Operação Yakuza

The Yakuza introduced we occidentals to the term the Japanese use for their various crime families. Probably after the wide acceptance of both the Godfather films, the American public was ready to see what organized crime looked like in another culture.

La Cosa Nostra, the Mafia, all those phrases we use for Italian organized crime certainly had their rituals and traditions. But as we learn in watching this film they have nothing on the Yakuza.

Robert Mitchum plays a private detective who works both sides of the law back in the states and he's hired by crime boss Brian Keith to rescue his daughter who was kidnapped by one of the Yakuza crime families in lieu of a shipment of weapons Keith was supposed to deliver. Coming along with him is young Richard Jordan whose father was a friend of both Mitchum and Keith as backup.

The mission is accomplished, but Mitchum and Jordan find the situation is a whole lot more complex than they were led to believe. In addition Mitchum gets involved with an old girl friend from the days when he was a military policeman during the postwar American occupation. She's the key to getting help from a former Yakuza member in their quest.

The American actors perform well here and oriental players James Shigeta and Japanese film star Takakura Ken are well cast as feuding Yakuza brothers. You will not question why Takakura Ken is known as the Japanese Clint Eastwood after seeing The Yakuza.

Director Sydney Pollack shows a real reverence and respect for the traditions of another culture. The Yakuza is both entertaining and informative and should not be missed.

I stumbled across this movie, back when I was in college, on late night television. At the time, I wasn't a Robert Mitchum fan. I always thought Mitchum had a way of sauntering through film roles, not always giving his best. The Yakuza, made when Mitchum was 58 years old, utilizes his style and persona to its maximum potential. He's world-weary, he's been through the mill and he's come out wiser, but not necessarily harder for it.

Written by Paul Schrader and Robert Towne, The Yakuza shows us a different side of the Gangster world than we have been privy to before. This is not a movie of good vs. bad; it's a movie about loyalty and honor to friends and family. We follow Mitchum as Harry Kilmer on a mission to save a friends daughter. For most movies made these days, that premise would be enough, but The Yakuza is deeply layered and far more interesting than that. It turns out that Harry had been in Japan after WWII and had fallen in love with a beautiful woman, Eiko. 30 years later Harry is back in Japan, much has changed, but his feelings haven't.

Harry teams up with Ken Tanaka, Eiko's brother, to find the kidnapped girl. Samurai swords slash and guns blaze, adding intense, well-choreographed action as the plot thickens and Harry realizes that this is no ordinary rescue. We learn a lot about the characters in the movie, from Harry and Eiko to Ken Tanaka and Harry's buddy George, but more than that we learn about Japan and its infamous and historic gangster world. This is a classic movie in every sense of the word and should be viewed as such. And if you're not a fan of Robert Mitchum before seeing this movie, you will be afterwards.

Superb East-meets-West movie, I suspect largely due to Schrader's insight. Takakura Ken's performance really steals the show, though all actors are more than capable; Mitchum gives a great performance again. Not a martial arts movie, but contains a katana showdown that I can watch over and over again without finding fault [more believable than anything you'll see in 'Kill Bill'].

The story is gorgeously convoluted, keeping it's secrets to the very end, in a fitting Japanese manner. Action scenes are relatively restrained, and the story tells how Mitchum's character finally comes to understand Takakura Ken's character, and his apparently icy antagonism. When can we see a DVD copy?!

I have to agree with the preponderance of viewers here who rate this as a neglected classic of the 70's. All aspects of the film - performances, script, and direction - raise this to the level of greatness. This is certainly among Mitchum's greatest performances - his subdued, world-weary toughness undergirds the movie. The story as has been noted, is a rich and multilayered one with a sadness that aspires to and quite nearly reaches the level of tragedy. It also must be noted that this is one of the most effective portrayals of Japanese culture on celluloid. The movie does not shrink from violence; the various scenes of assassination and slaughter could have been done by Peckinpah. The movie deserves a restoration and should be brought to tv in letterbox mode. (Are you listening, Turner Classic Movies?)

This is just so good I can't believe that not only had I not seen it but not even heard of it. Screenplay by Paul Schrader (and his brother) just before he did Taxi Driver should have drawn attention but then maybe the Scorsese film took all the attention. Sydney Pollack's direction is assured and he gets great performances from everyone, but I reckon it is the script thats the thing. Moreover it is the only US film I have ever seen that seems to have the vaguest notion of Japan and it culture. So much of this rings true that it tingles with the excitement. The 70s streets of Tokyo and Kyoto are something to behold and the believable interaction between the main characters quite fabulous. There is bloody action here but for a film with such a title nothing like as much as expected, and all the better for it. Love, memory, betrayal, loyalty and repayment of debts both financial and emotional are all here - oh and Robert Mitchum and ken Takakura are great.