Tootsie

Dustin Hoffman and director/producer Sydney Pollack played with cross-dressing, gender roles and to some degree sexism in this 1982 megahit, the second-highest grossing movie of the year in the United States (after E. T.). The film is not particularly probing or controversial - not by today's standards, and arguably not by 1982's either. At least not beyond the very sight of Dustin Hoffman dressing up as a woman. Tootsie is not an opinionated piece; it's a simple romantic comedy with a creative, fun angle. And it's rather comfortable in that skin, perhaps even complacent. Dustin Hoffman's lead performance is devoted and rather sweet. Although his Dorothy Michaels is an outdated woman from the pre-sexual revolution era, whereas his Michael Dorsey is a modern 40-something of the 1980s, Hoffman still is able to make Dorothy into some kind of throwback feminist icon, if for no other reason than that (s)he speaks up. Some detractors may of course have balked at the idea that the film suggests women needed a man to do just that, but the picture is far too gullible to be accused of such schemes or ambitions.

Michael, an unemployed actor in New York, takes desperate measures by dressing up as a woman called Dorothy Michaels and gets a job at an TV soap opera, where he falls in love with Julie. But how to tell her that he is actually a man...?

Winner of 3 Golden Globes ( Best movie comedy/musical, best actors Dustin Hoffman and Jessica Lange ) and one Oscar ( Best actress Jessica Lange ), "Tootsie" is a small masterpiece of intelligent comedy, full of emotions, love and interesting observations about the relationship between women and men.

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The situations are deliciously written. Just take the scene where Dorothy is auditioning for the role in the TV soap opera but is turned down because she is "too soft". Her response is gold: "Yes, I know what you want! You want some gross caricature of a woman to prove some idiotic point, like power makes women masculine, or masculine women are ugly...! Well, shame on you, you macho sh*t a**!" When later asked from the producer if she was just acting when she said that or if she was natural, she responded: "Which answer will get me the job?" Needless to say she got the job that instant, and a special place in my heart. But the best scenes are the ones where Dorothy is constantly improvising on the set, like when she was supposed to say to a woman who was beaten up by her man to take a therapy, but instead decided to tell that she would never let a man raise his hand on her( and then she threw a vase of flowers into the wall! ). Wonderful fun! Billy Wilder would be proud!

Dustin Hoffman is pure genius, more as a woman then as a man, as are Terri Garr and Bill Murray, before his critical fame with "Lost in translation" and "Broken flowers". "Tootsie" is quite simply a classic all the way through!

Grade: 10/10

This movie just has to be one of the greatest comedies ever made. It is hilirious. Struggling and notoriously hard to work with actor Michael Dorsey (Dustin Hoffman) takes on the role of a woman in a daytime television soap opera, basically because he cannot get any more jobs as a male actor due to his reputation. The fun starts early on in the film with Dorothy Michaels appearing in the New York crowd suddenly and going for the script reading. From then on the film is sentimental, touching, dry and absolutely side-splittingly funny. The other actors/actresses in the film really do make it work. It is brilliantly cast with comedic moments from Teri Garr, Dabney Coleman, Charles Durning and the ever-brilliant and sarcastic Bill Murray. I wasn't even born until two years after the movie came out, but it's still so fresh and full of life after 22 years that you just have to love it. It's definately a five star for this. ***** out of *****

It's strange how seeing a man dressed up as a woman always seems to be funny and popular with the audiences. Milton Berle helped make television with skits like this on his early 1950s show. It works here, too, with Dustin Hoffman applying the makeup and playing the role to the hilt.

Helping Hoffman is Jessica Lange in, by far, her most attractive role. I'm not particularly a fan of hers but she looked spectacular in here, almost like Marilyn Monroe.

This was a popular film because the humor was good and the two leads did a nice job, and people like a good romance story, too. Hoffman, like him or not, is a fabulous, able to play so many diverse roles. He's an amazing actor.

Sometimes overlooked is the big-name supporting cast which includes Dabney Coleman, Teri Garr, Bill Murray, Chares Durning and Geena Davis. The latter was making her screen debut in here!

This isn't as "cute" as it was 25 years ago but it sure was a justifiable bit hit back in the early '80s.

Wow!, what a film anyone who has seen this film would definetly agree with me that this film touches you in so many different places. It's funny, sad but also appealing to so many different people. Dustin Hoffman is superb in it, so is Jessica Lange the way they act on set together is very amusing but when they are alone, it's always an emotional scene. Especially the scene in which Julie (Lange) throws a glass of champagne at him when he tries to come on to her at a party, it's so funny. Murray is also good as Hoffman's mixed-up flat mate. Sydney Pollack the director also takes a small role as Hoffman's Agent who unsuccesfully tries to find him work. The viewer sees the struggle of all the characters in their everyday life. There is also a touch of romance in the fim for the sentimentals in this world. The whole team bonds together to create a funny, imaginative film suitable for anyone who is in the mood for a laugh or a cry. I thouroughly reccomend it!!