Tenebre

I first saw Tenebr(a)e under the moniker "Unsane" (which is supposedly missing ten minutes of gore and some extensive camera-work). I really enjoyed the film, so I bought the rerelease print from Anchor Bay, and I must say, the restored, uncut, letterboxed print looks and sounds wonderful.

There's no need to go into the plot other than to say Anthony Franciosa stars as American horror novelist Peter Neal and, while he's in Rome on a book tour, murders are being committed by one of his crazed fans. I read somewhere that Argento is king of stringing together a plot and cheating audiences just so they can't guess the identity of the killer, and with this as evidence, I agree 100%. It's nearly impossible to figure out this plot before it's fully explained.

Luciano Tovoli's camera-work/cinematography is brilliant, especially the luma crane shot (which goes up one side of a building, over the roof and down the other side in one unbroken taken). There's also an extremely well-photographed and directed sequence featuring a girl being pursued by a rabid Doberman. Now they would do those two scenes with computers, and I think that obliterates the charm of the hands-on film-making process.

In short, this film puts Hollywood thrillers like "Copycat" "The Bone Collector," and "Se7en" to shame, and it's apparent all three films stole ideas from this one (and from other films in Argento's oeuvre).

Thrilling and shocking Giallo by the talented writer/director Dario Argento . Exciting film with effective aesthetic that has lots of gore , guts , chilling assassinations and twists plots . An American crime writer named Peter Neal (Anthony Franciosa) arrives in Rome to promote a new novel , which triggers a killing spree in the manner described in his book , including savage cutting . As Detective Giermani (Giuliano Gemma) in charge of the investigation, along with a detective female partner . Peter Neal is unaware that he is also being followed by his embittered ex-wife Jane (Veronica Lario) and stalked by a serial killer bent on harassing him while killing all people associated with his work on his latest novel.

This is a Shocker/Chopper/Slasher/Horror/Thriller hybrid . Italian cult director Dario Argento , master of arty gore , brings this scary and stylish story plagued with depraved gore murders . This intriguing film packs chills , suspense , thrills , bloody murders and plot twists ; however it contains some gaps in the flick big enough to sink credibility . Interesting screenplay plenty of twists and turns by the master of horror , Dario Argento , who double-crosses and cheats like mad to conceal the murderous's identity and including imaginatively staged gory killings ; resulting to be one of his most successful movies . This is a trademark terror work for the Horrormeister Argento with high tension quotient and equally elevated suspense by means of an ever-fluid camera that achieves colorful shots well photographed . ¨Tenebre¨ is an acceptable and passable entertainment with surprising and intriguing situations , it does have some good and eerie moments . Ample support cast formed by usual in Italian Terror such as Ana Pieroni , Lara Wendel , Christian Borromeo ,John Saxon , John Steiner and Daria Nicolidi , Argento's wife . Furthermore , a colorful cinematography in deep red by Luciano Tovoli , Argento's usual and a creepy musical score composed by means synthesizer .

Dario Argento is one of those film-makers who set off simple for frightening us to death . His period of biggest hits were the 70s when he directed the animals trilogy : ¨Four flies over gray velvet¨, ¨The cat of nine tails¨, ¨Bird with the crystal plumage¨, after he directed some masterpieces as ¨Suspiria¨ (1977), a surreal horror film about a witch's coven that was inspired by the Gothic fairy tales of the Grimm Brothers and Hans Christian Anderson, which he also wrote in collaboration with his girlfriend, screenwriter/actress Daria Nicolodi, who acted in "Profondo Rosso" ("Deep Red") and most of Argento's films from then to the late 1980s . Argento advanced the unfinished trilogy with Inferno (1980), before returning to the "giallo" genre with the gory Tenebre (1982), and then with the haunting ¨Phenomena¨ (1985) , one of the best ¨Giallo , all of them confirm Argento's dedication to the technicalities of constructing frames in Grand Guignol style . In 1995 Argento made a comeback to the horror genre with ¨La Sindrome Di Stendhal (1996)¨ and then by another version of ¨The phantom of the Opera¨ (1998) both of which starred by his daughter Asia Argento . Most recently, Argento directed a number of 'giallo' mystery thrillers which include Insomnio (2001), ¨Il Cartaio (2004)¨, and ¨Ti Piace Hitchcock?¨ (2005), as well as two creepy , supernatural-themed episodes of the USA TV cable anthology series "Masters of Horror". Furthermore , to his Gothic and violent style of storytelling , ¨La Terza Madre (2007)¨ has a lot of references to the previous two movies as 'Suspiria' and 'Inferno' which is a must for fans of the trilogy . And finally directed a so-so film called ¨Giallo¨ and recently ¨Dracula 3D¨ .

