Papai Noel é Um Picareta

This cult play has become a cult movie in the 80s. If you are not French ... beware! ... the dialogues are falsely simple and you will probably remain indifferent wich such a French masterpiece. Otherwise, it's total happiness with divine dialogues carried by almost-mythical characters.

Here is a brief overview of the incalculable number of legendary replicas: C'est c'laaaaa oui. Roulé sous les aisselles. Ça dépend, ça dépasse. Félix, Joyeux Noël Félix! Nous habitions des gîtes infâmes quai Branly. Vous êtes myopes des yeux, myopes du coeur et myopes du cul. Thérèse n'est pas moche, elle n'a pas un physique facile, c'est différent. C'est fin, c'est très fin, ça se mange sans faim.

A French jewel!

This is one of these films in your country that for some reason, somehow, has transformed into a national treasure. People will immediately dislike you and frown at you when you recall how you don't think it's a good film. They'll immediately think there's something wrong with you, when really the film isn't even that defensible, it's not like the film is amazing on any level or anything, it's just a crowd favorite. Objectively, this comedy is well enough constructed in that it allows for wacky scenarios to take place and go berserk from there, all sorts of strange happenings in subplots that eventually connect. The gags are those of a prude society of the time (early 80's) liberating itself with silly, stuck-up eruptions of vulgarity whether verbally or through act. It isn't really funny, most of the comedy here being cheap sex-oriented, taboo type humor. It's barely entertaining at all to watch now, moving back from it in the later decades, but at one point this was the absolute blast of absolute blasts, and it's hard to even imagine this is the same Jean-Marie Poiré who, a decade later, would go on to write the mythical, legendary "Les Visiteurs", for this reviewer, the single greatest french film of all-time.

This is the kind of movie you don't mind watching over and over again because its script is so rich, so full of wonderful dialogue and genuinely funny situations, that one view isn't enough to absorb everything. Ultimately, this is a film about the spirit of Christmas in the modern times. We live stressed and frantic lives, so why would Christmas Eve be different form a regular day? That's sort of the premise of this movie.

LE PÈRE NOEL EST UNE ORDURE is a black comedy, a very dark one, full of odd characters and bizarre situations. Themes like homosexuality, suicide and murder aren't left behind and spice up this crazy, passionate, comedy set on Christmas Eve.

The performances are plain terrific, with no exception. The characters are wonderfully defined and the dialogue is delicious. It's impossible not to laugh. a lot! After a relatively calm beginning, the wacky situations start to pile up in a frenzy rhythm. Being a huge fan of black comedies myself, I prefer a more subtle approach to the themes. The humor here is sometimes histrionic, theatrical and over-the-top. That can be easily accepted because the movie is adapted from a stage play and, in the end, it works in perfection.

you can realize that this movie is great just looking at this title. How a christmas night can become the most hilarious movie in French History. Written and played by the friends of the "Splendid" before they split and make other less funny flicks, le pere Noel is a trash look at surrealistic characters who are going to live the most incredible christmas day of their life in the office of "SOS détresses amitié", a phone service in charge to help people feel better . The american remake "mixed nuts" is a shame, that's why, if you haven't see this masterpiece yet, try to get it by all means (legally).

I must have seen this film about 100 times : Le Père Noël... is probably the most famous french comedy ever done, at least in France, far, far more famous and cult than the recent "Le diner De cons" (which is not cult at all, plain funny and that's it). Le Père Noël wasn't a real hit when it got released (it was in fact the movie version of the same-titled play), but it gradually became THE reference in cult comedy amongst french teenagers. I don't even see what the equivalent could be in the States. Anyway : each and every line of this film is sheer fun delight, total trashy-meets-uptight-meets gory-meets-nonsensical humor. Obviously untranslatable and mainly based upon the very subtle depiction of each character, most of the specific expressions of the film are now part of everyday language. It's not even a must-see for every french movie-goer since everyone has seen it at least once in his life. For those who don't cringe at french humor (nothing scatological here), this is an absolute topper in fun. Highly recommended.