O Estripador de Nova York

But I liked it! Obviously not Lucio Fulci´s best ("The Beyond" still holds the top, followed up by "Zombi 2"!), but nevertheless "The New York Ripper" is another gorefest that delights the fans and despairs the censors (Actually this flick is banned in many countries like Australia, the U.K., Germany or Norway...)! Endowed with some nudity (Maybe the sleaziest flick Fulci ever directed...) and elements from Giallo this gem has got some really unforgettable moments: I like the scene when Alexandra Delli Colli (She plays a woman which is permanently on the search for sexual adventures...) gets stimulated by two Latino-boys in a billiard bar and the take where wonderful Zora Kerova ("Cannibal Ferox") was maltreaten by bottle is pretty gut-wrenching! The bloody climax however is when the ripper tortures a prostitute to death with using a razorblade! Really shocking and disturbing!! People who demand a clever story surely will be disappointed, gorehounds however will find a revelation in this! So if you had fun with William Lustig´s "Maniac" (1980) you will also like this effective shocker!!!

While this movie contains plenty of graphic violence beyond most horror movies, I cannot deny a certain brilliance in Fulci's direction. Sure there were plot holes, the dubbing was bad, the duck sounded ridiculous, those were part of the reasons I enjoyed it, simply because a logical movie doesn't play with my mind like this one did. Fulci deals with a lot of psychological issues and the areas of the unknown. There is enough unsaid that keeps you guessing until the very end (some which never gets said, but we won't go there). In my opinion, this movie had a faster pace and more solid plot than most of Fulci's more popular efforts. It was simple: someone who talks like a duck is killing beautiful women in New York. I did find it scary. Sometimes I'm intrigued how they think up some of the things they did in this movie. Maybe it should be called "The Amsterdam Ripper" because of the extreme sex, violence, and drug atmosphere. But on the Anchor Bay DVD uncut release, the cinematography was amazing. I do love that this is an Italian movie filmed in New York, another totally illogical thing to do in my mind, yet on some level, it works for the sheer creativity and guts to do something new. No Academy Awards, but they sure don't make movies like this anymore! I'll give it 3 quacks out of 5.

An elderly man is walking his dog one afternoon, he decides to throw a piece of wood and have his canine companion fetch, but when the dog brings back not a piece of wood, but a human hand the owner is reasonably perturbed. Thus begins Lucio Fulci's most notorious film "The New York Ripper", the most misogynistic film this side of William Lustig's "Maniac". Police detective Fred Williams (Jack Hedley) is after one sicko who cuts pretty women up in the cruelest fashion. The killer's Donald Duck voice is ludicrous and annoying, but the rampant nudity, over the top gore, red-herrings and the ultra-sleazy atmosphere make up for that in spades. It doesn't hurt that this is tightly scripted and nicely filmed either. This would be the last film in the second (and starting with "Lizard in a Woman's Skin" best) era of his three part career. The last and worst part would start with his next film "Manhattan Baby"

My Grade: B

Anchor Bay DVD Extras: Uncut version; Theatrical trailer and Lucio Fulci bio

There's not much need to go into detail on the plot. Simply put, The New York Ripper is the story of a mad killer with a penchant for slashing young woman and harassing the police with his duck-like voice. That's really all you need to know.

The New York Ripper is Lucio Fulci's latter day ultra-violent take on the Giallo. When I say ultra-violent, I mean ULTRA-violent. If you're a fan of Fulci-style gore, there's surely something here for you. There's one scene where a girl's eye meets a razor that's particularly nasty and particularly difficult to watch. And, if you're a fan of Fulci-style sleaze, there's surely something here for you also. While I won't go as far as some reviewers and call it pornographic, there are a variety of sexual perversions on display. But it's not all blood and sex. Fulci actually manages to create a few scenes with real tension. There are moments where you know that killer is about to strike, but the anticipation Fulci builds in the audience is quite good.

Unfortunately, there are problems I have with the film. I'll limit this to two examples. First, the resolution of the mystery is a real letdown. The killer's identity is far too easy to guess. Fulci telegraphs the answer form the opening moments of the film. Second, Gialli often ask the viewer to suspend reality to accept various plot points, but the final scenes in The New York Ripper cross the line into ridiculousness and really hurt the overall film. I'm certainly no expert, but I sincerely doubt that all the psychological babble made any real sense to anyone.

Lt. Fred Williams a new york cop is investigating a number of disturbing killings where the women are to say the least butchered. His first clue is that the killer speaks like Donald Duck, and soon the killer is calling and taunting Williams, so he calls in the help of a local Professor of Psychology to help profile the killer. There are plenty of gruesome killings and seedy set pieces to keep any sleaze fan happy ie.A Latino *beep* a woman with his foot, the same woman masturbating in a live sex porno theatre and taping it to pleasure her husband with later,a girl being butchered with a razor blade ripping open her face right down through her eyeball…pretty gruesome….but wholly enjoyable as only Fulci can do. The dubbed dialogue is poor at times but it didn't take away from my enjoyment…a real video nasty