Um olhar ultrajante e afetuoso sobre a passagem da infância para a vida adulta no Brooklyn da era Eisenhower.Um olhar ultrajante e afetuoso sobre a passagem da infância para a vida adulta no Brooklyn da era Eisenhower.Um olhar ultrajante e afetuoso sobre a passagem da infância para a vida adulta no Brooklyn da era Eisenhower.
- Vinnie
- (narração)
- Crazy Shapiro
- (narração)
- Eva
- (narração)
- Rozzie
- (narração)
- (as Tina Bowman)
- Stomper
- (narração)
- Stomper
- (narração)
- Stomper
- (narração)
- Waitress
- (narração)
- Chaplin
- (narração)
- Yonkel
- (narração)
- Alice
- (narração)
- Max
- (narração)
- Stomper
- (narração)
- Stomper
- (narração)
- Stomper
- (narração)
- Chaplin
- (narração)
- (as Philip M. Thomas)
- Old Vinnie
- (narração)
- Solly
- (narração)
Avaliações em destaque
The first is that the script and some of the artwork were created in the mid-70's, right after STREETS came out and where Bashki was to originally combine animated and live-action characters... leaving only a few genuine locations, from a dingy poolhall to Coney Island...
But the main similarity to the Scorsese proto-mob classic is that Richard Romanus and David Proval, who played Michael and Tony, voice the main characters Vinnie... a suave, bragging lady's man... and his psychotic sidekick Crazy, resembling a circus clown on acid...
While the visual animation is terrifically bright yet urban gritty... combining the director's COONSKIN and HEAVY TRAFFIC... it simply doesn't feel like a throwback to the 1950's, where the flashbacked story takes place...
Instead centering more on the two buddies basically just hanging around, mostly with two girls, while the violent gang aspect is less than peripheral (attempting traits from THE WARRIORS to THE WANDERERS)... and a musical singing-group side-story feels out of place...
So overall, Ralph Bashki's HEY GOOD LOOKIN' would have probably worked better as an animated short since... while there's plenty of noisy action... not much literal ground's really covered.
And it may be Bakshi's best.
This was like "Heavy Traffic" but two decades earlier. Take away the 70's lingo and bring in the greasers. Ralph seems to be exorcising a rough past with his father here. Not for the first time either.
The best part of this film is the wrecking of the 50's myth. It wasn't all great economy and capitalism. The poor existed. Gangs ran rampant. And the races were at odds. This film points that out. And points again...
The autobiographical angle shows too. Both this and "Traffic" have the struggling artist character getting heat from all around him.
This was like a JD flick but VERY serious. Getting lost in that shuffle was the worst thing that could happen to it.
Go see it.
The animation and tone of the film is very dirty, like most 70s/80s adult animated films so that's to be expected. But this really works on the darker aspects of the grease style film. There are many aspects of Italian/black gang life strewn in an the characters that would be associated and I really think it pulled together a lot of the 50s new york scene in an intersecting way
I personally think it does a great job at romanticizing and vilifying the era.
Você sabia?
- CuriosidadesLive-action footage was shot as part of Ralph Bakshi's original vision to have the film be a combination of live-action and animated characters (like Uma Cilada para Roger Rabbit (1988)). The only animated characters were Vinnie, Rozzi, Crazy, and Eva. The rest of the cast were live action characters shot on live action sets. This version was finished in the late 1970s. When it was initially shown to Warner Brothers executives, they told Bakshi that they loved it. A week later, they told Bakshi that the idea of having live-action and animated characters in the same frame would never work, as it was too unbelievable. Warner executives also referenced the controversy from Bakshi's film "Coonskin" (1975). He was forced to throw out all the live action footage and reanimate it. Bakshi, having to pay himself, took five more years to complete it around other projects before its official release in 1982.
- Erros de gravaçãoAt 52m 44s (on the DVD) Rozzie's left breast's nipple & areola are noticeably out of her shirt; only the areola and nipple are her base skin color instead. Just a few seconds earlier, she had completely tucked her chest into her shirt.
- Citações
Crazy Shapiro: Well, sometimes I wanna draw a picture of it.
Vinnie: A picture? Hey, Hey.. Norman Rockwell, draw me a picture here. Come on, come on. Draw me a picture.
Crazy Shapiro: I can't draw. It's just, like, I "feel like it" sometimes.
Vinnie: Hey listen to me, will ya? There's two-million faggots in Greenwich Village that "feel like it?" You know what I mean? You wanna be two-million and one, huh?
Crazy Shapiro: Your mother!
- ConexõesReferenced in Traição Fatal (1994)
Principais escolhas
- How long is Hey Good Lookin'?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Эй, хорошо выглядишь
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 16 min(76 min)
- Mixagem de som