Prime Suspect

8 for good to great It does have some very annoying characters like the cop and news anchor but Farrell, Garr, Cartwright et al make up for them and keep this interesting. Good.

Some big names in this one... mike farrell, and who doesn't love teri garr?? Amy mccleary is a news reporter in santa luisa. When a girl scout disappears, the last known person to see her is businessman frank staplin, who bought cookies from her. So now his family's home life gets turned upside down and the cops don't seem to be looking for anyone else. The press is now focused on him as well. Keep an eye out for barry corbin; he turns up in quirky films now and then. Here, he's officer austin. Also notice smarmy officer mendoza, played by ron joseph... who happened to appear in two episodes of northern exposure! Which starred... barry corbin. Such a tiny world. Nan martin was mrs. Louder on drew carey. This story feels a bit sensationalist, but i'm sure all this horror could and has happened to many people over the years, when the cops or the press focus on one person, and stop searching. Some similarities to "the wrong man" from 1956. Henry fonda. Directed by noel black. Has directed a mix of television and film. Was nominated for best short film in 1966.

This film was recently re-shown on TV; its'interesting that by just looking at the clothes and hairstyles a viewer can get a reasonable guesstimate of the date the film was made....I was proud to discover my guess of 1980 was not far off the mark!! However I digress....this is an excellent film with a brilliant performance by the lead actor....this movie attempts to portray the effect on a person and his family when accused of a hideous crime and how the media,the public and his work colleagues and neighbours react to it. It is also an inspirational film and a lesson for many on the "victims" response to such a serious 'accusation'.... From start to finish this film seems to be wholly realistic and credible...the writer/director/producers ought to be congratulated....those who make films nowadays ought to learn that it is possible to make a compelling drama based on actuality without resorting to ludicrous unrealistic plots....

8 for good to great It does have some very annoying characters like the bureaucratic cynical cop and ratings hungry news anchor but Farrell, Garr, Cartwright et al make up for them and keep this interesting.

A most common phylum within the Theatre of Paranoia cinema genre revolves about innocent men who are in the wrong place at the wrong time, causing diligent law enforcement agencies to pay close notice of them, thus radically changing the smooth tenor of their lives, with perhaps the most renowned example being THE WRONG MAN by Hitchcock; this film, produced for television, is one of the best of the lot, thanks to the contributions of a fine cast and above standard production characteristics. In an imaginary small southern California city of Santa Luisa, four young girls have been abducted and murdered over a period of several years, with no suspect having been identified until a chain of circumstantial events, in combination with a vague witness description, casts suspicion upon respectable family man and local business executive Frank Staplin (Mike Farrell) who had purchased Girl Scout cookies from the recent victim, he being the last person observed with the child while she was alive. Frank has come to the attention of the Santa Luisa Police Department due to his act as a good citizen of reporting to detectives that he had purchased the cookies, believing by his statement that the physical location of the victim when last seen could be utilized as valuable data, but the investigators soon find cause and opportunity to concentrate their efforts upon the unfortunate Samaritan. His personal life now dramatically altered by being a homicide suspect, Frank, along with his bewildered wife and child are most deeply distressed by rabid media attention to them, primarily from a local television station's news division that fosters the customary streamlined journalistic mode concerning the notorious serial murder case, although telecaster Amy McCleary (Teri Garr) feels contrition as she becomes more knowledgeable of the Staplin family's fresh misery, and she attempts to actively aid the falsely accused man as he sets about proving that he is free from guilt. The work is scripted well with naturalistic dialogue, but there are some obvious problems with continuity, such as when the latest victim, lured by the anonymous killer, is seen entering a vehicle that is a close match of that driven by Staplin, this scene and the automobile connection therewith dropped during ragged post-production editing, and the role of Amy is erratically handled, apparently because the character's significance is being shifted during filming. Nonetheless, even with these shortcomings, and an obtrusively cookie cutter score, the film generates interest in a viewer from the start, with the direction, cinematography and design all being top-flight notwithstanding a small budget, and there is an abundance of solid playing throughout, notably by the versatile Farrell and Garr, with Lane Smith and Barry Corbin impressive as zealous supervisory police personnel, the acting laurels earned here by Veronica Cartright as Staplin's wife, as she is affecting in each of her scenes despite a lack of retakes.