O Enigma de Outro Mundo

Just to put things in perspective for you before I get into my thoughts on this film, I am only 20 years old and have grown up in the era of CGI, blue screen effects...and this movie was made around the same time i was born.

With that said, WOW, I only recently saw John Carpenter's version of 'The Thing', and what a masterpiece it truly is. I have long since been a fan of John Carpenter, in particular his works from the late 70's and 80's. In 'The Thing' John Carpenter has truly crafted a paranoia inducing, perhaps gut wrenching classic.

The movie is an update of the classic 'The Thing From Outer Space', but only like it's predecessor, this film is in full color, and the characters of this film have much more to worry about than an alien veggie

The film centers around a group of Arctic Researchers you encounter an alien lifeform capable of taking the form of anything it comes into contact with, and out of for that matter. Kurt Russell stars as R.J. MacReady, an alcoholic Vietnam Vet, thrust into the role of leader of a group of relatively cold and callous men all of whom are readily plunging into manic paranoia and somewhat madness once they realize that they are up against a creature that can take any form, be any one of them.

John Carpenter, more than in any other of his films, manages to create a truly believable and incredible atmosphere. When watching this film you truly get the sense of the dark,sinister, desolate surroundings, you feel and realize that these characters have no where to go...never for one second do you not believe they are stuck on a polar ice cap. Also, this film has perhaps one of the greatest endings to any film of it's genre, or any genre for that matter. I'm not going to give it away here, but to say that it will leave you wondering would be an understatement.

Kurt Russell is superb as MacReady....truly conveying the emotions of a man thrust into a situation of unimaginable horror, forced to lead a group of men who cannot trust that the man next to them is not the creature that has driven them to the brink of paranoia and emotional meltdown.

I don't care if this movie is 20 years old by now, the special effects in this movie are gut wrenching, mind blowing, and absolutely awesome. They blow away any CGI pixel based crap out there today. The 'Thing' itself is a truly horrifying and disturbing creation...unlike any alien you have ever seen in a movie before. Those who have a low tolerance for gore and blood had best prepare themselves for watching this movie.

This movie does what any good horror/sci fi movie should do, it really thrusts you into it's character's world. It leaves you wondering, what would you do, who could you trust if anyone you knew could be the creature waiting to feed on you, and take you over as well. The images, and ideals of this movie stayed with me long after i first saw it, and today as i write this review send a chill up my spine.

It is a true shame this movie is only now getting the proper recognition it deserves. A box office flop when released, now more then ever when movies are paper thin with plot, and one dimensional in effects, this film can be appreciated as a true masterpiece of sci/fi and horror.

If possible, get the Collector's Edition DVD, and enjoy it in anamorphic widescreen..the way it is truly meant to be seen. Marvel at the incredible scenery, the taught direction, the excellent atmosphere, the sweat inducing, gag reflex activating, and everything else that makes this movie great.

Watch it with the lights out, with a group of close friends...maybe even with a dog around...if you don't what i'm talking about...you will afterwards.

Don't let a classic pass you bye

* * * * ½ (4½ out of 5)

The Thing

Directed by: John Carpenter, 1982

Looking back on John Carpenter's The Thing – today a highly treasured cult favourite – one has to wonder why it was dismissed by both the audience and critics when it first came out in 1982.

Steven Spielberg's extra terrestrial adventure about a sweet alien that phoned home (that stole the hearts of both children and adults world wide) had opened just two weeks before and was on its historic box office rampage. Bad scheduling may have had a greater impact than anything else on the fate of Carpenter's first big studio effort for Universal Pictures. Nobody was prepared – moreover wanted anything so dark, gory and scary as this genuine remake of the famous 1951 original. This was the time of E.T.: The Extra-Terrestrial.

It then makes for great movie history trivia, that The Thing has gained such a remarkable afterlife on video, DVD and television. Both financially and critically. Carpenter's version is less a remake of the Howard Hawks' version than a more faithful adaptation of John W. Campbell's short story "Who Goes There?' (on which both were based), and critics today point out how well Carpenter plays his characters against each other. Kurt Russell will never top this one, and he gets a brilliant sparring from the entire cast.

It opens in Antarctica with a sled husky running from a pair of crazed and armed Norwegian men in a helicopter. The scene is long, slow and uneasy. It feels like the Apocalypse. It oozes doomsday.

This scene comprises one of the greatest opening sequences in film history.

Ennio Morricone's moody synth score (heavy on naked thumping bass lines in classic Carpenter style), the windswept massive white of the desolate polar ice and the majestic husky running across the tundra chased by the chopper, compromises a completely mesmerizing piece of scenery.

A satisfying example of a movie that today – 18 years after – looks downright muscular in its simplicity.

The budget was big ($14 mill), yet it allowed Carpenter to visualize his ideas better than ever before. There's a brooding darkness to this film, making the whites and blues of the icy Antarctic claustrophobia seem poetic and almost angelic. Dean Cundey's extraordinary photography created a palpable chill to every shot. The careful preparation (the crew went into a record 11-month pre-production) paid off immensely.

