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IMDbPro

A Viagem dos Comediantes

Título original: O thiasos
  • 1975
  • 3 h 50 min
AVALIAÇÃO DA IMDb
7,8/10
4,6 mil
SUA AVALIAÇÃO
A Viagem dos Comediantes (1975)
DramaHistoryMusicWar

Adicionar um enredo no seu idiomaGreece, 1939-1952: Fascist, Nazi, and Communist conflict, as seen through the eyes of a family of travelling provincial players.Greece, 1939-1952: Fascist, Nazi, and Communist conflict, as seen through the eyes of a family of travelling provincial players.Greece, 1939-1952: Fascist, Nazi, and Communist conflict, as seen through the eyes of a family of travelling provincial players.

  • Direção
    • Theodoros Angelopoulos
  • Roteirista
    • Theodoros Angelopoulos
  • Artistas
    • Eva Kotamanidou
    • Vangelis Kazan
    • Aliki Georgouli
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,8/10
    4,6 mil
    SUA AVALIAÇÃO
    • Direção
      • Theodoros Angelopoulos
    • Roteirista
      • Theodoros Angelopoulos
    • Artistas
      • Eva Kotamanidou
      • Vangelis Kazan
      • Aliki Georgouli
    • 19Avaliações de usuários
    • 20Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 12 vitórias e 2 indicações no total

    Fotos60

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    Elenco principal46

    Editar
    Eva Kotamanidou
    Eva Kotamanidou
    • Electra
    Vangelis Kazan
    Vangelis Kazan
    • Aegisthus
    Aliki Georgouli
    Aliki Georgouli
    • Clytemnestra
    Kiriakos Katrivanos
    Kiriakos Katrivanos
    • Pylades
    Stratos Pahis
    Stratos Pahis
    • Agamemnon
    Nina Papazaphiropoulou
    Nina Papazaphiropoulou
    • Old Woman
    Giannis Fyrios
    Giannis Fyrios
    • Accordionist
    Alekos Boubis
    • Old Man
    Maria Vassiliou
    Maria Vassiliou
    • Chrysothemis
    Grigoris Evangelatos
    Grigoris Evangelatos
    • Poet
    Petros Zarkadis
    Petros Zarkadis
    • Orestes
    Kosta Stiliaris
    Kosta Stiliaris
    • Chites Leader
    Nena Menti
    Nena Menti
    • Communist Singing Girl
    Giorgos Mazis
    Giorgos Mazis
    Costas Messaris
    Costas Messaris
    Stelios Lionakis
    Stelios Lionakis
    Yorgos Kafkas
    Giannis Kafaloukos
    • Direção
      • Theodoros Angelopoulos
    • Roteirista
      • Theodoros Angelopoulos
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários19

    7,84.6K
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    10

    Avaliações em destaque

    10d-apergis

    A rare masterpiece

    O Thiasos is one of those cerebral and omphaloskeptic movies that just do not happen anymore, shamelessly demanding from the viewer to attune to its eccentric pace. Space and time become pawns in the director's hands, who in effect accomplishes their operatic tranquility in contrast to the static directorial style. In rejecting all conventions of academic narrativity it sustains its formulaic enigma throughout its considerable length, persistently (and obsessively) questioning the freedom of man in a world domineered by irreversible occurrences. Boosted equally by grandeur, mystifying symbolism and pictorial lyricism the film comes to its redeeming conclusion. Enchanting, liberating, revolutionary, focused and precise. Both coldly objective and passionately subjective. A rare masterpiece.
    10SpelingError

    A hypnotic masterpiece.

    This is my second time watching this film and it's just as great as I remember it being. In regards to Angelopoulous, the only other film I've seen from him is "Landscape in the Mist", which I also really enjoyed, but I like this one much more. "Landscape in the Mist" is definitely the more accessible of the two films since it has a greater emphasis on characterization, but while I enjoyed that film quite a bit, I prefer this film for its greater focus on its mysterious charm.

    I stopped caring about the story and the characters about half an hour into this film and instead focused on the film's style. Angelopoulos seamlessly blends personal and political history in a number of hypnotic ways in just about every single sequence. And this is accomplished despite the film being almost four hours long! Throughout all the long takes in the film, Angelopoulos managed to drop my jaw a number of times. For one, he found all kinds of creative ways for the various political figures and set pieces to creep into the frame and intrude on or interrupt the characters lives. For example, the film sometimes showed the sounds of a patrol of Nazis or a political march in the distance get louder and louder until the characters eventually entered the frame. Also, sometimes when the characters would exit from the frame of a shot, it would linger in that location for a while until a soldier or a military vehicle would enter the frame, often indicating the film is jumping from past to present. This unconventional shooting style gave a hypnotic style to the film which I found quite mesmerizing and poetic.

    The way violence is shown in this film is also impressive, specifically in regards to which bits are shown onscreen and which are shown offscreen. A recurring aspect to the violence was that, right when a violent bit would start, the characters would run away from the frame and the sounds of gunfire, explosions, or screaming could be heard in the distance, creating a strong sense of claustrophobia and (at times) fear of the unknown in the process. In many other cases, the violence served to prevent the actors from performing time and time again. The main highlight to the violence though is a lengthy sequence in the middle where the actors come across a gunfight between a patrol of Nazis and a group of Communists while sneaking through a town at night. The way the violence and the military units in this sequence are framed (they're only shown through the gaps between various houses and stores), in addition to a dose of surrealism, is nothing short of perfect.

