AVALIAÇÃO DA IMDb
5,7/10
514
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaThe twisted tale of Caleb, and his alter ego Lester. After being pushed around too far, Caleb transforms into Lester and returns to those who have wronged him.The twisted tale of Caleb, and his alter ego Lester. After being pushed around too far, Caleb transforms into Lester and returns to those who have wronged him.The twisted tale of Caleb, and his alter ego Lester. After being pushed around too far, Caleb transforms into Lester and returns to those who have wronged him.
- Direção
- Roteiristas
- Artistas
James Lemp
- Caleb
- (as Erik Stern)
- …
Richard Kennedy
- Don
- (as Edward Roehm)
John Parker
- Minister
- (as John Stoglin)
Marcus 'Roo' Flower
- Little Lester
- (as Marcus Flower)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I've seen this movie many times, and I still like to watch it. This movie is beyond bad. I love it.
The plot is a sad mutation of a very very popular thriller. The acting is so bad at times The "action" in this movie is awesome. The "Love Butcher" kills all of his victims (all female, of course) with garden implements. Accomplishing this modus operandi could take quite a bit of doing, particularly if the urge to murder comes while indoors. This is not a problem for our killer, though. In his world, people keep hoes and rakes near the fireplace.
There are some great lines, atrocious dub-ins, and druken edits. Add to this a deliciously lame disco-era feel, and you've got a winner.
If you're a connesieur of bad films, you have to see this one.
The plot is a sad mutation of a very very popular thriller. The acting is so bad at times The "action" in this movie is awesome. The "Love Butcher" kills all of his victims (all female, of course) with garden implements. Accomplishing this modus operandi could take quite a bit of doing, particularly if the urge to murder comes while indoors. This is not a problem for our killer, though. In his world, people keep hoes and rakes near the fireplace.
There are some great lines, atrocious dub-ins, and druken edits. Add to this a deliciously lame disco-era feel, and you've got a winner.
If you're a connesieur of bad films, you have to see this one.
From Mirror Releasing, the same outfit which unleashed the soul-corrupting masterpiece SCHOOLGIRLS IN CHAINS, comes this crude little enterprise about a docile gimp yard-worker and his strapping, confident "brother", who is, in actuality, his physically transposed alter ego. It should be no big surprise that the meek, challenged persona is frequently a defenseless pigeon for heartless cruelty and degradation, and that the studly alpha-male persona emerges as his bloody avenger.
Raunchy little killer-thriller obviously culls its gist from the cinema realm of PSYCHO, HORROR HIGH, and similar titles dealing with the psychogram of Jeckyll/Hyde duplexity. It's a patently rollback production, and it shows, but that shabby quality only enhances the film's old-school sleazy goodness. THE LOVE BUTCHER is miles away from "classic" and it probably shouldn't be labeled "high priority" on your watchlist...it's a decent enough little side-order, all the same, a quickie-sickie which more-less delivers, up to its ears in glorious grindhouse lubricity. 5.5/10
Raunchy little killer-thriller obviously culls its gist from the cinema realm of PSYCHO, HORROR HIGH, and similar titles dealing with the psychogram of Jeckyll/Hyde duplexity. It's a patently rollback production, and it shows, but that shabby quality only enhances the film's old-school sleazy goodness. THE LOVE BUTCHER is miles away from "classic" and it probably shouldn't be labeled "high priority" on your watchlist...it's a decent enough little side-order, all the same, a quickie-sickie which more-less delivers, up to its ears in glorious grindhouse lubricity. 5.5/10
The Love Butcher is undoubtedly a piece of trash, but it's a hell of a lot better than a lot of the trash released in the seventies and anyone who enjoys this sort of movie will definitely enjoy this one! The film takes obvious influence from the king of all psycho movies - that being Alfred Hitchcock's 1960 masterpiece - and could be pigeon-holed in somewhere between the slasher and exploitation genres. Whether or not the film was intended to be humorous is unclear - but the film certainly is very funny in places and director Donald M. Jones has also managed to pack the film with plenty of gore and kill scenes, which is what anyone tuning into this film will want to see. The plot focuses on Caleb; a deformed gardener. Because of his deformity, Caleb is often pushed around by women; and unfortunately for him, most of his employers happen to be slutty examples of the fairer sex. However, Caleb is also Lester; his womanising alter-ego. Lester is a 'ladies man', but also a murderer; and after charming the woman with his good looks, he kills them.
