Lanternas Humanas

I was intrigued by Human Lanterns for a few reasons. (1) It's a Kung fu movie with horror elements (I'm thinking, The Story of Ricky), (2) the colorful, almost surreal screen shots, and (3) 88 Films has done an edition of it (more on that later). They're always good for the wild and the wacky.

Oh man, where to start. You just can't win with a boring story. Disgraced guy in a monkey costume captures ladies and makes lampshades out of their skin. Pits two other guys against each other to distract everyone from his identity (yes, there is an unmasking at the end, a la Scooby-Doo). I had a really hard time staying awake during all the dull dialogue, detailing this yawner of a premise. Then there's the endless barrage of martial arts sequences, which (mostly) did nothing for me (sorry, folks). Maybe I'm not this movie's target audience. I don't know if this is a Kung fu trope or not, but they would stop mid-battle for a bunch of blathering exposition and/or speeches. Ludicrous. Then, back to hating each other.

I'm under the impression I saw a CENSORED version of this movie, which I'm sure also detracted from my enjoyment. 88 Films is a boutique label, specializing in genre films, so they have a right to charge a premium. Which really irked me, because the least they can do is release an uncut version. Hardly any of the highly-touted graphic violence or nudity. One of the extras is a trailer, where you can find graphic material nowhere to be found in the movie you just watched.

The good: The cinematography is spectacular. Done in this insane widescreen (Shawscope, 2.39:1), which is put to good, eye-popping use. Some battles are wall-to-wall! One elaborate battle they do a big, round, full tour of, which is awesome. Also, fairly extensive use of the fish-eye lens, which gives the film this bizarre, warped quality. Really enjoyed that. Very, very colorful period costumes and sets round out this amazing distraction from what is actually going on in the movie. Though I would be curious to see it in its uncut glory.

Human Lanterns goes for broke and mostly works. It's gonzo stuff, being a cross between a martial arts movie and a murder-mystery about a deranged serial killer, all taking place hundreds of years ago (possibly longer).

I like it when a Shaw Brothers movie does something out of left field. This isn't my favorite example of the studio doing that, but it certainly has its moments - enough of them for this to end up being pretty decent. There's enough here that's fun to make it worth a watch for martial arts fans after something different.

It was let down a little, I felt, by being uneven. It committed to different levels of crazy at different points, and feels all-over-the-place as a result. That sense of chaos can work when it's pushed far enough often enough in a movie like this, but I don't feel like Human Lanterns always did the best job at this.

Still, for having some silly horror mixed in with some violent fight scenes, there was a good amount here that proved enjoyable. The kind of thing that gets a caution recommendation, for fans of this style of odd film, at least.

After being humiliated at a local ceremony, a lord seeks out an old rival who's a master lantern to put aside their differences to make a new lantern for an upcoming festival, but when several local women go missing all roads lead back to the strange method of making the lanterns he's attempting.

Overall, there's quite a lot to like with this one. One of the greatest aspects present is the breakneck story, which moves along at a great pace and keeping things interesting. Right away, we get the initial setup at the village banquet showing their disdain for each other and the desire to win the lantern contest, forcing him to turn to his arch-rival to win the competition. As well, the tyrannical control he has over the prostitutes in the brothel and the jealousy that governs his decisions plays into the continuing nature of the feud lasting throughout the film with each one looking to one-up and humiliate the other. Once they come to realize they've been set up and that everything has been turning them against each other, the story comes together with a surprisingly strong resolution. As well, when the film really lets loose with its grotesque elements, it becomes quite enjoyable. The first stalking in the brothel as well as the subsequent defleshing of the victim is exceptionally graphic and gruesome. The visual of the skin being sliced open and ripped from the still-alive victim in one piece creates an awfully striking visual, and when done in conjunction with the underground caverns and the various tools shown lying around to be utilized later on completes the grimy illusion. Likewise, the various interludes going back to the location showing how the pieces of stretched skin are being made into the lantern itself offers up the kind of unease associated with such a lair. Seeing the area dressed in entrails, dismembered body parts, drying skin pieces and bloodstained equipment creates a truly grotesque atmosphere alongside the graphic acts themselves. Another big positive is the mixture of horror and kung-fu in the film. Though not filled to the brim with such material as is to be expected, the fighting here comes off quite impressive and exciting. The inclusion of the killer's abilities in martial arts adds quite a lot to the abduction scenes as the sight of him dressed as a monkey complete with a skeletal animal mask take on a far more eerie quality than expected, especially the daytime ambush in the woods where the sight of that running around and flipping off tree-branches is quite creepy. The best, though, are the brawls which they continually find themselves in, and by taking place within eateries, the courtyards of their houses and out in the streets of the village the action carries along quite nicely. Even odd interstitial elements like fighting off assassins or seeing the killer take out a squad of random henchmen to set up their suspicions are rather fun, and the extended brawl at the end includes some really fine stunt-work and swordplay included in the hard-hitting fights. This creates a lot to really like in the film as there are some big problems here. The biggest issue is the central premise of the film in that there's no adequate explanation for the lantern festival to be the big comeuppance in their rivalry. Why he needs to commission a lantern to appear at the festival in order to get the last-laugh at him makes no sense, nor is there anything given as to what's going to happen if the true creator of the lantern is revealed. Being that this is the main driving point of the film as for why he and his rival put their differences aside to make the lantern for the festival, not making this piece make sense is all the more troubling. Likewise, the fact that the investigation should've lead the guards right to him without much difficulty speaks to a haphazard investigation method simply to keep the movie going. These elements do manage to bring the film down.

Rated Unrated/R: Extreme Graphic Violence, Language and Brief Nudity.

Hammer horror meets wuxia. It makes about as much sense tonally as it sounds. Storywise, it's a barely coherent morality play about pride and greed that comes across like an excuse to string together some swordplay, some reasonably nasty flaying scenes, and very pretty setpieces. It is a great looking movie, I have to admit--the use of lighting is otherworldly. Sun Chung was easily one of the best directors Shaw Bros ever had, but when he wasn't doing cookie cutter martial arts stuff, he was seriously wasted on misguided crap (let's face it) like this.

There's something really "off" about how simultaneously Asian and European this movie feels. My instincts tell me it's not supposed to exist. Dramatically it never really takes off, but it's interesting enough in the context of "what were they thinking?" curio.

Chung Sun, who directed, amongst many other films, the superb "The Sexy Killer" (see review), is unable to make the elements gel in "Human Lanterns" aka "Human Skin Lanterns". Personally, I have always loved the idea of using human skin to make lanterns, so this film was an eagerly awaited one by me. Unfortunately, there's too little skinning and too much martial arts in this. In fact, the skinning scenes (there are two), while well done, feel like they belong in a different movie altogether. This is a strange effort to make a martial arts fantasy and cross it with a Hammer-style horror plot. It doesn't work. That said, "Human Lanterns" is still a sumptuously photographed and designed period piece. The Shaw's certainly spent big on its sets, cast and special effects. It's a shame they didn't focus more on the horror promised in the title. Disappointing horror. Satisfactory period-fu epic.