O Segredo do Ninja

Sonny Chiba plays the shogun in pre-Edo period Japan. He's a bad mofo who eliminates a rival clan and then turns on his master to take over as shogun. Despite this, he fails to kill the rival clan's son who escapes to China and comes back to avenge his family. The kid learns martial arts and carries with him swords that contain a map to the clan's secret gold mine (hence everyone wants to kill him to get them). There was some good karate action in this flick. It's kind of cool to see Sonny play the bad guy and even fight a ninja named Hattori Hanzo (fans of Kill Bill should love this one).

My problems with the movie are that it was the same damn plot all over again and the music. I expect bad music in some of these things, but it sounds like 70s porn music. The action sequences were kind of cool, but they have this crappy slap-bass, fake jazz sh*t in the background, so the tension isn't a high as it should be. I dunno, maybe the actual Japanese release had a better soundtrack. The other thing that threw me off was watching the hero dance around a fire. What the hell? It seemed like he was trying to do tai chi, but it looked more like Tommy Tune warming up for some big Broadway production. You don't look like a hard ass when you're spinning and leaping about.

Despite all of this, Chiba fans should enjoy his performance. As per usual, Sonny is the glue holding this thing together.

It seems that CHIBA was acting as a mentor to the star (just as in ROARING FIRE) and taking a back seat too much, didn't work for me. Of course some of the fight-scenes in this movie are very good, utilizing slow-mo (as in KILLING MACHINE) and some excellent wire work (the spider ninja's moved quite naturally) and the other notable thing is the off-beat jazz/sax/porn music (that despite sometimes not catching the mood of the scene, certainly puts it in a league of it's own) The bottom line is, CHIBA doesn't fight enough, the hero (at one point) dances rather camp-like (whilst training) round a fire (hilarious!) and like most movies of this ilk, the plot can confuse/drag on a little

Excellent fight scenes and score, though

6 out of 10

... well, if it weren't for Sonny Chiba himself! Good, nobody ever put Chiba amongst the great Shakespearian actors (unlike his protégé and star Hiroyuki Sanada). Let's just say he employed less acting skill than Gregory Peck in 'The Omen' (were ol' Peck at least raised an eyebrow now and again) and Monica Belluci (who may be anything - a fine looking young lady - but not an actor). Fact is, Chiba doesn't act at all! He's simply there in the picture! Not so much as a facial twitch throughout the entire movie! Granted, Japanese heroes are to be cool. See 'The Last Samurai' ... hell, cooler than 'Shack' and Ryan O'Neal put into a bag. But for his role as 'Shogun', Chiba may well have been lobotomized! Second 'Minus' of the film: the horrid dance-sequence of Hiroyuki Sanada, which may well haunt this fine actor to the end of his career. God, if only I had fallen asleep during this sequence and never perceived it at all! But no, there it is, burned right into my memory and causing me to break out into insane giggles during the final battle of 'Last Samurai' ...

Then there is the terrible, terrible pseudo-Jazz score, that would have made many-a Porn flick look earnest --- if only the producers would have take a hint from 'Shoguns Assassin', but no ...

... apart from all that, the film would have actually been worth viewing ...

... WOULD have, I say!

SHOGUN'S NINJA has so many strange and cool aspects in it, it's hard to even remember it all. Whereas its more fantastical counterpart LEGEND OF THE EIGHT SAMURAI (which even has lots of the same casting) is somehow too disjointed, SHOGUN'S NINJA remains cohesive and fun to watch through all two hours; I couldn't take my eyes off it.

The basic plot revolves around the dying Momoichi clan after Takamaru returns (played by Henry Sanada, in this role looking so much like NINJA SCROLL's Jubei that they must've seen this film). The clan members have steadily been eradicated by the evil Shogun (Sonny Chiba!) and so have to learn all they can to strike back. Along the way, there are so many outrageous stunts, traps, and elements that you will be unsure whether to laugh or stare in awe; more on those later. Takamaru is aided by a pair of kung-fu women (one of whom, Airin, is most likely the inspiration for "Tekken"'s Xiaoyou), the reluctant warrior Hanzo (who is quite reminiscent of Patrick Stewart with hair), and more ninjas than you can shake a stick at. Shogun wants Takamura's swords, because their blades hold the map to the Momoichi gold cache. This of course leads to confrontation after confrontation, with every weapon imaginable and more gory deaths than you can count.

