Três Dias do Condor

Sidney Pollack is a great admirer of Alfred Hitchcock, which he also proved with "The Interpreter". Apparently he loves suspenseful thrillers and I sure hope for him that his movies will age as well as those that Hitchcock made. And I guess they do. Even though it was made thirty years ago, "Three Days of the Condor" still hasn't lost any of its power. Sure, you could call it a typical product of the seventies, but even today this movie feels up-to-date and believable.

Turner works for the American Literary Historical Society, or at least so it seems. In reality he is a CIA researcher, with the code name Condor, who gets paid to read books, in which he has to find possible scenarios that could be used in intelligence work. When he returns to his office after he went out to get lunch, he finds all his colleagues dead and he doesn't know who shot them. He immediately calls a superior who sends his section chief to get him out of there. But when the man arrives, he immediately opens fire on Turner. In an act of pure desperation - he no longer knows who he can trust - Turner kidnaps a woman he has never seen before and forces her to hide him. He will stay in her house until he can find out what exactly is going on. But even there he isn't save. He is discovered and attacked in the woman's house, but is able to kill the man. Now he knows one thing for sure: the man too had a connection to the CIA, which means that someone in the CIA must be behind all this...

I guess the best thing about this movie is the fact that it doesn't give away all its information at once. At first Turner appears to be an ordinary guy who arrives late for work. Nothing special there. But because he gradually builds up tension by slightly releasing more information, the writer knows how to keep you focused and interested. I guess the best way to describe this movie is calling it a classic spy thriller without James Bond-like locations or bad guys and and no super hero who can beat all the bad guys with a blink of an eye. No, this is a normal man who was at the wrong place at the wrong time and who now has to face an unusual and life threatening situation. I guess that's where this movie gets its strength: you can easily identify with him, even though he is a spy.

And yes, the whole concept of the movie is very seventies: the paranoia towards the government, the insecurity of not knowing who your enemies or your friends are... all give it that typical feeling. but even today this movie hasn't lost any of its power or relevance. All in all this is a very good and stylish thriller that offers plenty of tension and some very nice acting. Especially Robert Redford and Faye Dunaway were very nice to watch, but the other actors did a fine job too. Thanks to the combination of the acting, a good story and some nice camera-work, Pollack has created a movie Hitchcock might have been proud of if he had done it. That's why I give this movie a 7.5/10.

Great film -Robert Redford has a way of drawing in the audience and Faye Dunaway is more vulnerable than ever, her best role since Thomas Crown. No vulgarity in the love scene just a great sensuality. Both stars have shown an outstanding performance ! Top-notch screenplay - 70's films are definitely the best ones in terms of storytelling and screenplays. Sidney Pollack does also a great job as a director and delivers an efficient thriller that you can watch over and over again.I agree with some reviewers who think that it is one of the Redford's best. The supporting cast is also excellent. Maybe the directors nowadays should watch more often 70's films to be more inspired.

Towards the end of this film - two of the main protagonists engage in a conversation that is so telling - it could have been written yesterday and not thirty years ago.

The West has long looked to the east and its oil fields as potential targets and this film just reinforces the fact that what we think of as a new war has in fact been a raging cold war for decades. It is not and never has been about freedom –it is now and always has been a war of economic necessity. Although this film is not as renowned as many of the other paranoid spy thrillers of the 70's such as the Conversation or the Parallax View it is still a very watchable and intriguing film.

Redford is well cast as a fish out of water having to adapt his talents from the page to real life. The central relationship between Dunaway and Redford doesn't work as well as it should. She is too keen to fall for his charms and were it not Redford but a more charmless man like Hackman for example I doubt it would have worked at all.

The film is not as complex as has suggested. It is neat and easy enough to follow. It has a beguiling character that is better for my money than harder hitting films like Parallax. Redfords fight in the middle of the film is copied in a many ways by the new Bourne movie fight scenes. Indeed the double talk spy will appeal to fans of this genre. Bourne today is the nearest thing to Condor in the movies.

And Von Sydow is as always untouchable. Worth a remake but I still have a very dear place in my big movie heart for well made 70s films like this.

This film was very effective in maintaining the tension not only of the Condor's life and death mission to discover the reasons for the massacre of his colleagues but also the relationship between him and Kathy. The cast is uniformly good though Redford obviously carries the film. Von Sydow is again great as the strictly professional assassin. The entire film had an aura of authenticity that had me entirely engrossed. Recommended, 8/10.

I'm sure that Robert Redford thought he had the greatest job in the world in Three Days Of The Condor. He's a reader for the Central Intelligence Agency. His job along with several other associates is to read various books, fiction and non-fiction, in a comfortable old Upper East Side of New York brownstone and glean ideas for the agency.

Except that one fine day an innocuous report gets turned in from his brownstone that panics someone in a high place. A hit team is sent out and Redford by dint of going out for lunch orders through a back entrance misses a massacre. After he calls it in and then escapes another murder attempt in which a friend in the agency is killed, he doesn't know who to trust.

Three Days Of The Condor is a finely tuned spy thriller which will keep you guessing right up to the end. You will be inside Robert Redford's head totally, you won't know what to believe either. Eventually the only one he does trust is a woman whom he forces at gunpoint to help him escape. The woman is Faye Dunaway who goes Stockholm and enlists in helping Redford try and sort things out.

Redford proves to be quite resourceful even winning the admiration of Max Von Sydow, the contract killer hired to get him. After all he's not a field agent, but as Von Sydow points out, 'he does read'.

Sydney Pollack kept things going at a Hitchcock like level of tension with great performances from his cast. That would also include Cliff Robertson as the CIA station chief whose motives are mixed to say the least.

If your taste tends to espionage thrillers, don't miss Three Days Of The Condor.