Horror specialist Rob Bottin was handpicked for the many gory and grotesque special effects. Be warned – there's a lot of splatter and gore here. The Thing is actually notorious for its creature morphing scenes. Some find them disgusting, some mere cult.

An argument could be made against The Thing being an Alien rip-off; it has its origins in an old sci-fi story and it creates tension by popping a crowd of people (note: all-male) on an isolated outpost (an Antarctic research facility) terrorized by an alien life form.

Where Carpenter was clearly inspired by Ridley Scott's 1979 masterpiece, his own alien movie is original and intriguing in its own right. There's a rhythm and an environment that equals Scott's in every way.

The husky was in fact half-wolf and half-dog, and it was noted that it never barked or growled on or off the set (Horror Takes Shape, the making of - DVD version).

Watch in awe at the scene where it walks through the hallway and stares at a human shadow, slightly tilting its head forward in stalking position like a wild wolf. This is a fine piece of animal training, sure, but that's not the point. This is as spooky as anything ever made in a horror movie.

Carpenter had all the right tools here, and he utilized them to perfection, making The Thing his best movie alongside Halloween.

This is another one of those films that I remember staying up late to watch on TV, scaring the crap out of myself at the impressionable age of 12 or so and dooming myself thereafter to a life of horror movie obsession. This is a GREAT movie, and stands as living proof that there were indeed realistic effects before CGI.

Set on an isolated base in Antarctica, this version seems almost to pick up where the original version (The Thing From Another World) left off. The American scientists discover a decimated Norwegian base some miles distant. Everyone is dead, and only the half charred remains of some unidentifiable thing left to smolder outside the compound might offer any answers to what may have happened. The Thing is brought back to the American base and, too late, the scientists realize that it is alive and lethal. The Thing thaws out and is off, not only killing anyone and anything that crosses Its path, but also absorbing them, making Itself into whoever and whatever it wants. The film then turns into a brilliant paranoia piece. Everyone is suspect, anyone can be The Thing, and no one trusts anyone anymore. Gone is the strength and security found when human beings band together in spite of their differences to battle a monster. The group splinters and fear rules supreme. Who is the Thing?

The gore effects here are absolutely amazing and messily realistic. I could have done without the dogs head splitting open like a banana peel, but that's just the animal lover in me being picky: kill all the humans you want, but leave the kitties and puppies alone. Sanity and reason disintegrate rapidly as, one by one, the humans are taken over by the shapeshifting alien. The power of this film lies in its paranoia, and although I liked the original version, I prefer this one; the real threat lies within, and is scarier for the fact that it cannot be seen or easily detected. When it is forced out of hiding, it's wrath is huge and the results are horrific.

This is one of Carpenters best films, right up there with The Fog and Halloween. All of the actors give strong, realistic performances and the special effects are so powerful that they stand as their own main character. This film has something for any lover of the horror genre. Don't miss it.

Antarctica, winter 1982. The team on an American research base get surprised by a couple of mad Norwegians who is chasing a dog with a helicopter, trying to kill it. All the Norwegians are killed and the Americans are left with nothing, but a dog, a couple of bodies and questions. That's the beginning of the greatest horror/thriller film I've ever seen.

From the very beginning all to the end you feel the tense, paranoid mood. Helpless and alone out in no-mans land. Ennio Morricone was nominated for a Razzie Award for his score. Why I don't know 'cause as far as I can see his score is simple, creepy and very good. It really gets you in the right mood.

The acting is great! The best performance is probably given by the dog who's just amazing. As for Russell and the others on two legs I can say nothing less.

You may think 1982 and special effects are not the most impressive? Well, think again! You haven't seen it all until you've seen this. Bodyparts falling off and creatures changing forms... Rob Bottin has done a great job witch today stands as a milestone is special effects makeup.

The movie didn't get a big response when it first hit the big screen due to other alien films at the time and so it's not very well known. In fact you can almost consider it an unknown movie. Nobody I've asked have heard of it. However the movie has managed to survive for over twenty years as a cult film on video and DVD. Twenty years is a long time and except for the haircut the movie is still pretty much up to date. This movie is to be considered a classic.

The movie is without doubt one of my, if not my favorite. I've seen it several times, but it's just as good as the first time I saw it. As a Norwegian the only thing I don't like about this movie is that MacReady keeps calling the Norwegians swedes!

The Thing does a great job at holding my attention throughout. It has just enough to gross me out while making me wonder if the person next to me is an alien.

The idea that this movie was made in the early 80s and it took years to be reevaluated before being well received just tells you how ahead of his time Carpenter is. Kurt Russell is one of my favorite actors from the pre2000s and this is a good example of why.

It's one of those special movies I can't get enough of. Every viewing feels like the first. I can't be the only one who feels the same amount of dread and uncertainty every time I watch it.