Poltergeist: O Fenômeno

Imagine the archetypal middle class family - mum, dad and three kids - all muddling along nicely in their home next to a graveyard, until things really do start going bump in the night! Doors, chairs and drawers start having minds of their own; the lights come on when it suits them, not you... Well initially, the "Freeling" family think this is just a bit of a giggle - that is until their daughter "Carol Anne" (Heather O'Rourke) disappears and when the paranormal investigators discover she is in an other dimension, only able to communicate via the white noise of the television screen, the battle is truly on to retrieve her from her truly malevolent captors. Zelda Rubinstein is super as the medium "Tangina" and Tone Hooper really does manage to use her character, and that of the little girl - as well as some pretty eery light works to create a suspenseful couple of hours that have you on the edge of the chair. Not, I have to say, because I particularly wanted the child back - I'm a bit with Ian Fleming on that front; but because these evil spirits could easily subsume the whole of humanity! Chilling stuff!

Sometimes to judge a film fairly you really need to consider the time at which it was made and what film-making technology existed at that time. This was the first big budget film to really tackle the subject of paranormal investigation, and at the time it was made it was seamless and sleek. It would be easy for people today to put it down for some of the early 1980's effects, but let's flip this perspective around and consider that no CGI what-so-ever was used. But at the same time, "Poltergeist" has a strangely family-friendly vibe. It was directed by Tobe Hooper, but it has the unmistakable fingerprints of producer/writer Steven Spielberg all over it. It focuses on an ordinary, harmless suburban family living their usual lives (their biggest problem is the death of a pet bird), which is suddenly thrown into chaos by outside forces. And unlike most horror movies, there isn't even a lot of violence... well, except for one grotesque hallucination.

Don't expect the usual gore and typical shocks you see in all modern horror films these days, Poltergeist is not about that. With all of the elements of visual effects, sound, acting, directing (Tobe Hooper) and writers (Steven Spielberg) this is one film that achieves everything you want to see in a motion picture. Anyway, Jo Beth Williams and Craig T. Nelson are great in this film. They have real chemistry. You believe they love each other and are a team. The kids are pretty great, too. It's actually quite a thoughtful movie and even has an odd warmth to it. Though there are a few scary moments. The final fifteen minutes are played out to such effect, that one could call it pure horror.

Overall rating: 7 out of 10.

In 1982, Steven Spielberg pulled off an incredible feat. In June of that year, Spielberg released two films only weeks apart that were both highly successful yet diversely different in both subject matter and their target audiences. One went on to become the highest grossing film of all-time (E.T.), the other spawned a franchise (Poltergeist).

Poltergeist had a screen credit of being directed by Tobe Hooper (The Texas Chainsaw Massacre), but history has revealed that it was Spielberg's vision, editing and overall command of the shooting that was really behind the making of this extraordinary film. Poltergeist brought back the traditional haunted house genre that lay dormant and restless since The Amityville Horror in 1979. The story surrounds a family's house that has been punctured by the spirit world that seem keen on the youngest daughter of the clan – Carol Ann Freeling, played by newcomer Heather O'Rourke. At first, the family meets the strange happenings in the home with playful pleasure, but in an instant the poltergeists intentions turn against the Freelings, and their daughter is captured and taken back to the supernatural world where communication is possible only through the bedroom television.

The Freelings waste little time and soon contact a paranormal group, well over their heads, to help them rescue their daughter from the unseen captures. It becomes clearly evident however, that the group is over matched, and they call in a poltergeist expert, Tangina Barrons (played with relative enthusiasm and wit by Zelda Rubinstein) to assist with the phenomena. Tangina then leads the Freelings through the unknown, both calming their fears and eventually finding a portal that may be the key to retrieving their daughter.

Poltergeist works as both a horror and a thriller. The cast, lead by O'Rourke, Jo-Beth Williams, Craig T. Nelson and Oliver Robins have real chemistry and are believable as a family unit, and unlike most horror films, they make sound judgments and know their limitations. When Carol Ann's bedroom becomes overtaken by the ghostly spirits, they lock the room and keep away rather than trying to fight something they cannot contain. And when things begin to look bleak, they call for help and look for experts in the field. This is an intelligent horror that doesn't have people running up the stairs when they should be running out the door.