The film is lead by an excellent dual performance from Erik Stern. Of course, the performance is a bit on the silly side; but that fits in with the nature of the film and he plays both of the wildly different sides of his character very well and the scenes between 'them' actually have quite a haunting edge to them. It's clear that the film was made on a low budget and as such it all feels very cheap. However, while it's obvious that the kill scenes etc are fake; the low budget gives the film some real charm and the filmmakers get round this restraint excellently. The plot plays out well although it does feel like ideas are lacking somewhat as the first few kills are mainly just the same thing repeated with a different woman. However, it's done well and the way that the alter-ego charms his victims works well. Aside from the central plot, we also get a police investigation running throughout and this is fairly interesting even though we know who the killer is from the outset. The way that the police discover his identity is a bit suspect; but there is a good resolution to the main plot. Overall, this is a very nice little seventies flick and comes recommended.
The film is lead by an excellent dual performance from Erik Stern. Of course, the performance is a bit on the silly side; but that fits in with the nature of the film and he plays both of the wildly different sides of his character very well and the scenes between 'them' actually have quite a haunting edge to them. It's clear that the film was made on a low budget and as such it all feels very cheap. However, while it's obvious that the kill scenes etc are fake; the low budget gives the film some real charm and the filmmakers get round this restraint excellently. The plot plays out well although it does feel like ideas are lacking somewhat as the first few kills are mainly just the same thing repeated with a different woman. However, it's done well and the way that the alter-ego charms his victims works well. Aside from the central plot, we also get a police investigation running throughout and this is fairly interesting even though we know who the killer is from the outset. The way that the police discover his identity is a bit suspect; but there is a good resolution to the main plot. Overall, this is a very nice little seventies flick and comes recommended.
It was the early nineties and me and my 2 stoner flatmates loved hiring dodgy horror movie at the local video shop. From time to time i would pick up this whilst trying to choose a rental in the store, and sing the title to the tune of "The Love Boat" to my whacked mates - I'd usually get a laugh. One day i showed up at home with this under my arm. We blew a joint and watched in awe/horror/hysterics. The 3 of us all found the last scene quite disturbing. So much so that whilst the the credits rolled, one of my flatmates stood up from his chair, walk to the video player, ejected the tape, placed it under an upturned milk crate in the middle of the living room, and left.
This movie is gold.
This movie is gold.
The Love Butcher - 1975
(This Film Rates a C+ )
The public is upset because there have been six murders and no suspects. There is a lot of anger, yelling and shouting. From there we meet, Caleb who is an odd "crippled gimp" gardener for the snobby. He goes home to an already deceased brother (Lester) who torments and belittles him in a delusional like state. Or is this reality? Seems like Lester is the stud and Caleb is the dud when it comes to women. Lester just can't help but kill them though. Caleb slowly delves into madness and the lines are blurred until the twist ending. It isn't awful. The women in this film are portrayed as dumb and stereotypical as are the police officers. The kills aren't gory but there is some intensity behind the actions. Plus, the drowning by having a garden hose shoved down your throat was fun. The music is pretty bad, the acting is juvenile, and the script is lacking. There are some moments that were meant to be funny that really aren't, for instance, challenging a killer by stating "I can outperform you 10 days in a week". But there is sex and boobs.
Você sabia?
- CuriosidadesRobin Sherwood said in an interview years later that she was hesitant about taking the role when they offered it because of the nudity involved. But producers told her that though she would be nude during filming, they wouldn't show her body onscreen. Being young and naive, she trusted them. Day of shooting, she was terrified when she first stripped off her bikini in front of actor James Lemp and the male crew. It was the first time she'd been nude in front of that many men. She spent all day stark naked in a pool being grabbed by Lemp during her assault scene. She said Lemp was great to work with and tried his best to watch his hands, but during the very physical scene, he couldn't help getting a handful of her breasts at points as she struggled. The pool was bad enough, but at least her body was obscured by water except for the cameraman who shot underwater. But then Lemp had to carry her "unconscious" out of the pool and toward the house. She was totally exposed at that point and her bare butt was facing the director and production crew the entire time so she knew they had a clear view. She said the director had them film that part several times for some reason. Weeks later, when she saw the final film, she was furious because her breasts and butt were visible on screen throughout. She confronted the director who said he decided to show the nudity because it made the scene stronger. Sherwood panicked thinking it would damage her new acting career. She was also a model and just shot a campaign for Levi's. She was afraid they'd fire her. Thankfully, the film wasn't released because it was so bad they couldn't get any distribution. But, producers finally released it in 1982 when Death Wish 2, co-starring Sherwood, was a big hit. Ironically, Sherwood had an extensive nude assault scene in it too. But at that point she didn't care because she had decided to give up acting.
- ConexõesFeatured in The Hunt for the House on Cuckoo Lane (2011)
- Trilhas sonorasCircle of Love
Written and Sung by Don Great
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- How long is The Love Butcher?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- The Love Butcher
- Locações de filme
- 605 S Hudson Ave, Los Angeles, Califórnia, EUA(Sheila's house)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
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By what name was Amor Assassino (1975) officially released in India in English?
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