    Really, this film kept me glued to the screen from beginning to end in a way that few films have accomplished, and that it accomplishes this in spite of its length makes me all the more impressed by it. Some people may take issue with its lack of characterization, but I didn't mind that at all since it contributed to the film's mysterious power. Of course, I understand that many people will be intimidated by this film's length (which is understandable as I was worried it would be a chore to get through when I first watched it), but I still recommend giving it a chance anyways.
    9alexx668

    Travelling players in life..

    "The Travelling Players", one of the early films of Theo Angelopoulos, shows the vast difference between the talented rising director of 1975 that had something to say, and of the bourgeois famous director of 1998 ("Eternity And A Day") that won the Cannes award but had nothing left to say.

    A sprawling epic running at around 4 hours, the film follows a group of touring actors performing a theatrical play across Greece between 1939 and 1952. The focus is on the troubled modern history of Greece during the period (a fascist dictatorship, resistance against the Italians, German occupation, civil war), seen through a series of warped desolate sequences drenched in languor, and also an apotheosis of traditional folklore, music, theater, rural and urban landscapes. Most of these scenes exhibit a rare poetical sensibility, while a few are a bit clumsy, but still interesting.

    Couple that with the drama that unfolds within the group of players, and you've got a true masterpiece. Basically what we see is a loose adaptation of Aeschylus' ancient tragedy "Oresteia" (the father Agamemnon, the adulterous mother Clytamnestra, her lover Aegisthus, the avenging daughter Elektra, the avenging son Orestes etc). In the end, the group of actors stands severely rearranged through a painful and dividing historical period, shadows of themselves in a shadow of a country. The film ends as a perfect circle just the way it began, a metaphor for life itself.
    8deickos

    Great film

    This is the only film of Angelopoulos I really like, all those after it are just too much (or too little). It seems it is common practice for the best Greek films to be made under the harshest conditions - literary under fire! Thiasos is not an exception: it was made in about 2 years during the worst part of the military junta. Angelopoulos and his associates were planning to leave Greece on completion; during filming he would tell the police it was an action movie, a Greek western! Besides all that the core story derives from ancient Greek tragedy (Aeschylus, Sophocles, Euripides) and that is somewhat stunning.
    YP

    A great but ponderous work; covers modern Greek history by retelling ancient Greek tragedy.

    This is a landmark film, a must see for anyone that wishes to understand modern Greek history and politics. The plot is a loose retelling of the Oresteia cycle of tragedies by Aeschylus--the names of the characters (Orestes, Electra, Chrysothemis) are an obvious hint. Betrayal, revenge and redemption are only part of the story. It takes place in Greece between 1936 and 1952, years filled with fascist dictatorship, war, Axis occupation, civil war and repression. Greece's traumatic history is seen through the eyes of a traveling company of actors, who travel all around provincial towns to perform a single play: "Golfo", a pastoral tragedy told in folk-song-inspired rhyming couplets.

    This is not a movie for action-loving, short-attention-span viewers. Angelopoulos and his long-time collaborator, renowned cinematographer Arvanitis, have developed a very distinctive style, and "O Thiassos" is an uncompromising example. There are no close-ups, very little panning, some slow tracking; shots are long (both in point of view and time); almost every shot is filmed in overcast conditions; actors are dwarfed by their surroundings, which are all unglamorous, even depressing in their wartime run-down look. One could say that the purpose is to accentuate the tragic, the sense that the characters are cogs in the machine of history; but ancient tragedy did the same in big style, opulent costumes, and terrifying masks. Angelopoulos' politics induces him to focus on ordinary people in ordinary surroundings instead. The result is strangely, hauntingly lyrical to many; a real downer for some.

    The film came out in 1975, a year after the end of the dictatorial right-wing regime of the "colonels" (1967-74), and after decades of repression of communists and their sympathisers. Angelopoulos' point of view is sympathetic to the left/communist side. Under full democracy, it was finally allowed to be expressed. The film helped shape the political sensibilities of a whole generation of Greek baby boomers. Its sixteen-year trek (plod, some would say) through Greek history will probably bewilder non-Greek viewers, but it is a deeply affecting crash-course in what shaped contemporary Greece. It is also an impressive re-interpretation of tragedy, as original as any I have seen on film.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      The whole film is accomplished in around 80 shots.
    • Citações

      Elektra's Father: [before he is executed by the Germans] I came cross the sea, from Ionia. Where did you come from?

    • Conexões
      Featured in Apefasisamen kai diatassomen: I Hounta, i logokrisia kai o ellinikos kinimatografos (1967 - 1974) (1997)
    • Trilhas sonoras
      Giati hairetai o kosmos (Ymnos tis 4is Avgoustou)
      Music by Gerasimos Fren

      Performed by Vangelis Kazan

    Principais escolhas

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    Perguntas frequentes14

    • How long is The Travelling Players?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 13 de outubro de 1975 (Grécia)
    • País de origem
      • Grécia
    • Idiomas
      • Grego
      • Inglês
      • Alemão
    • Também conhecido como
      • Os Atores Ambulantes
    • Locações de filme
      • Aigio, Grécia
    • Empresa de produção
      • Papalios Productions
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      3 horas 50 minutos
    • Cor
      • Color
    • Mixagem de som
      • Stereo
    • Proporção
      • 1.66 : 1

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