Put together with a modest budget of less than $12 million, Poltergeist stretched it's dollars to provide us with an incredible array of special effects that still hold up well after 20 years of viewing. Sure, the scene where a scientist literally pulls his face off or when the bedroom is opened and we see items flying at random as if in a ghostly tornado, might be better served with CGI if made today, the effects still keep the story progressing with a sense of credibility.

Probably what keeps things so rooted in acceptability is how simplistic some of the special effects were in the larger scenes. A closet full of strobe lights are all that is required to convince us that it is a portal to another world and a fan gently blowing the hair of mother Williams' is believable as the spirit of her child flying past her. Simple plausible.

Whatever the reasons, Poltergeist works. One of the few screenplays written by Spielberg from one of his own stories, Poltergeist has all the elements that we now associate with the master director. There is a strong family unit, a child as the central character, above average production values and most notably, not one fatality in the entire film despite all the jilts and jolts. The closing scenes of chaos including a pool of skeletons (later revealed to be authentic), is pure movie magic with frantic pacing and edge of your seat suspense.

Since it's release, a lot has been made of the back stories and the curse surrounding the production of the franchise. Heather O'Rourke tragically died at a young age due to an internal infection and Dominique Dunne (who played a smaller role as her sister) was murdered the same year as the films release. The subsequent sequels have also included characters that died shortly after their films completion. Truth or fiction, lore or legend, these stories add to the mystique and mystery surrounding the film. Having knowledge of the ‘curse' makes it even scarier and gives it kind of a feeling like Naomi Watts' character must have experienced in The Ring, as if just by watching, you are contributing to the ongoing haunting.

Like most movies successful in the late 70's early 80's, there were sequels that were made with considerably higher budgets but less than stellar results (Superman III anyone?). Neither of the Poltergeist sequels or subsequent television programming could come close to capturing the essence of the original. Besides, how can you top what is now one of the most famous movie tag-lines of all time `They'rrreeee Here'?

Strong recommendation.

This movie has been one of my all time favorites for more than ten years. Like many other people in the '80s, the first time I saw this movie it scared the hell out of me.

I compliment on the fact that there is no bloodspilling or graphic violence or even a single killing in the movie to make this movie sensationally scary. It relies on those trendy '80s special effects to make the movie truly frightening.

I still think this movie is scary, because I have always found supernatural forces and things that are out of the ordinary in this world to be more frightening than some idiotic blond woman being chased by an ax-wielding maniac. The script is so well written, the acting heartfelt and wonderful, and the direction and production techniques are top-notch. I have never seen horror movies embody all those elements since "The Exorcist."

For those of you who have not seen this movie, SEE IT! It may not scare you like today's modern horror flicks, but it will sure entertain and enlighten you. Has a horror movie ever done that????????????

I've read several reviews of Poltergeist and most people (including Siskel & Ebert)don't seem to have seen the same film as i did! All the criticism surrounding the storyline as how ridiculous and unbelievable it is. Well it's a ghost story, although i've always felt it was closer to a modern day fable in which the parents have to prove their love for their daughter going so far as to having to go to another dimension to retrieve her (well, the mother does that). People keep saying that the ghosts are in the TV and that Carol Anne was sucked into the TV, for Christ's sake, have these people actually watched the film? Another thing is that some critics complain that after the film was over they still didn't get what the spirits wanted and why they targeted the little girl. What about the sequence between Steve Freeling and his boss and the monologue delivered by Tangina where she EXPLAINS what is going on?! Sure, the film is not perfect, there's that infamous edit jump, too much cutesy with the burial of the bird and the lack of complaint from the neighbours about the thundering, thumping, screaming sounds that go on in the house, but it is a fable people! The acting is great, we really care about the characters, and because of some great dramatic sequences with Diane Freeling (brilliantly portrayed by JoBeth Williams)we realize that (SURPRISE!) the film isn't so much about the ghosts and (iconic) special effects, as it is about the drama of parents thrown into a supernatural situation they never saw coming and having to bring their daughter, that they hear THROUGH the TV (she's NOT IN the TV), back into our world. The action sequences are greatly imaginative and entertaining, Jerry Goldsmith's score is his best, being horrific, tense, spectral, childlike and such a masterpiece. I do love this film and wish that people would actually see it instead of making erroneous assumptions about it.