like Richard Pryor could take and make even funnier.
Shades of his stand up act stand out when the focus is on Pryor and some of the situations he gets himself into and he uses this time to shine. Jackie Gleason played well, too, as the straight man, but I don't think this was his forte, although, come to think of it, this role isn't that much different from the "straight guy" kind of role he played in the "Smokey and the Bandit" films, but he was a LOT funnier in those films than here.
The only problem I have with this film is that it starts to go for the throat of comedy, but ends up being a piece trying to deal with the issues at the time...almost like changing boats in the middle of the stream. The comedy continues throughout, but it changes its content, which distracted me a little.
7 out of 10 stars.
Shades of his stand up act stand out when the focus is on Pryor and some of the situations he gets himself into and he uses this time to shine. Jackie Gleason played well, too, as the straight man, but I don't think this was his forte, although, come to think of it, this role isn't that much different from the "straight guy" kind of role he played in the "Smokey and the Bandit" films, but he was a LOT funnier in those films than here.
The only problem I have with this film is that it starts to go for the throat of comedy, but ends up being a piece trying to deal with the issues at the time...almost like changing boats in the middle of the stream. The comedy continues throughout, but it changes its content, which distracted me a little.
7 out of 10 stars.
When I was a kid I actually loved this movie, but now that I'm a man, I'm kinda horrified by "The Toy." A rich white man buys a black man for his spoiled son? Or at least rents a black man for his son. And they take baths together? Yikes! I love Pryor, but I have to assume he took this gig for the money to feed his notorious crack habit. Moral of this movie? If you're a rich white man you can buy a black man for your son. Can you imagine the firestorm of protest if this movie came out today? And oh yeah, the kid became a real life porn star!!!
Você sabia?
- CuriosidadesRichard Pryor wrote favorably of his working relationship with Jackie Gleason in his autobiography. He said that the stories Gleason told on set were funnier than anything in the film.
- Erros de gravaçãoWhen Jack is rolling in the inflatable wheel, during a closeup a crew member's hand appears from the right side of the screen to help balance the wheel.
- Citações
Jack Brown: Angela! Jesus H. Christ!
Eric Bates: Is that her full name?
- Cenas durante ou pós-créditosThe closing credits are shown aside four toy darts.
- ConexõesFeatured in At the Movies: Pryor to Murphy (1983)
- Trilhas sonorasI Just Want To Be Your Friend
Performed by Jeffrey Osborne
Music and Lyrics by Trevor Lawrence and Frank Musker
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Su juguete preferido
- Locações de filme
- 19050 Perkins Rd E, Baton Rouge, Louisiana, EUA(Bates estate)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 17.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 47.118.057
- Fim de semana de estreia nos EUA e Canadá
- US$ 6.322.804
- 12 de dez. de 1982
- Faturamento bruto mundial
- US$ 47.118.057
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