This is a stylish, sprawling giallo from Director Dario Argento. Writer Peter Neale is played by 50-something Anthony Franciosa, surrounded by a cheery, adoring gaggle of young ladies whenever he flashes his pearly whites. Unlike a lot of giallo leading men, however, Neale is likeable and a gentleman, at least most of the time, and Franciosca plays him very well. Some nicely paced set-pieces put the victims through their paces in a memorably punishing manner, often topped off with more than a splash of thick red blood.

Supporting players include the appealing Christian Borromeo as possible suspect Gianni, and the familiar face of John Saxon, who was prolific in film and television at this time, is Bullmer.

The star of the show though, is undoubtedly Argento's wondrous directorial flourishes. The squealing, electronic prog-rock soundtrack is provided by the idiosyncratic band Goblin. Like their other incidental scores it is somewhat 'full on' at times, but nevertheless injects various scenes with a sense of perverse dread, and enters fully into the director's somewhat gaudy style.

'Tenebrae' saw the welcome return of Argento to the world of giallo after delving into pure supernatural horror for his last few ventures. It proved he hadn't lost his stylish approach to the genre and remains a favourite of mine. The ending, where there is revelation upon revelation, is particularly successful. If you are considering venturing into the world of 'Tenebrae' for the first time, I advise you to avoid spoilers! My score for this is 8 out of 10.

The Italian mastermind behind the giallo movement, Argento once again provides another enthralling crime investigative thriller poised with provocative imagery and plenty of throat slashing. This representing my third foray into his filmography, I was both sceptical and excited to see what he would produce. As soon as that 80s horror score kicked in almost immediately, I was invested. The author of the recent hit "Tenebrae" travels to Rome for promotional events, but is quickly caught up in a murder mystery to which the killer utilises phrases from his book leaving clues to the next victim.

The backbone of the narrative is reminiscent of his directorial debut 'The Bird with the Crystal Plumage', but with Argento's style evolving throughout the years. He showcases his talent for balancing suspicious characters (the list is endless) with evocative camera techniques that allow the tension and suspense to naturally grow. Beautiful one take shots to enhance the eerie quality, POV handheld movements enabling the audience to enter the suspect's mind and inventive use of mirrors to reflect slashed corpses. It's clear that Argento, at this stage in his career, exhumed confidence in his directing. The editing however frequently felt disorientating. Quick cuts were exhaustingly utilised during scenes of frantic nature, such as a woman fleeing to her room whilst grabbing onto her towel, which detracted from Argento's minimalistic approach.

The story itself, whilst consistently engaging, contained a few segments that were questionable at best. Stabbing someone in the middle of a high street in broad daylight, with people only noticing when he is lying in his own pool of blood, lacked believability. Evidently Rome is a dangerous place during giallo season, but still. The final reveal was unsurprising due to the amount of suspects being killed off, and consequently was absent of surprise.

Ironically the countless female kills did paint the narrative in a coat of sexism, fortunately the second half counteracts that indicative viewpoint. A criticism that Argento's work has succumbed to in the past, therefore reacting to this by changing the deaths in the second act. Not particularly subtle, evolving the story to fit around this criticism was evident, however it made for a refreshing pace. The performances were perfectly hammy, although Franciosa weighed in a surprisingly strong nuanced performance as the sturdy author.

As giallo films go, this is most certainly one of the most accessible. Whilst not necessarily Argento's strongest narratively speaking, for I did prefer 'The Bird with the Crystal Plumage', it honed in on his trademark aesthetic style. Erotically staged murders with exquisite lighting accompanied by a euphoric score. If you are new to the sub-genre or want to trial Argento's techniques, then this will most likely be the easiest film to watch.

It's not earth shatteringly great or original, but it has some nice camera work, a great soundtrack, and a decent mystery plot. Overall well made and worth checking out.