But enough about the plot, which is somewhat tenuous. SHOGUN'S NINJA should be viewed for its crazy features. These include (in some semblance of order) harakiri, a circus monkey, slo-mo kicks, spider AND mole ninjas (not ninja spiders, but almost as cool...), an escape by candle, kung-fu handmaidens, execution by hot oil, human shields, a white-haired master, a booby-trapped forest (complete with ninja tack!), and a showdown in a rock quarry. Yes, that's right, all that crazy crap is in the movie; look for it all!

One of the movie's funniest elements is its music; everything from battle sequences to casual conversations are underscored by psychedelic '70s jazz. At first seeming inappropriate, the score grew on me as the movie continued, being edited in quite well and seeming to actually be written FOR the movie (a frightening prospect in itself!). While some might berate the soundtrack, it must also be taken into account that the immensely popular "Cowboy Bebop" employs a similar style of music that is anachronistic and yet creates a jarring shift in mood; in battles that would otherwise be fraught with tension, the lounge-style sounds kept me from being too involved and were, overall, entertaining!

In addition to the previous list of thingamabobs, SHOGUN'S NINJA still has some surprisingly reflective and artistic moments, from a staredown through steam to flashbacks of a pool of blood. The director obviously knew what he was doing, assembling a competent cast and putting them together in an epic movie that is still over-the-top. Be sure to watch this movie with a load of friends, and you will certainly enjoy yourselves. My rating: 8.5/10

After watching Shogun's Ninja, I must conclude that this is the strangest movie I've ever seen, and I say this after watching numerous Ching Siu Tung movies. This movie is just straight-up weird.

The plot takes place during the reign of Emperor Hideyoshi and there are historical references throughout (Ieyasu, the attempt to invade Korea, etc.) The conflict exists between the last survivors of the Momochi clan led by Henry Sanada (that Japanese guy from Royal Warriors with Michelle Yeoh) and Shogun (Sonny Chiba from the infamous Streetfighter series) and his ninja army. Sanada learns Chinese kung fu and comes back to avenge his clan, does some fighting, learns Japanese ninjitsu, and does some more fighting. The movie ends with a large battle between Chiba and his warriors (which are many) and Sanada and his pals (which are few).

The fighting in this movie is pretty good sometimes, and unexciting other times. Sanada is fairly impressive, he is one of the few characters that actually does any hand-to-combat (everyone else uses swords, guns, or other weapons). His kicks are fairly fun to watch. Sometimes, the swordplay is done bad in the sense that no excitement exists in watching them swing swords clumsily at each other. Unfortunately, Sonny Chiba doesn't do anything too interesting. Neither does Sue Shiomi (she appeared in Sister Street Fighter I believe). There was a female Chinese fighter who could bust out a good boot and the nunchaku, though.

When I say this movie is strange, I don't mean the strange in the Ching Siu Tung-style of bombard the viewer with bizarre, yet beautiful visual image style of being strange. This movie is strange in the sense that its level of camp is off the charts. For one thing, with the exception of some flute playing, most of the music in the movie is of the contemporary jazz/1970's elevator music variety with the occasional Japanese pop tune thrown in. The sounds effects are silly to the point where I wonder if this movie was actually a spoof. There are underground ninja, spider-like ninja (you can see the wires), and a nice little army of ninja at the end (although the third group doesn't do anything). There is a fair amount of wire-work in this, although none of it is really imaginative. Some of the stunts in this movie is just straight-up screwy (watch Sanada block the archers). Well, whether or not one enjoys this depends on his/her tolerance to high-camp.